disgrace Tagged Articles at Cinematical
Indie Roundup: 'Get Low' Gets Bought, Chilean 'Beer'
Filed under: Drama », Foreign Language », Independent », Box Office », Cinematical Indie »

Indie Roundup invites you to relive the last seven days and look forward to the near future in the ever-diverse indie film world.
Deals. A big buzz title at Toronto was the most notable deal of the week. Aaron Schneider's Get Low, starring Bill Murray, Robert Duvall, Sissy Spacek, and Lucas Black, sold to Sony Pictures Classics for distribution in North America, according to our friends at indieWIRE. Scott Weinberg called it "an excellent little dramatic piece that's awash in humanity, warmth, insight, and wit." Details on several other deals that were made, all related to the Toronto fest, can be found at indieWIRE.
Online / On-Demand Viewing. Even less-publicized fest films are getting out into circulation. Hailing from Chile, Scrambled Beer (Malta Con Huevo) premiered at SXSW in 2008, and is now available for free streaming exclusively at Babelgum. It's described as "a delirious black comedy and bizarre story about two friends named Vladimir and George who move in together and begin to see reality differently. Vladimir lives a supernatural tale of time travel, while Jorge grows obsessed and embarks on a twisted adventure." In other words, possibly the perfect movie for the beginning of fall.
Fests. My favorite festival ever, Fantastic Fest, starts tomorrow night. Unfortunately, I'll only be able to pop in over the weekend to savor a small taste of the cinematic banquet that will be served over the next seven days. Look for much more coverage right here at Cinematical.
Actors in period costume, multiple shots of rum, and foreign cities -- all after the jump!
More Big Toronto Premieres: 'Miracle at St. Anna,' 'Nick & Norah's Infinite Playlist'
Filed under: Toronto International Film Festival »
I would like to punch Variety in the face for writing "preem" instead of "premiere," as in "Spike Lee's WWII pic Miracle at St. Anna will world preem at the Toronto Film Festival." Yeah, I know, they use this sort of cutesy Hollywood "inside baseball" terminology left and right -- I find all of it irritating, but preem? Seriously? That is nothing if not horrible. And it's all of three letters shorter than the whole word.Anyway, the unnecessary slang obfuscates what I want to write about: Miracle at St. Anna will have its world premiere at the Toronto International Film Festival in early September. The other big get Toronto announced yesterday is the world premiere of Nick & Norah's Infinite Playlist, the indie kid romantic comedy starring Michael Cera. I'm much more excited about that one, to be honest. Prestige war movies are a dime a dozen; Michael Cera playing "a member of the queercore band 'The Jerk Offs'" is something special.
Also announced: Kathryn Bigelow's Iraq actioner The Hurt Locker, a drama called Disgrace with John Malkovich, and a few others. This is in addition to the 27 films announced last week.
This will be my first year attending Toronto (back-to-back with Telluride, where I've gone four times now), so needless to say I am aquiver with anticipation.
Malkovich to Star in Coetzee's Disgrace
Filed under: Drama », Casting »
John Malkovich is replacing Ralph Fiennes as the lead in Disgrace, the big-screen adaptation of J.M. Coetzee's Booker Prize-winning novel. He wil play a professor of romantic poetry who is driven into exile after having an affair with one of his students. He moves in with his daughter, but the pair soon become victims of a violent attack. The screenplay has been approved by Coetzee, and filming will begin later this fall. Disgrace is Coetzee's first book to deal explicitly with post-apartheid South Africa, and it's a bleak and searing tale. i can see why the filmmakers wanted Fiennes for the character of David Lurie; the professor is supposed to have Byronic good looks and a strong sexual appetite. But he is also a somewhat broken-down figure; he teaches communications at the Technical University, where his real subject, modern languages, has been thrown out as a part of a nationwide rationalization of educational resources. Malkovich, I'm sure, will capture and exude much of the despair of the character, as well as the chilling and spare atmosphere of the novel. Despite his recent comic turn in Art School Confidential, I always think of him as the Valmont character in Dangerous Liasons -- sort of smart, sleazy, elegant, and vicious all at once.









