Hmmm ... well, file this one under "this could be an interesting casting decision." Variety reported yesterday that Ellen Page, who's been one of my favorite young actresses since I saw her in Hard Candy, has signed on to play one of classic literature's greatest (and most adapted) heroines, Jane Eyre, in an adaptation for BBC.

On the one hand, I can see Page physically in the role -- she looks very like the waif-like Jane in the ancient hardcover edition of the book I inherited from my great-grandmother, all narrow-faced and doe-eyed. And she's certainly proven that she has the acting chops to take on a serious role (see her performances in both Hard Candy and An American Crime).

Of late, though, she's become so identified with the snarky, wise-cracking teenagers she played in Juno and Smart People, that it may be a bit hard now to wash the modern, smart-mouthed teen out of our collective viewing palettes. I say this as a fan of both Page and Juno -- and Lord knows, I've taken enough crap here and elsewhere for loving Juno over the last year -- but I'm trying to wrap my mind around Page as one of the most depressing heroines in literature (all right, Wuthering Heights' Cathy is perhaps more depressing, but until the very end of the book, Jane Eyre isn't what I'd call cheery and uplifting).

After seeing Juno, the first thing my friend and I did was speedwalk back to my neighborhood so that I could scour my local open-late music store for the soundtrack. (Even after Diablo made me feel really frakking old by referring to "Superstar" as dated.) It was the first time in eons that I really wanted a soundtrack (I used to be addicted to them), and annoyingly, it wasn't out yet. After a bit, the disc was finally released, and now, quickly on the heels of soundtrack #1, Ace Showbiz reports that we're about get more great Juno tunes in Juno: B-Sides Almost Adopted.

Sure, there might not be a technical B-side, but it still works. In the liner notes, Reitman wrote: "None of these songs made the movie, but they are all essential members of the Junoverse." There's more Kimya Dawson, some Yo La Tengo and Buddy Holly, and even a new Diablo Cody-penned tune. The song is called "Zub Zub," and was performed by Page in a cut scene, one that I imagine will pop up in the DVD. Just as a teaser, it contains the lyrics: "He filled me with baby batter/then we ate some orange tic tacs after." Oh, how I love catchy tunes with strange lyrics.

The collection will be available on iTunes next week, April 8, but so far, there are no plans for a disc.

Although I read Libertas and other conservative sites regularly, on the premise that it's a good idea to know what the barbarians are up to before they get to your gate, I rarely post about stories I read there. This piece they had up yesterday, though, is so blatantly misinformed and misguided that I felt compelled to address it.

The piece is yet another conservative rant against the liberal Hollywood machine. It starts out by linking to an article over on The Daily Standard, deemed by Libertas an "insightful piece on a disturbing trend." That alone set off my inner alarm bells, but I gamely went off to see what insights the Standard had to offer. In his piece, titled "Hollywood on the Offensive -- Child Abuse Hits the Silver Screen," Kevin Kusinitz starts out by attacking two films from Sundance 2007 -- Hounddog, starring Dakota Fanning as a young rape victim, and An American Crime, a dramatization of the murder of Sylvia Lukens in 1965, starring Ellen Page. Kusinitz then goes on to attack Page for her role in Juno thusly:

Cinematical has just received this exclusive final poster for the film Smart People (click on the image for a larger version), starring Dennis Quaid, Sarah Jessica Parker, Ellen Page and Thomas Haden Church. Smart People first premiered at the Sundance Film Festival back in January where our own James Rocchi called it "so well-made, so well-acted and so impressively (for lack of a better word) smart that anyone who seeks it out will find something to admire and enjoy in its craft and heart." Here, Noam Murro makes his feature directorial debut with a story that follows a widowed professor (Quaid) who's life takes an unexpected turn when his adopted brother (Church) shows up for a visit. For more on Smart People, feel free to check out our Sundance audio interview with Sarah Jessica Parker, Dennis Quaid and Thomas Haden Church.

Smart People arrives in theaters on April 11.

First we reported that Ellen Page would be starring in Sam Raimi's first horror flick in many a moon: Drag Me to Hell is what it's called. Then a few days ago, we learned that Ms. Page's schedule was way too booked with other stuff, so the horror flick is what had to go. Oh well, Page's loss looks to be Alison Lohman's gain.

