Skip to Content

Autoblog reviews all the hottest cars

duplicity Tagged Articles at Cinematical

What's Keeping Adult Audiences Away?

Filed under: Celebrities and Controversy », Box Office », DIY/Filmmaking », Newsstand »



Just yesterday I was joking around about predominance of "tweens," and today The Hollywood Reporter is saying that they're all that is keeping the industry afloat. High-profile movies like State of Play and Duplicity are faltering at the box office and suffering from soft openings. Mature films starring mature stars just aren't proving as profitable as Zac Efron and fast cars and no one knows why. Is it the reccession? Is it the marketing? The subject matter?

I don't buy that it's the reccession, exactly. I can't pretend to know much about the economy, but if adults lack the disposable income than the kids do too. Now, it's possible that adults are being tighter with their own entertainment and keeping to Netflix and Hulu, but handing money over to their offspring so that they can have some fun with Vin Diesel. Certainly, the ongoing success of Monsters Vs Aliens would suggest that a lot of families may hold out going to the theater until it's a film that everyone can see and enjoy.

Personally, I think it's a combination of subject matter, money, and motivation. Over the years, I've watched my relatives become more and more reluctant to go to the movies. They rarely feel that it's worth the trouble or the expense to see just any movie. It has to be an event, or have the stamp of reliability. It doesn't surprise me that Gran Torino had a bigger and splashier run than State of Play or Duplicity, because I know which film my relatives would consider to be the better value, regardless of critical opinion.


Should Hollywood Keep Aging Actresses?

Filed under: Fandom », Newsstand »

Julia Roberts in 'Duplicity'Why do so many women get stuck playing characters older than they are? While watching Duplicity, for example, I was thinking, "Wow, Julia Roberts really looks her age." (She's 41.) I don't mean that in a negative way -- she's still a fine-looking woman -- but it's rare to see an actress in her 40s or 50s playing a character who's in her 40s or 50s.

More often than that, we see younger women playing older characters, as Hadley Freeman points out in The Guardian: "It is all too easy for a female actor to find herself cast as the mother of someone who once played her boyfriend as soon as she blows out the candles on her 35th birthday cake." She cites various examples:

  • Sally Field as Tom Hanks' mother in Forrest Gump. Age difference: ten years.
  • Glenn Close as Mel Gibson's mother in Hamlet. Age difference: nine years.
  • Anne Bancroft as Dustin Hoffman's matronly seductress in The Graduate. Age difference: five years.
  • Elizabeth Taylor as Dennis Hopper's mother in Giant. Age difference: four years.
  • Angelina Jolie as Colin Farrell's mother in Alexander. Age difference: one year.
  • Lea Thompson as Michael J. Fox's mother in Back to the Future. Age difference: none.

Freeman concludes: "Quite why film directors are so averse to having middle-aged roles played by middle-aged women comes down to male insecurity and misogyny ... The sense of disgust of older women is so deeply entrenched in Hollywood that even when the role is specifically for an older woman, no one wants to see an actual older woman on screen." All of the directors of the films cited above are men.

Do you want to see more "actual older women" on screen? Or would you prefer that older female characters be played by younger actresses?

Does Anyone Like Julia Roberts?

Filed under: Celebrities and Controversy », Fandom »



I have a confession to make: I like Julia Roberts.

Boy, it feels good to get that off my chest, even if admitting it makes me the kind of girl that the Guardian's Jeremy Kay sees as lining up for Duplicity to remember being as "touched [as] after watching Pretty Woman for the very first time." I've always found her appealing and rather funny -- enough to even rewatch The Mexican when it was on cable a few weeks ago. (Mary Reilly, however, will forever be a no go.)

But liking Roberts seems to be a shameful thing unless you're David Letterman. Every pre-Duplicity review and article I read was prefaced with a gleeful "I've never liked Julia Roberts!" Many seemed to be rooting for her "return" to fail so they wouldn't be faced with having to type her name again. Roberts doesn't even attract pure girl hate, as many actresses do -- it's split right down the gender lines, with men proud of the fact that they find her unattractive.

I'm really perplexed by it. I just don't get what she's done that inspired such delighted dislike. Maybe it's the whole "America's sweetheart" label that was stuck on her in the 90s -- coupled with the fact that she actually starred in a film called America's Sweethearts. Perhaps she's not the greatest actress, but there's dozens who fit that bill. Sure, she's done a lot of romantic comedies, but as chick flicks go, they're pretty watchable. They're nowhere near as offensive as the ones Jennifer Aniston has in the pipeline. She's had a messy personal life, but again, that's hardly unique, nor are the sneering rumors that she's not very nice off screen. Steven Soderbergh stamp-of-approval be damned, because Steven Spielberg won't work with her again.

