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'Feast' Writers Team Up With 'Inside' Directors for 'Hellraiser' Remake

One of the most ferociously entertaining horror flicks of the past several years is Alexandre Bustillo and Julien Maury's Inside (aka A l'interieur), which will be hitting DVD a little later this year. We already knew that the Frenchmen had been tapped to direct the Hellraiser remake for Dimension, but the project recently got bumped back to 2009.

Now that the strike is over, the producers can take some steps towards getting the flick moving. To that end, horror-lovin' screenwriters Marcus Dunstan and Patrick Melton have been hired to help get the new (Barker-approved) Hellraiser ... raised. Genre fans will remember Marc and Pat from their debut flick Feast, plus they also joined the Twisted team last year when they provided the screenplay for Saw 4. (And yes, they also worked on Feast 2. And Saw 5. Oh, and Feast 3.)

According to Shock, the duo also have The Midnight Man in production with Dimension, so obviously the studio likes these guys. More word on Hellraiser, Inside, Saw 5, The Midnight Man, and the new Feasts as it becomes available.

'Feast' Boys Are Back With a Pair of Sequels

I covered the very cool Texas Fearfest for Comcast's FEARnet last March, and one of the very entertaining filmmakers I got to chat with was Feast director John Gulager. (Goofy video interview here.) The guy all but promised a sequel, but since things were still in the very early stages, nothing was even remotely locked in or "news-worthy." (Actors and filmmakers talk sequels all the time, especially in the horror division, and lots of 'em just never materialize.) But here's some pretty excellent news for you Feast-hungry fans: We're probably looking at a pair of sequels!

While talking to Fangoria, Feast and Saw 4 co-writer Marcus Dunston (who was also at Fearfest!) let it be known that on top of the two new Feasts, we can also expect a veritable salad bar of sloppy gore goodness: "Feast 2 and 3 are coming together, with [director John] Gulager back ... with the vulgarities we've currently scripted, and if we don't get deported, we just may have the NC-17-rated monsterfest that was only hinted at in the first film." Dang, sounds good to me!

For those who haven't Feasted yet, I'll remind you that the Project Greenlight flick, while certainly not a flawless piece of genre gristle, is a fast-paced, well-cast, admirably gooey and perfectly enjoyable concoction. Despite the Weinsteins' uncertainty on how to handle the flick, I'd say it's definitely found a place in the gorehounds' collective heart since it hit video last year. Good to know that Dunston, Gulager and co-writer Patrick Melton will be back on board, at the very least. The retention of the original creative team gives one a little more hope than usual.

Dimension Wants More Pulse...and Two More Feasts?

When the fine folks at Dimension Films aren't pulling four-year-old horror flicks out of their vault, remaking the latest Asian horror movies or trimming their terrors down to earn a PG-13 rating ... they do direct-to-video sequels like nobody's business. This is the distributor that kept oozing Hellraiser, Dracula, Crow and Prophecy sequels from every available pore -- not that the horror fans were actually clamoring for those cheap knock-off follow-ups. But with those franchises pretty much exhausted (in more ways than one), it seems that Los Weinsteins are poking around for some newer ones.

According to Moviehole.net, the American remake Pulse is a candidate for the "churn out two" treatment. Unlikely that Kristen Bell will be returning, but word is that two new sequels to Pulse will hit the shelves eventually. The original Americanized Pulse grossed only $20 million domestically (and another $7 million overseas), but why let facts and figures get in the way of your low-end, low-quality DTV slate? Can Cursed 2 and Mindhunters 3 be far behind? (Frankly I find it kind of irritating that these sequels will go into production well before solid flicks like Black Sheep, Teeth and All the Boys Love Mandy Lane hit the screens. C'mon Weinsteins, hook us up!)

In related news, Bloody-Disgusting.com is reporting that the Weinsteins also want to mount a pair of Feast sequels, which I find somewhat hilarious when you consider the ridiculous way in which they handled the original Feast's theatrical release. (Midnight showings for two nights only! Bring your friends!) Feast writers Patrick Melton and Marcus Dunston (who may end up writing Saw 4, don't forget) recently dropped some vague little hints about the pair of sequels, but I'll believe it when I see it. (And considering the Dimension track record, we'll be seeing 'em in about four years.) Still, it's pretty rare to hear multiple-sequel news for a movie that made less than $57,000 at the box office, but Feast is quite the fun little flick. Pulse, on the other hand, is not. Like, at all.