According to Variety, production on Drag Me to Hell will be delayed only two weeks, which gives Ms. Lohman a little time to learn her lines. Alison's actually 28 years old, but dang she looks a lot younger than that -- which is good since she'll soon be playing a high school student. (Or maybe Mr. Raimi will move his story to college?) The good news is that not only is she very pretty, but Alison Lohman has proven to be quite the fine actor. (You'll remember her stuff from White Oleander, Matchstick Men, Big Fish, Where the Truth Lies, and Beowulf.)

So while I definitely look forward to Ellen Page's new flicks, it's cool to see Alison Lohman snag a starring role ... in a horror flick. Production begins in L.A. at the end of the month.

Only a few weeks ago, Scott Weinberg reported that Sam Raimi would be directing Drag Me to Hell, his first new horror flick in many years. To amp up the excitement, it was also announced that Academy Award nominee Ellen Page would be starring as an unsuspecting woman who becomes the recipient of a supernatural curse. This sounded like an awesome combination of director and star, but, alas, Ms. Page has dropped out.

Bloody Disgusting reported the news, citing an unidentified source that claimed Ms. Page didn't like the latest draft of the script by Sam and Ivan Raimi and speculating that it was really "Oscar cold feet" that caused her to change her mind three weeks after accepting the role. (That's just silly, by the way: she lost the Oscar and now she gets pickier about her roles?) On the more official front, MovieWeb quoted an e-mail statement from Ghost House Pictures (Raimi's production house) and Mandate Pictures: "We were racing to start production so that we could accommodate Ellen's schedule. But like so many other productions trying to start before the potential SAG strike date, this one needed more time and we had to push back the start of production."

Page has proven in the past, especially with Hard Candy, that she's willing to embrace her dark side, and the idea of her starring as a strong horror heroine under Raimi's direction was compelling, so it's a shame she dropped out. Production was scheduled to start on March 17. With the start of production pushed back, that gives them more time to recast the role.

Over at MTV-land, Josh Horowitz has a rather clever short up in which he inserts himself into the nominees for the Best Picture Oscar. Horowitz gets verbally abused by Keira Knightley, finds out he got Juno pregnant, uses his hamburger phone to call Javier Bardem's serial killer to take care of his "little problem," has a chat by the fire with Daniel Plainview, and gets yelled at by George Clooney. The editing isn't seamless, but it looks quite good, and Horowitz, when he's not being annoying, can be funny.

It's pretty darn amusing (or at least, it was to me, but I've only had one cup of coffee this morning, so it's possible I'm just not awake yet), and just the kind of thing Jon Stewart might do for the Oscars. I wonder if Stewart had something similar planned, saw this online and said, "Damn that Horowitz! He stole our idea!"

What do you think about the video? Funny, or not?
[Hat tip: Hollywood Elsewhere]

Jeff Wells is beating his drum again about Jason Reitman casting Ellen Page in the role of Juno, asserting that most high school guys -- even the dorkerific Michael Cera -- wouldn't find her attractive, much less want to have sex with her. Wells first brought this up back in December, calling Page "great but miscast," and got ripped a new one by many of his readers for it, but maybe he just likes the abuse ... or stirring up a little controversy.

Having just interviewed a pack of highschoolers for their Oscar predictions (more on that later) and hearing what they have to say about Juno, the film, and Ellen Page as Juno, the character, I think Wells must be smoking something, or else he's just been living out there in La-La Land for way too long.
If it's believable that women would find Seth Rogen's character in Knocked Up sexually attractive, it's certainly plausible that high school guys would be hot for a smart girl like Juno, even if she's not a blond cheerleader with big boobs. What do you folks think? Do guys go for the smart, sassy, somewhat dorky chicks, even if they're petite and perky rather than Hollywood-hot (whatever that is)? Discuss away ...

The firestorm sparked by Lindsay Lohan's decision to pose naked for a photo spread in New York Magazine is fascinating. The comments in response to Erik Davis' post were mostly negative, either disparaging Lohan's looks or her reputation as a "bad girl." I'm sure her age (21) also affected how people felt about the pictures and her exposure in them. Would the reaction have been the same if she had appeared naked in I Know Who Killed Me, in which she played a stripper who kept most of her clothes on?

We'll never know, but we do know that not every actress who doffs her duds provokes such a heated reaction. And, sometimes, it's not even the actress' body parts on display. For example, initial reports were that Cate Blanchett appeared nude in Elizabeth: The Golden Age, but that proved to be false. The actress didn't feel the nudity was required, and so a "bum double" was called in. None of the other women nominated for an Academy Award in the Best Actress category appear naked in their nominated films, though three of them have done so in the past. In the Best Supporting Actress category, we find only Tilda Swinton has bared all before. Therefore, we'll cheat a little and add screenwriter Diablo Cody, who worked as a professional unclad dancer for a brief period in her life.

