Do you want to look forward or backward? Out on DVD this week are two Japanese films separated by more than half a century. Animation director Satoshi Kon first made his mark with Perfect Blue (1997), a trippy journey into a pop singer's psyche that transcended time and space. He reversed course with Millennium Actress (2001), which crossed decades to tell the story of of a reclusive movie star, and slid into the mainstream with the much more straightforward Tokyo Godfathers (2003) before returning to more familiar territory with the made for television multi-episode series Paranoia Agent (2003).

His most recent film, Paprika, is a "visually rich tale," wrote Kim Voynar, "about a group of private scientists at a research facility who have invented a device called the DC Mini that allows 'dream detectives' to enter other people's dreams." The DVD includes a "making of" documentary, several featurettes and a filmmaker commentary.

Is it possible to summarize the career of Akira Kurosawa? Suffice it to say that his 1948 noir Drunken Angel was his first step into personal filmmaking and his first collaboration with the great actor Toshirô Mifune. As is their custom, The Criterion Collection has produced a DVD that features a new, restored high definition transfer, audio commentary by Japanese film expert Donald Richie, a "making of" documentary, a new "video piece" on the challenges that faced Kurosawa, and more.

Quite frankly, Wilson Yip's Dragon Tiger Gate is an unholy mess that tries to pretend 40-something Donnie Yen is about half his age -- and that's just the starting point for the foolishness unleashed. It could be argued that the action and the dramatics are intended to be over the top, since it's based on a popular manga, but I think that's probably insulting to the source material, which I haven't read. If you're a glutton for punishment -- or just a sucker for any kind of martial arts action and/or pretty boys Nicholas Tse and Shawn Yue -- you might like this more than I did. The DVD includes an audio commentary by Ric Meyers, a "making of" featurette and deleted scenes.

Bits and pieces for a lovely Tuesday:

• Another Sundance success, Patricia Foulkrod's The Ground Truth: After the Killing Ends, has scored a theatrical run, this one thanks to Focus Features. Foulkrod's film examines the lives of six soldiers fighting in Iraq, from "recruitment and training" through "their experiences in combat, coming home and struggling to reintegrate into society." It sounds profoundly depressing, and is expected to hit theaters this fall.

• If Jessica Simpson really is in the running for all the roles we've been hearing about lately, she's got an awfully busy couple of years ahead of her. And today, there's another one -- according to an interview Simpson recently gave MTV, she's had meetings with Sony personnel about playing Lucy Ewing in the Dallas movie. If that idea frightens you, consider this: Lindsay Lohan is also interested in the part, so it's really a question choosing the lesser of two evils.

• Thanks to New Line, yet another magician movie -- that's three, if you're counting -- is now in the works: the studio has picked up the rights to a spec script called Burt Dickenson: The Most Powerful Magician on Planet Earth. Taking a page from The Prestige, this one is also about rival magicians, only they're in modern-day Vegas rather than Victorian England, and one of their partners dies early-on, leaving his ex to "find a way to rediscover his love for magic." And it's a hilarious comedy. Actually, apart from the magicians, it's not like The Prestige at all.
  

• The Weinstein Company has acquired the English-speaking-territories distribution rights (whew) for Wilson Yip's Chinese-language martial arts thriller, Dragon Tiger Gate. Based on a comic book, the movie "follows three young Chinese martial arts masters who emerge from the back streets of Hong Kong to help the powerless fight injustice" and stars the outrageously pretty Nicholas Tse, among others. While this chance to see the film on a big screen normally would be great news for American lovers of Asian film, given the TWC Promise debacle, God only knows what's going to happen with this one.