elizabeth shue Tagged Articles at Cinematical

Hamlet 2 was one of the first -- and biggest -- sales at the 2008 Sundance Film Festival, claimed by Focus Feaures for a reported $10 million. And after finally seeing it -- at a press screening added to the schedule near the close of the fest by virtue of the buzz and the biz -- I had one of those moments where one feels totally disassociated from the second half of the phrase 'show business.' Maybe it was late in the fest, and I was overloaded; maybe Hamlet 2's comedy, if I had seen it at a public screening, would have gained mass and momentum from the presence of a more mixed audience instead of my seeing it with the rag-tag remnants of the press corps who saw it Friday afternoon. Maybe Focus have bought themselves the next Little Miss Sunshine, a wacky, sprawling-cast comedy that will have a lively, lucrative life after the festival. But after watching Hamlet 2 -- a shoddy and indulgent mass of bits from other movies with a shapeless, shameless performance by British comedic actor Steve Coogan as its unfixed center -- I wasn't thinking of Little Miss Sunshine or Once or any of the other Sundance success stories of the recent past. I was thinking of Happy, Texas -- the most recent and memorable example of a big-money Sundance sale where the excitement about the film crumpled as the movie descended from the elevations of Park City.

Directed by Andrew Fleming (Dick, Nancy Drew) and co-written by Fleming and Pam Brady (South Park: Bigger, Longer & Uncut, Hot Rod), Hamlet 2 revolves around Tuscon, Arizona drama teacher, Dana Marszh (Coogan). Marszh is a fairly silly man as written -- name-dropping his time on the set of Mrs. Doubtfire in a futile attempt to impress his students, staging film-to-theater productions like Erin Brockovich, oblivious to the fact his marriage to his wife Brie (Catharine Keener) is crumbling under the featherweight burden of his own meaninglessness. Coco Chanel said that one of the secrets of style was to take one thing off before you leave the house; I wish someone had applied that maxim to Coogan's performance. Dana roller-skating around Tuscon because he can't afford a car is potentially amusing; Dana roller-skating around Tuscon in a caftan -- so as to improve his fertility, as Brie wants a baby -- takes Dana from 'potentially amusing' to 'definitively over-the-top.'

If this summer movie season shows us anything, it's that Hollywood has gone sequel-crazy. These greedy studio executives keep demanding more explosions, more superheroes, more Power Point presentations about global warming! Wait...what was that last one? Yes folks, An Inconvenient Truth Part 2 is on the way. It doesn't mention whether former presidential candidate (and, many would argue, rightful winner) Al Gore will be involved again, but I would imagine he'd have to be. According to the Truth's director, Davis Guggenheim, "I'm meeting with Paramount next week to talk about a sequel to Inconvenient Truth. Too early to talk about details." Considering the extremely low-key nature of the original, it was churned out in a mere five months, and that quick turnaround could mean we'll see the sequel in time for the 2008 presidential election.

Guggenheim had been largely a television director before An Inconvenient Truth hit it big. He was behind the camera for episodes of great shows like Deadwood and The Shield. He branches out again for his new movie Gracie, which opens on June 1st. It's a scripted film, stars Dermot Mulroney and Elizabeth Shue, and is about a teenage girl who fights to give women the opportunity to play competitive soccer. Don't know if it will be as powerful a soccer film as the Rodney Dangerfield vehicle Ladybugs, but we shall see. Truth won the Best Documentary Feature Academy Award earlier this year, and also picked up a win for Melissa Etheridge's incredibly average theme song. I thought the movie was very informative and entertaining enough, but I could have gone for a lot less scenes of Al Gore walking around to lame narration. There's still a lot to learn about the environment and where the world is headed, I'd be up for a sequel. I can hear the trailer now: "An Inconvenient Truth 2. The truth...just got a lot more inconvenient."

• Bukowski: Born in to This - There is a morbidly fascinating fly-on-the-wall vibe that pervades John Dullaghan's profile of the late Beat writer Charles Bukowski, a base familiarity that parallels the Ham On Rye author's own inimitable hard-lived life and style. Epic in scope (and length), first-time director Dullaghan compiles dozens of meticulously screened hours of archival footage, coupling the best of it with new interviews with Bukowski survivors to present a terrifically real character study of a little-studied real character. The watchable Chuck-alike Happy Hour, starring Anthony LaPaglia as a booze-addled writer, is also just out.

For his follow-up to the tepidly received comedy Fun with Dick and Jane, Jim Carrey will make one of his periodic forays into the world of drama, as the star of Joel Schumacher's The Number 23. The film, described as "psychological thriller," is the story of a man who, upon reading an "obscure book" called The Number 23, becomes convinced that the book is about him. His obsession with the book and number escalates "to the point that he...realizes that the book forecasts far graver consequences for his life than he could ever have imagined." Oooooh.

Despite the fact that the IMDB lists the film as completed, it's only just finalizing its cast and won't even start shooting until Monday. Though Elisabeth Shue was originally cast as Carrey's wife, she's about to be replaced (presumably because she's pregnant) by Sideways star Virginia Madsen. Also just added was Rhona Mitra, who will play "Suicide Girl," a character from the book.

While the story sounds potentially interesting, the presence of Schumacher is a wild card at best - when was the last time he made a tight, solid thriller?

[via Cinema Blend]