We've listed four nominated actresses and a nominated writer, all good women of distinguished accomplishment who, at one time or another, have appeared naked in public, all but one on the big screen. Who's Your Favorite Good Girl Gone Nude? And don't worry, the boys get their turn tomorrow.

According to The Hollywood Reporter, The Tracey Fragments will be coming to U.S. theaters in May by way of ThinkFilm. Based on a novel by Maureen Medved, the movie stars Ellen Page of Juno, Hard Candy, and X-Men III as a self-loathing teenage girl trying desperately to find her lost nine-year-old brother who thinks he's a dog. The film uses a non-linear narrative and split-screen to present the main characters thoughts. Director Bruce McDonald has several intriguing credits, including the punk rock faux documentary Hard Core Logo, as well as episodes of Degrassi: The Next Generation and the ultra bizarre science fiction series Lexx.

No doubt the success of Juno spurred ThinkFilm's decision to distribute The Tracey Fragments. They will release the film in New York City on May 9, to be followed by a presumably limited release (given the film's unconventional nature) to other cities. The film is nominated for six awards at next month's Genies (Canada's big entertainment award), including best actress for Page. It also won the Manfred Salzgeber Panorama Jury Prize, for a film that "broadens the boundaries of cinema," at last year's Berlin fest. It also garnered positive reviews from Cinematical's own James Rocchi and Erik Davis.

For those curious about the film, the official website is definitely worth a look. It offers the trailer which provides a glimpse at McDonald's intriguing approach, a downloadable Tracey Fragments comic book in PDF format, and a fascinating bit called Tracey: ReFragmented (which Monika first posted about here) for which McDonald made all the footage shot for the film available and held a contest inviting anyone and everyone to remix it. The contest is closed but you can still view the entries.

For those who were kinda bummed out after they didn't get to see Ellen Page be a real mom in Juno, you'll be glad to know that she's signed on to star as a young mother in the new psychological thriller Peacock for Mandate Pictures. Variety tells us Page will join Cillian Murphy in the film, and this one has nutty written all over it. Here's the description: "The title is derived from tiny Peacock, Neb., where Murphy's character, a split personality, fools the town into believing his two alter egos are man and wife. Page plays a struggling young mother who holds the key to his past and sparks a battle between the personalities." WTF? I mean, Murphy's taken on some f**ked up characters in his day, but this one has to take the cake. Yeah, I'd go see this, like, now if I could.

Newbie Michael Lander will direct off a script he co-wrote with Ryan Roy, and production will begin this May. Peacock marks the third film Ellen Page has signed onto in the last month; she'll first shoot Sam Raimi's Drag Me to Hell, then Peacock, and then take on the starring role in Drew Barrymore's directorial debut, Whip It. Meanwhile, Cillian Murphy will do his best to practice playing both a man and a wife. On the role, he says, "Peacock stunned me as a script from start to finish. It offers an incredible challenge to an actor -- one I couldn't turn down." Come to think of it, Murphy does have a feminine quality about him, and so I can totally see him making this believable (heck, he's already played a transvestite cabaret dancer); to the point where an entire town would be convinced there were two separate people living under the same roof. But will he convince us? I guess we'll see when Peacock hits theaters at some point in the next year.

For the horror freaks there are few headlines more potentially exciting than "Sam Raimi to Helm New Horror Flick," but this story just got a little cooler. Not only will Mr. Raimi return to direct his first horror film since ... damn since Evil Dead 2, I guess (Army of Darkness is barely a horror film), but he'll be bringing the adorable Ellen Page with him!

According to The Hollywood Reporter, Mr. Raimi will settle into the director's chair in mid-April, and the flick he'll be helming is something called Drag Me to Hell. Given that THR offers nothing in the way of a plot synopsis, we can assume that Raimi and his Ghost House Pictures are aiming to keep the details under wraps for now. What we know for sure is that A) Ms. Page is definitely on board, B) the script comes from Sam Raimi and his big bro Ivan, and C) a whole bunch of horror geeks across the globe just started clapping their hands in glee. (Universal chiefs Marc Shmuger and David Linde apparently agree: "Sam Raimi's return to horror is a cause for celebration for horror fans and movie lovers everywhere.")

