Is it just me, or has famed director Woody Allen hit a rough patch with comedy over the last few years? Sure, his dramas are still bringing in good reviews, but it seems like his recent comedies just haven't worked with audiences like they used to -- and believe me, it pains me to say this considering I think he's one of the funniest people on the planet. The Bad and Ugly has posted some new on-set photos from Allen's latest (and yet to be titled) comedy starring Evan Rachel Wood and Larry David (Curb Your Enthusiasm). In the photos, everyone looks to be enjoying themselves, and while there is nothing earth shattering going on, it's nice to see Allen back at work in New York, after working the crowds at Cannes for Vicky Cristina Barcelona.

Like most of Allen's projects, not much is known about the story. Judging from what we've seen so far, it looks like Allen is going back to May-December romances and all the complications they can entail -- something the writer-director has plenty of real life experience with. But as much as I love the man, it has always been a bit of a struggle to overlook his somewhat 'lecherous leanings'. I know he has always had a thing for 'ingénues', but back in the day it was actresses like Diane Keaton and Dianne Wiest. These days, however, it's Scarlett Johansson and Evan Rachel Wood, and I'm not convinced that they even belong in the same category. Are you?

Egads! Is that Evan Rachel Wood dating Larry David? Did she give up on Marilyn Manson? Alas, no. What you see up there is a picture from the set of Woody Allen's new film, which is one of a handful that have popped up on Just Jared. If these are any indication, this untitled romcom could be a good and quirky movie. Wood has that youthful maturity to her (which I imagine is what drew Manson to the actress), and even in crazy stripes, she looks completely comfortable alongside David.

Unlike Woody's recent forays, which seem blissfully free of old men with young women, Woody has dusted off an old project that he had planned to star in himself. However, since he now thinks he's too old, he cast Larry David of Curb Your Enthusiasm fame, to get the young, female action. At this point, all we know is that there's some May-December romance going on, and that Henry Cavill (The Tudors) has nabbed a co-starring gig as a man who gets set up with Wood's character by her mother. Man, she must love David if she's willing to give up Cavill for him.

The film is currently shooting in Manhattan, so if you're in the Big Apple, keep your eyes peeled for David and Wood eating knishes and getting romantic on the Lower East Side.

The Life Before Her Eyes, the latest film by Vadim Perelman (House of Sand and Fog), opened this weekend in limited release. In part as a response to the negative reviews by a number of critics, Perelman said recently in an interview that he's decided that it's better for audiences to know the ending going in (I did confirm with Perelman that he actually said this, because I was rather surprised that he would). And while I understand Perelman's desire to counter the critical response to the film in this way, I decided to take a look at what the negative reviews actually say.

First, I'm going to largely ignore the reviews (good and bad) that came out of the Toronto International Film Festival last year, because the cut of the film in theaters now is different. So let's look at what critics have to say about the current cut. Let's look at one titled (ever so objectively) "Hollywood and the War on Women", by Prairie Miller over on News Blaze. Miller starts her "review" of the film with a five-paragraph rant that tries to tie films about the Iraq war into a perceived "war against women" in Hollywood, going so far as to make the accusation that this war is fueled, in part, by male directors and producers whose coffers are being drained by alimony and child support payments. Uh, what?

It's been five years since Vadim Perelman's critically acclaimed feature debut with House of Sand and Fog. Now the director is back with his newest film, The Life Before Her Eyes, starring Uma Thurman, Evan Rachel Wood and Eva Amurri. The film is about Diana, whose life starts to crumble as the 15th anniversary of the school shooting she survived nears; it flashes back and forth between older Diana (Thurman) and the younger Diana (Wood) and her best friend Maureen (Amurri) in the weeks leading up to the tragic event. Cinematical sat down with Perelman and Amurri at AFI Dallas to talk about the film, which opens in limited release this weekend.

Cinematical: Eva, can you talk about the challenges of playing this role, which is much more of "nice girl" than you've played in your previous films?

Eva Amurri: The earlier roles I'd had just happened to be more bad girls. This is the first role I'd had where the role was basically all good, this very pure, selfless girl. What's funny is that Vadim really cast us against type – in real life, I'm much more the "bad" girl, while Evan is the serious "good" girl. I was a little worried about it, but I trusted Vadim, and he did a great job guiding us through it. It was an interesting exercise.

(Editor's note: This review originally ran during AFI Dallas. It's being rerun this weekend in conjunction with the film's release.)

I loved House of Sand and Fog, and I've been waiting five long years to see what director Vadim Perelman would come up with next. His latest effort, The Life Before Her Eyes, starring Uma Thurman, Evan Rachel Wood and Eva Amurri, is a lovely, nuanced film packed with imagery, and bracketed by an intriguing storyline. The film revolves around Diana, played as a teenager by Wood and an adult by Thurman; the younger Diana was a survivor of a high school shooting, as as the 15-year anniversary of the tragic event nears, the older Diana begins to unravel.

Perelman is not a director who hand-feeds his audience easy answers. With House of Sand and Fog he made heavy use of its moody, gray and brown pallette to set a dark and unsettling mood. With The Life Before Her Eyes, he turns to brilliantly saturated hues of flowers and water to create a sublime tone that evokes what's going on with Diana. The perfect life with professor husband Paul (Brett Cullen) and daughter Emma (Gabrielle Brennan) that she's worked so hard to create is a fairy tale fantasy built on an unstable foundation of unresolved guilt, and we know from the first frames that, hard as she works to sustain it, it's as fragile as the petals of the flowers that embower her garden.

