Seems like a small war is starting to brew between Michael Bay and Megan Fox, after the latter said some unflattering things about Transformers: Revenge of the Fallen, telling the Early Show recently that she still doesn't understand the movie and that it's apparently made for geniuses. Bay, of course, is not one to take criticism lightly -- especially from some girl who was nobody until he dropped her into the first Transformers movie.

Speaking to The Wall Street Journal about the situation with Fox, he says, "Well, that's Megan Fox for you. She says some very ridiculous things because she's 23 years old and she still has a lot of growing to do. You roll your eyes when you see statements like that and think, "Okay Megan, you can do whatever you want. I got it." But I 100% disagree with her. Nick Cage wasn't a big actor when I cast him, nor was Ben Affleck before I put him in "Armageddon." Shia LaBeouf wasn't a big movie star before he did "Transformers"-and then he exploded. Not to mention Will Smith and Martin Lawrence, from "Bad Boys." Nobody in the world knew about Megan Fox until I found her and put her in "Transformers." I like to think that I've had some luck in building actors' careers with my films."

We shouldn't worry whether this war of words will hurt either person's involvement in a third Transformers movie because according to Bay that's not happening anytime soon. On a third Transformers film, he says, "I just want to take some time off. It's been almost three years that I've devoted myself entirely to this world of robots. At some point, enough is enough-and I literally carried this movie on my back. ... I don't know who [would] want to take on my shoes with this franchise. We might just take a year down."

Above: Is this our first good look at The Runaways?

Though neither girl was alive during the 1970s or 1980s (both were born in the '90s), that's not stopping Kristen Stewart and Dakota Fanning from losing themselves in the time period and doing some serious rocking out for their upcoming flick The Runaways, which is a biopic about the women who breezed in and out of the famous band -- including Joan Jett (Stewart), Cherie Currie (Fanning), Lita Ford (Scout Taylor-Compton) and Sandy West (Stella Maeve), among others.

Just Jared nabbed a few photos from the set that show both Stewart and Fanning clowning around all retro'd out, sporting some pretty spectacular gear. It must've been fun to be in charge of wardrobe for this film because these ladies totally lit it up with style. I'm not entirely sure which girls are featured in the image above; I know Stewart and Fanning are in the back, and I think that's Scout Taylor-Compton in the blue and Stella Maeve up front, though I'm not positive so feel free to correct me. Check out a larger version of the image above down below along with a couple others, and more over at Just Jared.



The Runaways is due in theaters next year.

Oh, the horrible human beings people become while trying to cut deals on Craigslist. With the holiday weekend approaching, and with news pretty slow, here's a story that certainly won't cheer you up. Apparently back in April, a single father put out an ad on Craigslist for an actor to come and literally steal his dog because it was becoming too overwhelming of a responsibility for him. Me describing it doesn't do the ad justice, so, here, read it yourself:

"My deceased aunt gave my two kids a Cocker Spaniel a few months back. The dog has been a terror and become overwhelming for me. I am a single father raising two young children. I cannot face telling the kids that the dog must go. I have found a good home for the dog, and just need someone to transport the dog, and play the villain.

Premise: You will be the dog walker hired by daddy (me) to walk Skittles. I will introduce you to the kids, and you will tell them you are going to help Skittles get her exercise when Daddy is too busy to walk her. At that point you will walk Skittles to your car and take her to her new family 20 minutes from my place. Then return holding just a leash. The story will be that Skittles broke free of the leash and took off. At this point prepare for crying, things being thrown at you, and possibly cursing. My kids are young and dramatic, their girls.

Pay will be $500. The job will take roughly 2 hours at best.

This job is ideal for an actor looking to diversify their role base, or someone who genuinely likes to make children cry. Acting experience is a plus, but not necessary. Please inform me of any prior experience in this kind of situation."