So, I'll borrow a page from Peter Martin and Nicolas Cage, and demand an explanation from the Cinematical readers. Love Roberts? Hate her? Explain yourselves in 100 words or less. Bonus points if you reference Notting Hill in some way.

Weekend Box Office: 'Knowing', 'I Love You, Man', 'Duplicity' Line Up at the Top

Filed under: New Releases », Box Office »

Nic Cage-heavy advertising propelled Knowing to the top of the box office and a decent $24 million opening weekend, though we'll see what happens once audiences get a load of what this exceedingly weird movie is actually about. The arrival of Monsters vs. Aliens won't help either. I expect at least a 50% drop-off next week.

What's interesting about the $18 million bow for I Love You, Man is that I'm pretty sure the movie got an assist from the Judd Apatow brand even though Judd Apatow didn't have a damn thing to do with it. It's Paul Rudd + Jason Segel + tone. People love these clever, raunchy male-fantasy movies, and there's no end in sight. On the other hand, Duplicity may have come off as too smart for the room, as pervasive marketing, Clive Owen and Julia Roberts didn't amount to more than $14 million for Tony Gilroy's film. That's more than Gilroy's Michael Clayton ever made in a weekend, but that movie was platformed.

Watchmen's looking like $115 million at the end of the day. Other holdovers are looking more impressive: Coraline and Madea Goes to Jail are still bumming around the top 10 after seven and five weeks, respectively; the latter is by far Tyler Perry's highest-grossing film, while the former has parlayed a $16 million opening to what will be an $80 million finish.

The full top 10 after the jump.

Review: Duplicity

Filed under: Action », Comedy », Thrillers », Mystery & Suspense »



For someone who made his name in Hollywood as a crackerjack screenwriter, Tony Gilroy seems, with Duplicity, far more adept with the camera than the written word. With his directorial follow-up to Michael Clayton, Gilroy returns to the world of corporate espionage, though this time he plays his spy-thriller material for fun, his characters' use of champagne corks to send secret signals proving apt for a film aimed at delivering fizzy thrills.

For all its intricate plot machinations, however, there's little here that hasn't been done before, and better, by the likes of David Mamet and even Steven Soderbergh, whose Ocean's Eleven capers are clearly an inspiration for Gilroy's jazzy-cool approach. Stylish to the hilt, it's a saga coated in sumptuously sleek hues that are in tune with the story's zippy verbal interplay. Yet for all its razzle-dazzle aesthetic flair, there's not much going on beneath the striking surface, as the writer/director's tale is an unnecessarily knotty one, masking its shallowness of theme and characterization with narrative loop-de-loops that, by the third act, are revealed to be insufficient window dressing for a rather pedestrian, hollow cat-and-mouse contest.


Box Office: Knowing the Love of Duplicity

Filed under: Box Office », Box Office Predictions »

Despite having the biggest opening weekend of the year, Watchmen took a sharp dive in its second weekend, falling about 66%, but still holding on to second place. Dwayne Johnson's new Disney outing Race to Witch Mountain took top honors, with the horror remake The Last House on the Left scaring up a respectable third. Miss March took in only $2.4 million, which is only enough to buy tenth place. Here's the top five:

1. Race to Witch Mountain: $25 million
2. Watchmen: $18 million
3. The Last House on the Left: $14.6 million
4. Taken: $6.6 million
5. Tyler Perry's Madea Goes to Jail: $5.1 million


Three new ones this week providing a combination of laughs, thrills and romance.

Duplicity
What's It All About:
Julia Roberts and Clive Owen are former intelligence operatives (CIA and MI6 respectively) who have traded in their cloaks and daggers for the world of corporate espionage. The two join forces to swindle their respective companies out of a product that will mean a fortune for whoever patents it first.
Why It Might Do Well:
The two leads are the big attraction here.
Why It Might Not Do Well:
The 60% rating at Rottentomatoes.com is still considered "fresh" but underwhelming.
Number of Theaters: 2,400
Prediction:
$19 million

I Love You, Man
What's It All About:
Paul Rudd plays a man about to marry the woman of his dreams, but with no guy friends to serve as best man, he sets up a series of man dates to court a new best friend. Jason Segel plays a personable yet possibly psychotic man who quickly becomes Rudd's BFF.
Why It Might Do Well:
Both of these guys have made me laugh a lot in recent years, and the Tomatometer is up to 77%.
Why It Might Not Do Well:
I think this one is pretty safe actually.
Number of Theaters:
2,500
Prediction:
$22 million

Julia Roberts & Clive Owen Sneak and Spy in 'Duplicity' Trailer

Filed under: Romance », Mystery & Suspense », Universal », Trailers and Clips »

Reuniting after 2004's Closer, it appears that stars Julia Roberts and Clive Owen, along with Bourne writer Tony Gilroy, are all out to have a bit more fun with Duplicity; the trailer just went up over at Apple.