Saw 4 Buzzings Have Officially Begun

When you're compelled (by money and ravenous fans) to churn out another Saw movie every single year, you don't have much time to a) write a script, b) hire actors and c) keep everything a big fat secret. Case in point: It's been widely mumbled that David Hackl (production designer on Saw 2 and Saw 3) would be the one settling into the director's chair for Saw 4, and that seems a pretty good move: Get some fresh blood in there, but have it come from someone already inside the Saw family. (Plus it's probably pretty difficult to get an established director who can take a gig and start shooting "like, next month?")

And now comes additional news. IGN Movies is reporting that Ja Rule will appear in Saw 4, but only in the first scene. (And we all know what that means!) Additionally, some guy who allegedly read the Saw 4 script (which we believe was written by Feast scribes Marcus Dunston and Tom Fenton) claims that Angus MacFadyen's character plays an important role -- but Angus Mac hasn't technically signed on for the sequel at this time.

Looks like production is scheduled to begin next month in Toronto, so we should have a lot more information within the next few weeks. In the meantime we can all sit down and enjoy our Saw 3 Unrated Version DVDs, a platter that's presently poised atop the DVD sales AND rental charts. (Interesting note: Not only was Saw 3 the top-selling DVD last week, but its arrival gave Saw and Saw 2 fresh life; they're both back on the Top 20 sales chart this week!)

Someone's Actually Remaking The Tingler

Old-school schlock-slinger William Castle was known for a whole lot of things ... but, for the most part, quality filmmaking was not one of 'em. He was, however, one helluva showman, constantly coming up with new in-theater gimmicks to keep his Saturday afternoon chiller flicks well-populated by thrill-seeking kids. One of Castle's best-known flicks is 1959's The Tingler, which was about a creature that lives within the human spinal cord, and starts, like, vibrating when its host gets extra scared. And to help sell the flick, Castle had these little doo-hickeys installed into the theater seats ... and they'd vibrate every time a scary part showed up! Neat-o!

So now that every horror movie from the past 33 years has officially been remade, it looks like the folks at Sony have tapped Feast writers Patrick Melton and Marcus Dunstan to pen a remake of The Tingler. That's all the info we have so far, but the Feast boys seem to be pretty busy these days: Apparently they're also working on a draft of Saw 4 and have something called The Midnight Man on the way.

This is far from the first time a William Castle flick has been remade: 1959's House on Haunted Hill was remade in1999 and 1960's 13 Ghosts was remade two years later. Combine the best components of all four of those movies into one package, and you might have a really good horror flick.

Hey, These Saw Sequels Don't Write Themselves, You Know

Anyone who's seen Saw 3 knows that it'll be pretty tough to come up with a viable screenplay for Saw 4. Not saying it's impossible, but let's just say the incoming Sawmakers will have to pull a few fancy tricks ... and fast, since Saw 4 has already been scheduled for an October release date.

It's been widely reported that James Wan, Leigh Whannell and Darren Lynn Bousman participated in Saw 3 only out of respect for their deceased producer/friend Gregg Hoffman -- and while I'm sure the trio didn't exactly complain about their Part 3 paychecks, the guys probably have other things they want to do with their careers besides Saw 17, right? Right. Which is why Lionsgate is presently fielding ideas from a wide array of screenwriters, two of whom (according to Bloody-Disgusting.com) just released their very first horror flick.

Yeah, the two Project Greenlight knuckleheads who wrote Feast are (allegedly) among the running for the Saw 4 gig. Also known as Marcus Dunstan and Patrick Melton, the pair have a variety of projects on numerous back-burners, but a Saw sequel has to seem sort of like a lottery ticket to guys like this.

Also, Feast is a whole lot of wet, splattery, gore-soaked fun. So there's that.

My Personal Highlights From the 2006 Fantastic Fest

The official Cinematical presence at the 2006 Fantastic Fest was the wonderful Jette Kernion, and I think she managed to bang out about eight reviews ... while the fest was still running! I saw JK everywhere, from the queues to the parties to the local barbecue pits. Frankly I think her coverage rocked the house, and I'm not just saying that because she let me butt in line with her for The Beach Party at the Threshold of Hell.

But since the FF guys were cool enough to welcome Cinematical with such eerily open arms, I figure it's only right to share my favorite movies, moments and memories of mayhem from the 2006 FantFest. And so I shall.