It's not really a spoiler to say that in the upcoming cute and quirky 500 Days of Summer, the film begins with the following disclaimer: " Any resemblance to people living or dead is purely accidental ... Especially Jenny Beckman ... Bitch." Having seen this film play at festivals with Q&As afterward, the first or second question asked is always about whether or not Jenny Beckman is a real girl and perhaps the inspiration for the character Summer (played by Zooey Deschanel). The filmmakers have said that she is real, and at a recent screening of the film in Chicago, director Marc Webb added this to the end of his answer: "... yeah, she's real, look her up on Facebook."

So we looked her up on Facebook, and, yup, there's the Facebook page for a girl named Jenny Beckman who kinda sorta resembles Zooey Deschanel. She's a fan of 500 Days of Summer, her favorite music lists bands on the film's soundtrack (The Smiths are listed first) and she's friends with director Webb, as well as the writers of the movie. All that being said, I've walked away with a few questions:

1. Is this really the Facebook page for a girl named Jenny Beckman, and is this same Jenny Beckman the inspiration for Zooey Deschanel's character in 500 Days of Summer?
2. Is this just a piece of viral marketing on behalf of Fox Searchlight and/or the filmmakers to get people interested and keep them interested in the film?
3. If this is a hoax, then who is that girl in the picture? Is that really a girl named Jenny Beckman? Is the name Jenny Beckman fictitious, but is that still a picture of the girl who inspired the character?

We want answers! What do you think?

Karl Malden, an Oscar- and Emmy-winning actor and former president of the Academy of Motion Picture Arts & Sciences, died of natural causes today in Los Angeles at the age of 97. His long life and successful career were virtually free of scandal or controversy, and as an actor he was by all accounts a consummate professional. He and his wife, Mona, who survives him, were married for 70 years, which might literally be a show-business record.

Malden was born Mladen George Sekulovich in Chicago, the son of a Serbian father and Czech mother. He changed his name for obvious reasons when he went into acting (after working alongside his father in the steel mills), but often found a way for someone to mention the name "Sekulovich" in his films, as a tribute to his roots. He appeared in 21 Broadway productions between 1937 and 1957, including the premiere of A Streetcar Named Desire in 1947. He and several other cast members from the show, including Marlon Brando, reprised their roles for the 1951 film version, and Malden won an Oscar for best supporting actor. He was later nominated for On the Waterfront, in which he also appeared with Brando. Overall, he appeared in some 50 films, 19 in the 1960s alone.

In the 1970s, he earned four Emmy nominations as the star of The Streets of San Francisco, where he played an experienced cop working with rookie Michael Douglas. Malden also appeared in American Express TV commercials throughout the '70s ("Don't leave home without it"), an oft-parodied but long-remembered campaign that worked because of his familiar, trustworthy face. His bulbous nose, perhaps the most recognizable thing about him, was the result of sports injuries in his youth, and Malden joked about it frequently. He later won an Emmy for his work in the 1984 miniseries Fatal Vision.

The title may be generic, but the cast is not. Vince Vaughn, Jon Favreau, Jason Bateman, and Faizon Love accompany their significant others -- Malin Akerman, Kristen Davis, Kristen Bell, and Tasha Smith -- on a vacation to paradise in Couples Retreat. There is a catch, however: intensive sessions of relationship therapy are mandatory and counselor Jean Reno doesn't take "no" for an answer. The first trailer is up at the Fruit Factory (AKA Apple.)

While there's a degree of over-familiarity with the basic premise, the trailer is very promising, edging into the naughty side of PG-13. (According to Erik Davis' post on the movie last year, that's the rating they're aiming for.) Bateman and Bell make for a good, edgy couple of Type A-personalities on the brink on break-up who ask three other couples to come along on their retreat to save money. Old friends Vaughn and Favreau have great chemistry, of course, and have worked with Bateman before. I'm not a huge fan of Akerman or Davis -- they're both lovely and have bright personalities but not a lot of comic snap. Seeing Reno as a buff instructor makes me giggle. Favreau wrote the script, based on an idea by Vaughn, and another old pal, Peter Billingsley, makes his directorial debut.