If anything, it comes off as more of a zippy heist film of sorts than the thriller I took it to be from the earliest synopsis on, even though corporate espionage remains the name of the game. Then again, maybe we're overdue for another Thomas Crown Affair-like outing, and between the cast (which also includes Tom Wilkinson, who was in Gilroy's Michael Clayton, and Paul Giamatti, who shared the screen with Clive in Shoot 'Em Up) and the crew, I'm pretty much sold.

(If Billy Bob Thornton is still in this, though, as Monika reported last January, he sure isn't showing up here, and IMDb remains mum.)

Duplicity opens on March 20th of next year -- about a month after Clive's bang-ier espionage efforts in The International.

Clive Owen Talks 'Duplicity,' 'International,' and Career Options

Filed under: Casting », New Releases », RumorMonger », Celebrities and Controversy », Scripts »

Like many of the characters he plays, Clive Owen was reserved, astute and insightful throughout his public appearance at the Apple store in downtown Manhattan on Friday. Interviewed by American Psycho director Mary Harron as a part of a series of conversations co-hosted by Apple and indieWIRE, taking place during the Tribeca Film Festival, Owen touched on two of his recent projects while fielding broad questions about his professional interests.

Although not currently starring in any theatrical releases, Owen was in town performing opposite Julia Roberts in the corporate spy thriller Duplicity, the sophomore feature from Michael Clayton director Tony Gilroy (a special guest at the store the following night). "I read the script and thought it was brilliant," Owen said, adding that shooting was halfway done. "I'd met Tony already, and he screened Michael Clayton for me. Obviously, when I saw that, it was a no-brainer." Meanwhile, Owen has another thriller in his queue: He plays an Interpol agent fighting global arms dealing in The International, which finished shooting in New York last January and hits theaters next year. Directed by Run Lola Run visionary Tom Tykwer, The International has provided Owen with "as good a director as I've ever come across. He's incredibly on top of every aspect of filmmaking."

'Duplicity' Pics: Clive and Julia Together Again

Filed under: Thrillers », Images »

For many, Closer is that Mike Nichols movie where Natalie Portman played a stripper, stripped down, but then had her nude footage destroyed. For me, it's the film that gave me a new-found appreciation for Julia Roberts. Like many of you out there, I've grown tired over the years of the typical Roberts roles, but pitting her against Clive Owen and making her a mellow, wry, and serious photographer was excellent, and it dulled the memory of her monotonous previous work. Was it her own talents, or what Owen inspired within her that made this possible?

Now she's teaming up with Owen again for Duplicity, and I can only hope that they have the magic again. The film stars Roberts and Owen as two corporate spies who conspire to con their bosses, and Just Jared has a whole slew of pics of the two shooting an anger-filled scene. It's all suits, grabbed arms, and arguments for the pair on the streets of New York. So far, so good.

But even if Closer becomes a distant memory and this flick is just classic Julia, it's still looking damned good. It will be an absolute and serious waste if these two, mixed with Paul Giamatti, Billy Bob Thornton, and the increasingly impressive Tom Wilkinson can't create a great flick. Are you ready for their Duplicity?

Paul Giamatti Is Back with Clive Owen for 'Duplicity'

Filed under: Thrillers », Casting »

There's all sorts of re-teaming going on for the upcoming flick Duplicity. First it was re-joining Clive Owen and Julia Roberts, who starred together in Closer. (And I can only hope that her role will be more like that, and less like the more popular, flamboyant Julia roles.) Now Variety reports that Paul Giamatti is getting in on the action. He was, of course, the thorn in Owen's carrot-eating side in Shoot 'Em Up, and worked with Julia a few times, with a teeny role in My Best Friend's Wedding, and voicing one of the characters in The Ant Bully.

Once you get a little taste of liberty, like he has with the HBO miniseries John Adams, some Duplicity is only natural. Giamatti will play "an industrialist engaged in a fierce game of corporate one-upmanship against a rival titan," who will be played by Tom Wilkinson. Owen and Roberts, meanwhile, are "spies-turned-corporate operatives" who are getting in each other's pants. Topped off with the fact that this film is coming from Tony Gilroy, whose pen is behind flicks from The Cutting Edge and Dolores Claiborne to Michael Clayton and the Bourne series, this is an interesting looking drama.

There is no word in the latest piece on the production schedule, but earlier reports had it slated to begin this month. Meanwhile, in another piece, Variety notes that Rick Worthy has also signed on, in an unspecified supporting role.
 
.