The Best Flicks

Simon Rumley's seriously disturbing The Living and the Dead, the Swedish vampire flick Frostbite, Adam Green's fun-time slasher throwback Hatchet, William Friedkin's compellingly intense Bug and the quietly cool haunted Brit flick Lie Still. I also had an unexpectedly good time with Mel Gibson's Apocalypto -- and although I'd already seen Abominable, The Host, The Fountain, Pan's Labyrinth and Severance, they're all films I have no problem recommending. Oh, and William H. Macy's performance in Edmond ... wow.

I also trekked away from the festival to enjoy a good portion of Feast -- which was negated by my plane ride home. Lindsay Lohan's Just My Luck was the in-flight movie, and that flick packs perhaps the worst screenplay I've dealt with in three years. Stunningly bad.

Oh, and right before I nodded off every night, I watched just a little bit more of The Office: Season 2. If you don't watch this show, you're plain old robbing yourself of multiple peals of bulky laughter. And why would you want to do that?

Continue reading My Personal Highlights From the 2006 Fantastic Fest

More Pre-Feast Treats

OK, I know I promised that the last one was the final Feast update, but when a gory horror movie that was the subject of a reality show plans a midnight-only limited release three weeks before its DVD date ... all bets are off, I guess. And it's a pretty good thing for us that Fangoria has taken such a virulent interest in Feast, becase that's where I've been getting all my info. (And lately there's been a whole bunch.)

First off, the all-new official Feast website has a list of theaters in which the flick will be playing on September 22nd. We're assured that more theaters will be announced soon, which is good because as far as I know, there is not presently (nor has there ever been) a movie theater in Philadelphia called "Creative Garden." (C'mon, we're the fifth largest city in the country; give us an AMC screening!) If your city isn't on the midnight screening list, fear not. You'll be able to get a copy of the DVD on October 17th. And those who are still unsure if Feast is their kind of flick will undoubtedly want to take a peek at this brand-new trailer, which is hosted at (you guessed it) Fangoria.com.

And I hate to sound like a grump, but I'd like to address a statement made by Feast director John Gulager. He's quoted as saying that "I feel that fans must support R-rated horror films. If people don't turn out, well, every picture will be rated PG-13." John, I couldn't agree more, but before an audience can support an R-rated horror film, the flick's own distributor has to do it first. And a fistful of midnight screenings scheduled for three weeks prior to a DVD release isn't helping matters a whole heck of a lot. Plus, go ask Lionsgate if R-rated horror is becoming extinct. I predict they'd chuckle.

The trailer's pretty darn cool though!

Crafty Sequels, Last-Minute Reshoots and Orphaned Horror Flicks

Not a whole lot of juicy new happenings have fallen out of the horror machine recently, so (since I'm bored and they pay me to blog) I thought I'd just share a couple of small-sized exclusives from the Bloody-Disgusting boys.

1. Brace yourselves: Sony's slapping together another direct-to-video semi-sequel. This time it's The Craft that gets the unwanted little sister. Yep, that flick about teenage witches who do very little with their evil powers besides torture boys, color their hair and fight with one another. No word yet on whether Fairuza Balk will be returning to play "that creepy witch girl who lives down the street," but I'm guessing she might.

2. More word from Sonyville's Horror Department: Apparently there's all sorts of problems with the mildly-anticipated The Grudge 2, and also big buckets of reshoots being done on The Pang Brothers' The Messengers as well. (Y'know, between Ghost House (The Grudge, Boogeyman) and Dark Castle (Gothika, House of Wax) I don't think they've put together one completely solid horror movie yet. What gives?)

3. Speaking of Dark Castle movies that probably aren't any good, WB rescheduled The Reaping's release for next March. Oh, and (as mentioned earlier) both Lucky McKee's The Woods and John Gulager's Feast have earned DVD dates, cover art and copious supplemental doo-hickeys.

Thanks to BD.com and Dread Central for the terrifiying tidbits.

Final Feast Update

Back in June we learned that the third Project Greenlight flick, the horrorific Feast, would be making its theatrical debut on September 22nd. Well, that's still true, but if you want to enjoy the mayhem in a rowdy movie house, you better make some free time for opening weekend. Seems the thing will only be playing late-night on the 22nd and 23rd, apparently just to act as promotion for Feast's October 17th DVD release. (So if you miss the screenings, you won't be depressed for very long.)

Oh, and if you'll be in Las Vegas on September 12th, you can see the flick at its world premiere. It'll be held at the Palms Casino, which is owned by some of the guys who helped bankroll Feast in the first place. Hmm, what else? Well my friend Erik really liked the movie (and he's not even a big horror nut!), plus Fangoria is now offering a peek at the movie's all-new one-sheet. (It has a monster on it!)

