His namesakes Paul Thomas Anderson and Wes Anderson made immediate genius debut splashes on the movie scene, but Brad Anderson, 43, has taken a slower, more indirect route, one more like the long, steady careers of John Ford and Howard Hawks. (By the way, none of these Andersons are related, and I am not related to any of them.) Brad Anderson has turned into a solid, dependable genre director, highly skilled and capable of making any kind of movie. Unlike most filmmakers today, his films are based on ideas, stories and characters rather than marketing concepts, and so they tend to hold up well past their sell-by date. So far they include the romantic comedy Next Stop Wonderland (1998), the sci-fi romance Happy Accidents (2000), one of the decade's best horror films, Session 9 (2001) and the haunting The Machinist (2004).

Opening July 18, Anderson's new film Transsiberian is more like a classic thriller in the Hitchcock vein, even taking place on a train as many of Hitch's films did. Woody Harrelson and Emily Mortimer star as American couple Roy and Jessie, on their way back from China and taking the famous train. Ben Kingsley also stars as a Russian narcotics detective. Roy and Jessie meet a younger, traveling couple, Abby (Kate Mara) and Carlos (Eduardo Noriega), and find themselves entangled in a web of drugs and murder. Normally, the man is the hero in this type of story, but this time it's Jessie, a reformed "bad girl" making a go of it in her marriage with the simple, happy Roy (a train nut). Cinematical recently enjoyed a brief phone conversation with Mr. Anderson, and that's where we began:

A confession: I have a downright unnatural willingness to laugh at a) people falling down, and b) people being hit by things. I think it's among the highest forms of humor. So it shouldn't surprise you to learn that I consider The Pink Panther -- the Peter Sellers version -- a national treasure. It may surprise you a bit more to learn that I thought the 2006 Steve Martin/Shawn Levy version was reasonably watchable. But, I mean, what did you expect from someone who adores a well-timed pratfall?

Sony has posted a teaser for the sequel here. The Pink Panther 2 is directed by Harald Zwart (Agent Cody Banks and the underrated One Night at McCool's), and has Steve Martin's Inspector Clouseau team up with a bunch of similarly bumbling international detectives to track down a thief of historical artifacts. In addition to the first film's Jean Reno and Emily Mortimer, it will also co-star Andy Garcia, Alfred Molina, Aishwarya Rai, and John Cleese (who's taking over for Kevin Kline). I don't know how I feel about Clouseau being placed among similar nincompoops -- part of the franchise's appeal is the way its protagonist is sort of an island of incompetence. But the teaser did get a chuckle out of me, if only for the look on Martin's face after pronouncing "Well then, I'll just go back home."

Did I mention that I also find bad French accents very funny?

When David Mamet's Redbelt was announced, the initial simple summary seemed bizarrely incongruous: A noted playwright and dramatist making a film about martial arts? But while Redbelt involves the worlds of Jiu-jitsu and mixed martial arts, it's really just another way for playwright, screenwriter and director Mamet to look at the world. As martial arts instructor Mike Terry (played by Chiwetel Ejiofor) is taken from his noble (but underfunded) studio and plunged into the greed and glitz of Hollywood and commercial fighting.

As Mike tries to hang on to the things that matter to him in a world that dismisses honor as unprofitable, Mamet's script and direction create a film that somehow puts a philosophical twist on traditional fight films while also embodying everything we love about them. Cinematical spoke with Mamet and Ejiofor in Los Angeles.

One of the challenges of being a great artist is that not all of your art is going to be great. The Beatles wrote several songs that lesser acts would have turned into careers, but that nonetheless lack the power of "Yesterday" or the joy of "I Wanna Hold Your Hand"; George Orwell's The Road to Wigan Pier is an excellent work of journalism, but not nearly as good as Homage to Catalonia. Redbelt, the latest film from writer-director David Mamet, is not as impressive or thought-provoking as some of his other dramatic works, like Glengarry Glen Ross or House of Games or Oleanna; at the same time, it's an exciting, engaging mix of drama and action supported by an immensely appealing lead performance by Chiwetel Ejiofor (Dirty Pretty Things, Children of Men).

