dying breed Tagged Articles at Cinematical
It's Official: After Dark Horrorfest is Moving Up in the World
Filed under: Horror », Lionsgate Films »
Since they like to release eight indie-style or foreign horror films on one specific day each year, I'm always a little bit fascinated by the latest goings-on at After Dark. The fact that I don't actually like the majority of their films is sort of beside the point. Being a hardcore fan gives you the right to be critical, of course, but it also means you should always give a new flick a fair break. And the AD gang has given us access to some half-decent titles, and so I opt to focus on the good (Borderland, The Gravedancers, Frontier(s)) instead of the bad -- which is just about everything else. Although your mileage may vary.And even though the next infusion of After Darkness won't arrive until January, I'm happy to note that they're putting together a rather solid slate. They'd already snagged a cool British chiller called The Broken (which I saw at Sundance ... and enjoyed) and a low-key occult thriller called From Within (which I saw at Tribeca ... and didn't), but now comes word on two new additions: The first one is also a Tribeca title, and it's an Aussie horror tale called Dying Breed. (Here's my review. I nagged Tim to play it at Fantastic Fest, but it ended up in the "very close but no cigar" bin.) The second is an American flick called Autopsy, which comes from screenwriter / first-time director Adam Gierasch (Toolbox Murders, Mother of Tears), and while I haven't seen this one yet, I've heard some quiet-yet-positive rumblings from my sources in the L.A. horror-geek scene.
The Broken, From Within, Dying Breed, and Autopsy will join Slaughter (aka Faithless), Perkins' 14, and The Butterfly Effect: Revelation when After Dark kick-starts on January 9. The eighth title has yet to be announced. Could it be this movie?
[Thanks to BD.com]
Tribeca Review: Dying Breed
Filed under: Horror », Tribeca », Theatrical Reviews »

Dying Breed is to horror movies what your favorite sandwich is to meal-time. And by that I mean this: It ain't exactly new. If I described the plot like this -- four well-intentioned but ill-equipped young adults travel into a very dangerous part of the world only to become victims of something horrific -- you'd probably start yawning right about ... now. So on the surface, Jody Dwyer's Dying Breed is a pretty familiar affair. Having said that, it's still got quite a few more assets than many of its ilk -- plus it's actually kinda creepy, impressively well-shot, and really quite gruesome on several occasions. So while sure, it's a fairly familiar old sandwich, it's still a sandwich that was put together with some actual effort, which is nice.
A bit more specifically: Two young couples decide to trek deep into the island of Tasmania. One of the four is looking for A) a species of wild tiger that's believed to be extinct, and B) a few reasons as to why her big sister died in the area eight years earlier. Along for the ride are a boyfriend, a wise-ass, and the wise-ass' girlfriend. (I'm actually doing the actors a disservice by describing their characters that way. They're not exactly mega-deep characters, but all four of the young actors deliver some surprisingly strong work here.) The first stop is a pub that's pretty much crawling with sweaty inbreds and drooling perverts, but after one stressful evening the quartet hits the rapids in search of deepest Tasmania. And boy oh boy is something nasty waiting for them to arrive.