Still no word on when Project Greenlight 4 will get underway. (That was a joke.)

Bloody Disgusting Horror Droppings from the Con

My #1 favorite horror site, Bloody-Disgusting.com, is spending some solid time at Comic Con, and those bloodthirsty little kooks are reporting on every single horror-centric tidbit you could possibly imagine. In addition to their thorough obsession with Grind House, the BDboyz have also brought us the following news:
Who knew a comics convention would yield so much cinematic splatter? That's it: Next year, it's Comic Con for Weinberg.

I Have a Date for the Feast!

After months of who-knows-what sort of closed-door wranglings, Dimension Films has finally settled on a release date for Feast, the third Project Greenlight flick, and one that's earned a decent amount of praise on the festival circuit.

September 22nd is when you'll be able to Feast for yourself, but if it ends up being a mega-limited release pattern, don't get too upset. Heavy gossip says the DVD will be released in time for ... Halloween? Sounds good to me. Also, here's a groovy new teaser poster for the flick, which apparently has very toothy monsters in it. Which I like.

The plot of Feast is this: People get stuck in a bar but monsters are lurking outside. Period. The cast includes Balthazar Getty, Navi Rawat, Krista Allen, Judah Friedlander, and Clu Gulager, partially because he's the director's dad, but mainly because he's so cool.

(So does this mean we might get the third season of Project Greenlight on DVD some time soon?)

Gorehounds Can FEAST in October!

If Project Greenlight has taught us one valuable lesson, it's that good television doesn't always yield good movies. Like most movie geeks, I devoured Seasons 1 & 2 of PG with ravenous abandon, but when it came to enjoying the movies birthed by the reality series (Stolen Summer & The Battle of Shaker Heights), I was left relatively cold. Hoping to shake things up between Season 2 & 3, the Greenlighters dealt with two big changes: The switch from HBO to Bravo -- and the switch from wistful indie comedy to hardcore indie horror.

But if the third season of Project Greenlight ended in May of 2005 ... where's the freakin' movie already? The film in question is entitled Feast, and it's one of the movies that the Brothers Weinstein got custody of following their divorce from Disney/Miramax - but it's been just sitting on a shelf somewhere, despite some relatively positive notices from a small group of critics. (My pal Erik Childress reviewed Feast when it played the Chicago Film Festival, and he really liked the thing!)

Continue reading Gorehounds Can FEAST in October!

Interview: Wes Craven



One would think that with a name like Wes Craven - his real name, by the way - that a life as a director of horror films would be the man's inescapable fate from the very start. While the 66-year-old Cleveland-born Renaissance man has created some of the most revered films of the modern genre like A Nightmare On Elm Street and the breakout Scream trilogy, there is more to him than that. He studied writing, psychology, philosophy and literature at Wheaton College and Johns Hopkins University, taught college, and did not even start working in the film industry until the age of 31 as a sound editor.

It was in 1971, though, when his path would intersect with that of another future horror legend - Friday the 13th creator Sean S. Cunningham. Their meeting first resulted in the largely forgotten Together, footnoted only because it starred a 19-year-old woman named Marilyn Briggs (who consequently met brothers Artie and Jim Mitchell, who rechristened her Marilyn Chambers and made her a porn icon in Behind The Green Door). However, the collaboration made fellow tyro Cunningham want to work with Craven again. The next year saw the release of the Cunningham-produced, Craven-directed The Last House On The Left, a remake of Swedish titan Ingmar Bergman's The Virgin Spring, believe it or not, a raw and grimy low-budget effort about a pair of murdering rapists who unknowingly hole-up in the house of the parents of one of their victims. The film became a cult favorite and launched Craven's career in movies.

Craven's second film, the savage and effective 1977 survival tale, The Hills Have Eyes, was about a family who, while traversing the desert, encounters a group of inbred maniacs who prey on these seemingly helpless castaways. Nearly three decades later comes the first remake of Craven's own work, with the new version helmed by French it-director Alexandre Aja (High Tension), released in the U.S. on March 10. Craven, who produced the film for Fox's boutique arm Fox Searchlight, was cool enough to call me at home for an impromptu chat. After I insulted his parentage and suggested a scenario in which he couple with a Cheerio (thinking I was being pranked by my friend Eric), I apologized and basked in fanboy glory for the remaining 22 minutes of our phoner.
 

Continue reading Interview: Wes Craven

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