Redbelt's subject and setting may make it seem incongruous -- Why is one of America's greatest playwrights making a film about mixed martial arts and Jiu-jitsu? -- but it's actually in keeping with Mamet's other recent entertainments like Spartan, his work as a co-creator of The Unit and his pseudonymous work on the screenplay for Ronin. Redbelt fits in with these projects: They have a kind of heroic stoicism under them; they're stories of honorable men in a dishonorable world. They've all got a kind of muscular poetry, too, a hard-bitten nobility that's still a little sad about the edges.

When most films traverse the seas of melodrama, they balance it with either a thick layer of absurdity or a heavy reliance on the desperation for passion and love. While a film like Meet the Parents will take an ordinary situation and make it extraordinary with a series of over-the-top gags and painful to-watch bad luck, another, like any of Sandra Bullock's romcoms, will infuse its quirky protagonist with the burning need for love and a host of romantic ideals. Chaos Theory, however, leaves all of that aside and explores the territory of melodramatic love by focusing on the way each character lives their life and reacts to big moments. It has its share of over-the-top moments and sentimental scenes that would make cynical viewers cringe, yes, but those are only a small portion of the experience.

Ryan Reynolds stars as Frank Allen, a man who has built his life on a carefully organized timetable of index cards. He is so invested in this way of life, in fact, that he has made a career out of it; he has written a successful book about efficiency, and teaches others how to live his carefully constructed index card existence. It works wonderfully for him until the day that his well-meaning wife, Susan (Emily Mortimer), turns the clock back ten minutes and shatters the intricate structure of his day.

Part of me is really itching to see the upcoming film, Transsiberian, which I blogged about all the way back in December of 2006, while the other part of me is trying to prepare myself for disappointment. You hear about a murder mystery -- one that involves traveling couples on a train, whose trip becomes a murderous adventure with a foreign man hot on their trails -- there's one thing that should come to mind.

If it doesn't, you need to brush up on both your classic murder mystery reading and Agatha Christie* films. This project just screams Agatha Christie and Murder on the Orient Express, although I imagine that Ben Kingsley's Russian police officer won't be as quirky as Hercule Poirot.

The film has wrapped, and Variety reports that First Look Studios has picked it up, with plans to release it late this summer. (Finally!) To recap -- the movie is about an American couple played by Emily Mortimer and Woody Harrelson who find themselves "in a chase of deception and murder on the Siberian train journey from China to Moscow." Kate Mara and Eduardo Noriega co-star as a younger couple on the train, and as I noted above, Kingsley is an officer hot on their trail. In the meantime, you can check out an early review for the film here.

*And I should make sure I'm not confusing Orient with Appointment with Death when I write that! Thanks, Saavik.

One day after the latest Martin Scorsese/Leonardo DiCaprio film, Shutter Island, got sold to some European territories, they've added even more irresistible cast members. There's already Leo, Patricia Clarkson, Michelle Williams, Mark Ruffalo, and Ben Kingsley. Now The Hollywood Reporter has posted that Max von Sydow, Emily Mortimer, and Jackie Earle Haley have signed on for roles.

Based on Dennis Lehane's novel, the film is a period piece about two U.S. Marshals (DiCaprio and Ruffalo) in 1954 who investigate the disappearance of a murderess from a hospital for the criminally insane on Shutter Island in Massachusetts. "Chaos ensues for the two as they encounter a web of deceit, a hurricane, and a deadly inmate riot that leaves them trapped on the island." Von Sydow will play a hospital physician, and it looks like Clarkson is not the one who will get to play Rachel Solando -- it will be Mortimer. As for Haley, it looks like he'll be making the most out of his post-Watchmen uber-tough physique (the man is an absolute powerhouse these days) -- he'll be playing an inmate. Production will begin March 6.

You know, if this movie had been made by anybody else but David Mamet then I would have fully expected to catch this flick late at night on the USA network and for it to star Michael Dudikoff. One look at the trailer above, though, and you know you are not dealing with the usual action cheese.