I loved House of Sand and Fog, and I've been waiting five long years to see what director Vadim Perelman would come up with next. His latest effort, The Life Before Her Eyes, starring Uma Thurman, Evan Rachel Wood and Eva Amurri, is a lovely, nuanced film packed with imagery, and bracketed by an intriguing storyline. The film revolves around Diana, played as a teenager by Wood and an adult by Thurman; the younger Diana was a survivor of a high school shooting, as as the 15-year anniversary of the tragic event nears, the older Diana begins to unravel.

Perelman is not a director who hand-feeds his audience easy answers. With House of Sand and Fog he made heavy use of its moody, gray and brown pallette to set a dark and unsettling mood. With The Life Before Her Eyes, he turns to brilliantly saturated hues of flowers and water to create a sublime tone that evokes what's going on with Diana. The perfect life with professor husband Paul (Brett Cullen) and daughter Emma (Gabrielle Brennan) that she's worked so hard to create is a fairy tale fantasy built on an unstable foundation of unresolved guilt, and we know from the first frames that, hard as she works to sustain it, it's as fragile as the petals of the flowers that embower her garden.

I'm in Dallas for the second AFI Dallas Film Festival, and having a great time so far. The fest has worked through some of those first-year kinks and things seem to be sailing along smoothly, though I know there's probably lots of finagling going on behind the scenes that makes whatever glitches do come up invisible to most of us here. Shuttle service for passholders this year is making it much easier to navigate the fest quickly and efficiently between venues. The festival lounge is great this year -- the space is nicely decorated, there are always yummy snacks on hand, the drinks flow all night long, and Guitar Hero battles happen nightly.

I kicked things off here on Tuesday moderating a panel on women filmmakers for a private event held for a group of high-powered corporate women. Filmmakers SJ Main (Luck of the Draw) and Robin Bliley (Circus Rosaire) made my job super easy; both had many insights to share about being independent filmmakers and women working in the business, and the women (and their husbands) in attendance had many thought-provoking questions that kept the tone conversational and interesting.

Just got back from the Sony offices here in New York, where Cinematical managed to sit down with Jim Sturgess (star of 21), as well as Ben Mezrich (author of Bringing Down the House, the book 21 is based on) and Jeff Ma (who Sturgess' character is based on). I have to say we all had a pretty damn cool conversation, which we'll post on the site at some point before the weekend, but in the meantime check out what Sturgess had to say about Spidey.

Now, remember back when we told you how Across the Universe director Julie Taymor was directing a Spider-Man: The Musical, with music and lyrics from U2's Bono and the Edge? Well, at the time, Taymor said she was interested in Sturgess playing Spider-Man, with Evan Rachel Wood playing Mary Jane. Not only is that true, but apparently Sturgess and Wood have already performed the roles. He says, "We actually have done a workshop for it, which is how this all kind of started. [Taymor] asked me and Evan to come down and do this workshop that she was doing, so it was a chance to work with Julie again and Evan again and, yeah, at that point I didn't know much more about it. We just did two weeks, and we kind of hung out with Bono and the Edge and sung songs about Spider-Man. As a young actor and musician, it was an incredible experience to be involved in that."

He continued, "We then sort of did a rough performance of the play -- like a read through where we sang through the songs and stuff. As ridiculous as it sounds, it's going to be an incredible piece of work." Cinematical asked Sturgess whether that meant he would be starring in the musical, to which he replied: "Um, I don't know. I haven't spoken to Julie since, and I don't know when she plans to do it. It's a timing thing, I guess. I don't know how long it's going to be before it comes to the surface."

More Spidey after the jump ...

I'd say it was about time that Woody Allen hired some eye candy that wasn't of the female persuasion. The Hollywood Reporter announced that Henry Cavill (The Tudors) has signed to star in the director's upcoming romantic comedy. The as-yet-to-be-titled film also stars Evan Rachel Wood, Larry David, and Allen. There are very few details about the story, but according to early rumors, Rachel Wood is playing Larry David's love interest. Apparently, Allen originally wrote the starring role for himself, but now feels too old to take it on. Thus, he'll appear in a supporting role.

Cavill is probably best known to most as Charles Brandon, the Duke of Suffolk, but he has also earned the reputation as being one of the unluckiest guys in Hollywood. Cavill was in the final stages of auditions for Batman, Superman and James Bond. Of course, we all know he didn't get those parts, but he did score the lead in Joel Schumacher's upcoming sci-fi thriller, Town Creek. Maybe now that the offers are starting to come in, Cavill can get a reputation for being something other than an 'almost was.' Allen's film is currently in production in his old stomping grounds (aka New York City) and is set for release in 2009.

There is just something about Evan Rachel Wood that makes her appealing to older men, gothic or neurotic. After shocking the world by stealing Marilyn Manson away from Dita Von Teese, becoming his girlfriend, and now possibly marrying him, she's starting a professional relationship with another oldie, but this time he's -- much older, and much more known for his interest in younger women -- Woody Allen.

Hollywood Elsewhere has learned that Wood will star in Woody Allen's next film, after Vicky Cristina Barcelona -- one that will have her play Larry David's love interest. Yes, Mr. Curb Your Enthusiasm himself. A man who is forty years older than she is. (See? Old guys left, right, and center, at least for the 20-year-old Wood!) Allen wrote this script a while ago, but feels too old for it, so he picked "the young sexpot Larry David" to take over. I guess that extra dozen years makes all the difference.

This probably means that it will be more like Woody's older fare. Whether that's good or bad, I'm not sure. The voyage overseas did a lot for the filmmaker, and Elsewhere also hears that his latest is very good: "VCB is funny and sweet and sad and way, way better then his last few movies, including Match Point." Then again, Allen is supposed to be doing more films overseas, so maybe it will be a mixture of young and old -- which, well, would be completely fitting for this whole project.