Given that we love horror flicks, Sam Raimi and Ellen Page a whole lot at this blog ... you can expect a lot more news on Drag Me to Hell as soon as it becomes available.

According to Variety, David Slade will now direct Unthinkable, the story of a nuclear bomb in the United States. Tarsem Singh, director of the visually spectacular but dramatically weak 2000 thriller The Cell, was originally attached to direct (we brought you that announcement over a year ago). He has moved on, and no reason is given, but I'm sure it's something along the lines of "creative differences." Peter Woodward (Closing the Ring) penned the script, and Oren Moverman (co-writer of I'm Not There) is now listed as a co-writer.

Unthinkable centers on "investigators who push the limits of interrogation as they seek a suspect's knowledge of an impending nuclear attack on the United States." The film is budgeted at $15 million, so it will likely be a pretty small affair. No casting announcements have been made at this time. Slade made his feature debut with Hard Candy. That sharp, entertaining 2005 thriller starred a pre-Juno Ellen Page as a young girl who turns the tables on a pedophile. He followed that with 30 Days of Night -- last year's vampire flick that was chock full of beautiful camerawork...but not much else. Slade is definitely a director to watch though, and I'm excited to see what he'll bring to this project. Miss this one? Unthinkable! Damn, I'm good.

A lot of my colleagues seem to be practically empurpled lately over the fact that Juno is being feted as not merely a success, but an indie/crossover success. This seems like a moot argument to me -- more on that in a second -- but first I will say that whether you think it is or isn't, you shouldn't overstep and give the PR machine too much credit here. Any studio shingle PR team worth its salt obviously has a 'media manipulation/other shenanigans' Trapper Keeper ready to be opened at a moment's notice if the clouds part and a movie actually connects with the public, but that's the point -- it has to connect first. Juno is a quadrant pimp and Once isn't -- that's why EW isn't piling on the plaudits for Once, even though it's currently enjoying 98 percent positive reviews on Rotten Tomatoes. If your response to this is "Um, yeah, I'm sure Once would love to have Fox Searchlight's Scrooge McDuck-swimming pool of money to buy some ads with" I would say, first, it does, and second, I'm increasingly of the opinion that most of that money is wasted on an ad-saturated public anyway.

All the marketing in the world and a bevy of A-list stars couldn't push a big movie like The Golden Compass even to $70 million, nor keep a crazy-hyped film like Cloverfield from swan-diving in its second weekend, so Juno clearly has legs, which is a rare commodity these days for any film, big or small. And to suggest that Juno's success rests on its popularity with teens, as some have, is wishful thinking. The scary reality is that today's 16 year-olds would probably like to see Step Up 2 in the Oscar race, not a Jason Reitman movie.

In one of Smart People's many funny (yet real) scenes, several beers have loosened the inhibitions and tongue of bright, highly motivated teen Vanessa Wetherhold (Ellen Page). As she staggers out of the bathroom, she pauses to ask a bottle-blonde, denim-clad woman "How's it feel to be stupid?" The woman snaps back: "How's it feel to eat lunch alone every day?" Vanessa's drunk enough to be honest: "It f***in' sucks." And that scene, in a nutshell, is what Smart People is about -- how it's one thing to be bright and aware and clever and perceptive, but it also sucks to eat lunch alone. Vanessa's dad Lawrence (Dennis Quaid) is a burly, bearded professor in the English department at Pittsburgh's Carnegie Mellon University - sluggish and surly and sleepwalking through his days. It's established -- carefully and well -- that Lawrence lost his wife not that long ago. His son James (Ashton Holmes) is attending Carnegie; his daughter Vanessa busies herself as Lawrence's right hand woman -- preparing meals, thinking of new titles for his book, advising him on office politics. This has two advantages for Vanessa; she gets to help her dad with his problems, and it keeps her too busy to think about her own.

The Wetherholds don't have much of a life, but at least it has some order to it -- order that's disrupted by the arrival of Chuck (Thomas Haden Church), Lawrence's adopted brother. Chuck is a slow-motion wreck of a man, a financial and professional failure, but he knows things his brainy brother and niece don't. Chuck wants to crash with Lawrence for a while, but Lawrence isn't very interested in that; when Lawrence has a seizure that means his driving license is revoked for six months, Chuck leaps in that window of opportunity headfirst. Chuck, by his very presence, destroys the status quo at the Wetherhold home. What we come to grasp is that maybe that status quo needs destruction.