Some might question whether Brideshead Revisited, the classic novel by Evelyn Waugh, needed to be revisited in a film adaptation; the novel, after all, has been adapted once before in a lengthy and well-beloved British television serial. Fortunately for fans of Waugh's work, this film version of Brideshead, directed by Julian Jarrold (Kinky Boots, Becoming Jane) off a screenplay written by Jeremy Brock and Andrew Davies, is beautifully shot, painstakingly directed, and well worth watching. For the most part, the filmmakers avoid mutilating Waugh's work, although the end result does place a greater emphasis on certain aspects (romance) and limit or eliminate others altogether (the brilliantly written discourses on religion and love that permeate the book).

The film is shot in Castle Howard, also the setting for the miniseries version, and Brideshead itself is a majestic, imposing character that looms over all who encounter it. The screenplay is rather a masterful adaptation; the film handles the compression of years through the storyline with a bit of book-ended time-jumping to both introduce us to the lead characters and close out the story, and Brock and Davies do an able job of whittling the story down to meet the needs of a cinematic experience without losing the feel of Waugh's novel in the process.

One of my favorite classic novels, Evelyn Waugh's Brideshead Revisited, is coming your way in a new adaptation starring what looks to be a perfectly suited cast. Matthew Goode, (Match Point, The Lookout) stars as Charles Ryder, the tale's protagonist and narrator, who befriends the wealthy Sebastian Flyte (Ben Whishaw). When Sebastian brings Charles for a visit to his family's estate, Brideshead Castle, Charles meets Sebastian's sister, Lady Julia Flyte (Hayley Atwell, Cassandra's Dream).

Emma Thompson plays Lady Marchmain, Sebastian and Julia's aristocratic mother, a Roman Catholic for whom her husband, Lord Marchmain, converted his faith from Anglican; in the book, at least, Catholicism is an influence on both the lives and conversations of the characters, especially Lady Marchmain, who uses the duel thumbscrews of guilt and manipulation to control others ... this is a character Thompson can really sink her teeth into, and I look forward to seeing her take on the role.

I loved Tom Tykwer's Perfurme: The Story of a Murderer, starring Ben Whishaw as a sociopathic serial killer. Whishaw's performance in that film -- in which he had very little dialog and had to convey almost everything through facial expression and body language -- was just outstanding. In poking around IMDb a bit while writing some Sundance reviews, I found out that Whishaw (most recently seen in Todd Hayne's I'm Not There) has three new projects lined up, and I'm excited about all of them.

First up is The Restraint of Beasts (currently in post-prod), an adaptation of Magnus Mills's first novel. The film is being directed by Polish director Pawel Pawlikowski, whose film My Summer of Love back in 2004 first brought Emily Blunt to notice.The darkly comedic story is about an unnamed supervisor (presumably Whishaw) working with two Scottish high-tensile fence builders in the countryside and "accidentally" killing people along the way by day and hitting the local pub at night. I have the book on reserve to read before the film comes out -- I like Mills's work but I've not read this one yet. If this film does well, perhaps it will be the beginning of a series of adaptations of Mills's books.

The works of snarky author Evelyn Waugh are no stranger to cinematic adaptation, although his writing rarely gets big-screen love like William Shakespeare or Jane Austen. Perhaps it is because his novels are rife with dark humor, rather than heart-wrenching drama or light romance. The last to hit the screen was Vile Bodies in 2003, which became Stephen Fry's Bright Young Things. However, beyond the satire, Waugh also had controversial words to spare on religion. In fact, his novel Brideshead Revisited was considered by George Orwell to be untenable.

Even without the defense of his fellow English writer, Brideshead gets its share of attention. It was made into a television miniseries in 1981, and director Julian Jarrold is now trying to get a big-screen version off the ground. The project, which has been in development for years, is set to start shooting this spring, although the cast has not yet been confirmed. (Paul Bettany and Jennifer Connelly were previously attached.) Although Jarrold is best known for his recent film, Kinky Boots, he's no stranger to literary adaptations. For television, he's directed classics ranging from Charles Dickens' Great Expectations to Fyodor Dostoyevsky's Crime and Punishment.

The screenplay comes from Bridget Jones screenwriter Andrew Davies and Last King of Scotland scribe, Jeremy Brock, which bodes doubly well for the film. Brideshead tells the story of Charles Ryder. At Oxford, he strikes up a close friendship with Lord Sebastian Flyte and joins him on the family estate. There, he falls for Sebastian's sister while experiencing the collide of families, politics and religion. It'll be a particularly relevant film to today's society ... if things continue as planned.

Novelist and screenwriter Terry Southern was born on this day in 1924. Southern worked on scripts for Dr. Strangelove, The Cincinnati Kid, Casino Royale, Barbarella, and Easy Rider. In the early 1980s, he was a writer for the TV show Saturday Night Live. Southern's writing ranged from the surreal to the satirical (and sometimes managed both at once), but one of his most memorable efforts was an adaptation of Evelyn Waugh's novel The Loved One, which Christopher Isherwood also helped script. The book is a satire of post-WWII Hollywood, focusing on the film industry and the funeral industry.

The Loved One is one of my favorite books, but I'm not fond of the 1965 movie, which was British director Tony Richardson's first Hollywood film. The film was advertised as "The movie with something to offend everyone!" and it certainly tries, perhaps too hard. In that respect, it reminds me of Billy Wilder's 1964 movie Kiss Me Stupid. Both films tugged at the unraveling edges of the Production Code to see how much they could get away with. The Loved One does not date well, either -- it is very much a product of the Sixties, with a silly subplot about ashes launched via rocket.

However, the movie is worth watching at least once, as a fascinating curiosity. Some characters, like Mrs. Joyboy and Rev. Glenworthy, truly must be seen to be believed. As shown in the above photo, Liberace has a small role as a coffin salesman. The cast also includes John Gielgud, Robert Morley, Rod Steiger, Milton Berle, James Coburn, Roddy McDowell, Lionel Stander, and Jonathan Winters. The Loved One has not been available on DVD, but Warner is finally releasing a DVD of the film on June 20. Did I mention Tab Hunter's role as a cemetery tour guide?