Redbelt stars Chiwetel Ejiofor as master of Ju-Jitsu who has dropped out of the unscrupulous world of professional fighting. After he helps out a mouthy movie star in a bar one night (as played by Tim Allen) he is eventually forced back into the ring of UFC fighting to defend his honor. There is also a hint of a freaky fighter selection process involving marbles and tying your hands behind your back, but that explanation is best left to the trailer.

Appearing alongside Ejiofor are Emily Mortimer (aka, the woman with 'Avian Bone Syndrome' on TV's 30 Rock), Alice Braga (I am Legend), Ricky Jay (who you might recognize as the cameraman from Boogie Nights and a few million other films), and Joe Mantegna. Mamet, who is a big fan of Ju-Jitsu and UFC fighting, wrote the script himself, and besides a few photo releases this trailer is our first chance to see what the film is actually about. Like many, I was having a hard time reconciling a master like Mamet with this kind of subject matter, but luckily it looks like it is all going to turn out for the best. Redbelt will hit theaters in a limited release on April 25th of this year.

So to start with, I can't say I'm all that jazzed about watching a movie about Ju-Jitsu, but this is one directed by the master of snappy dialog David Mamet -- and so that definitely helped raised my enthusiasm level. ComingSoon.net now has two new exclusive photos from Mamet's sports-drama, Redbelt. News of the film hit last April, when Monika gave us the heads up that Chiwetel Ejiofor had been signed for the lead. Not long after that, Patrick gave us the word that Tim Allen -- that's right, Mr. Toolman Taylor himself, was set to play the spoiled movie star Chet Frank. Rounding out the cast is martial arts master Randy Couture, Joe Mantegna, Rodrigo Santoro, and Emily Mortimer. The first image was released in August and these latest hi-res photos give us the chance to see Mamet at work on set.

Mamet wrote and directed the story, which centers on Mike Terry (played by Ejiofor); the chief instructor at the Southside Jiu-Jitsu Academy. Having shunned the spotlight of competition fighting, everything changes when, "At his brother-in-law's club one evening, Mike saves a famous action star, Chet Frank, (Tim Allen) from a severe beating. His defense of Frank leads to a job in the film industry, but other events conspire to force Mike to participate in a prize fight. An American samurai film set in the world of mixed martial arts, Redbelt is a story about the limits of a single man's integrity." Sounds like a perfect theme for a 'macho' director like Mamet. Redbelt opens in theaters on April 25.

Dang, there sure are a lot of hitman characters in the movies. And what's the difference between a hitman and an assassin, anyway? Does Jason Bourne count, or is he no longer a hitman/assassin by the time his cinematic story begins? Are Pulp Fiction's Vincent and Jules really hitmen or are they technically bagmen? Yeah, it's a difficult task to make a list of prominent hitmen in film. So, I'll let someone else make a "25 Greatest Hitmen" list; here, I present my seven favorites.

Feel free to mention your own preferences. With so many characters, whether easily falling within definition or not, I'm certainly leaving out a lot of good ones. But, as I said, these are my favorites. The cool, the funny, the interesting, they're the ones I enjoy watching over and over again, despite their lethal nature.


Martin Q. Blank in Grosse Pointe Blank (1997, George Armitage)

There is no better hitman than John Cusack's Martin Blank. He's good at his job, and he's funny, and he's willing to give it all up for love. Of course, he's bored enough by the occupation that he'd probably give it up for any good reason. It doesn't seem to matter to him that it's morally wrong; he's just another normal guy, dissatisfied with his job. And while it does seem to be a gag that's stretched thin, his issues do make him more entertaining than the usual silent-yet-conflicted hitmen. Plus, it's enjoyable to think that this is what really happened to Lloyd Dobbler, or Lane Meyer, or any other Cusack character from the '80s.

Signature line: "I was hired to kill you, but I'm not going to do it. It's either because I'm in love with your daughter or because I have a new found respect for life."