Couples Retreat is heading for release on October 9, a crowded date on the release schedule: The Informant (drama), Night of the Demons (horror), Whip It (comedy), and Zombieland (horror comedy) are also due out that day. Does the concept or the cast -- or the trailer -- grab you?

This column is so often steeped in skepticism that it's a relief to declare unequivocally: I cannot freakin' wait for this movie. Just as I was starting to think that the zombie sub-genre was becoming played – the recent trend toward athletic, lightning-quick zombies hasn't really cured the zombie movie's fundamental repetitiveness – World War Z threatens to revitalize (your gratitude for not writing "resurrect" or "reanimate") the genre by hauling it, straight-faced and dead serious, into the real world.

The first thing Brooks does is set ground rules. Once infected and undead, zombies are essentially monomaniacal brains unmoored from brains' normal contingencies – e.g. a pumping heart, a digestive system, oxygen. Until the brain itself is destroyed, it will stupidly, relentlessly pursue human flesh, using whatever parts of the original body remain at its disposal. Zombies move slowly, with arms – if available – raised toward their target. If a zombie finds prey, it will moan; if a nearby zombie hears a moan, it will move toward the source and let out a moan itself. You see how this could escalate.

Are you psyched to see Captain Jack Sparrow as a real-life gangster? Johnny Depp plays an infamous criminal in Michael Mann's Public Enemies, which opens tomorrow. But in a world where giant robots draw huge crowds, "do audiences want to see Depp as a fairly realistic, non-fantasy version of Depression-era bank robber John Dillinger?"

That's the question asked by Anne Thompson, a veteran industry analyst. She describes the movie as only "fitfully engaging ... often flat as a pancake." She says that Michael Mann's "biggest misstep here is the same as the Wachowskis with Speed Racer. His pursuit of what interests him formally may leave audiences behind." Like David Fincher's Zodiac and The Curious Case of Benjamin Button, and Mann's own Collateral and Miami Vice, Public Enemies was shot on high-definition video. Thompson claims: "When moviegoers watch a period film, no matter how authentically recreated, they aren't expecting it to look like this. There's something jarring about the way Public Enemies shoves us into the past."

I don't know about you, but I could use a good shove now and again. I've enjoyed Mann's last two films, and the trailers for Public Enemies have done a good job of whetting my appetite. The cast, including Christian Bale, Marion Cotillard, and Billy Crudup, looks solid. I don't have any preconception about how period films should look -- I want a good, well-told story with interesting characters. How about you? Do you have certain expectations about how films set in the past should look? Do you want to see Johnny Depp as a "fairly-realistic, non-fantasy" bank robber?

While the world mourns the loss of Michael Jackson, Vanity Fair has cooked up a somewhat controversial (and fairly random) look back at Heath Ledger's final days, with quotes from his agent, his vocal coach, director Terry Gilliam and Doctor Parnassus cinematographer Nicola Pecorini. The article, published in part on Vanity Fair's website, is broken into different paragraphs with titles like "How chronic insomnia may have led to his death" and "How his relationship failed." Did the world -- not to mention Ledger's fans, friends and family -- really need all these old wounds dug up and scraped for a little extra attention? Probably not.

Of all the quotes, the most fascinating seem to be the ones which talk about The Dark Knight, and how Ledger's pay-or-play deal allowed him to do whatever he wanted with the role of Joker seeing as he was to still receive a paycheck regardless of whether he remained in the movie. According to Pecorini, Ledger was actually hoping his performance was way too out there and that he'd get fired, allowing him to take a nice, long paid vacation. Ledger's agent, Steven Alexander, sort of backs up the statement with this one about the actor's attitude toward big summer movies, saying he "was always hesitant to be in a summer blockbuster, with the dolls and action figures and everything else that comes with one of those movies. He was afraid it would define him and limit his choices."

The article also delves into Ledger's rampant drug use, eventual sobriety and just how rough his break-up with Michelle Williams was. It also links off to a 2000 photo spread featuring the actor in some, um, interesting poses. Definitely an odd piece, and I'm sure some will be critical of Vanity Fair for running it. Check it out over here and let us know what you think.

[via The Playlist]