female directors Tagged Articles at Cinematical

Last week, Peter Bart of Variety wrote "Unlikely Rivals on the Oscar Circuit," outlining how Jane Campion and Kathryn Bigelow were a part of the Oscar race with Bright Star and The Hurt Locker. But rather than simply outlining their accomplishments and discussing their talents, Bart gave the piece this weird, "at odds" theme, kicking it off with their looks. It's apparently strange that the "cerebral, somewhat severe, leans toward post-hippie attire" Campion could helm an all-out romance* while Bigelow -- the "tall, model thin" director with a "gracious manner" -- could bring us The Hurt Locker. As if looks are inextricably tied to theme. As if Wes Craven has to look like Freddy Krueger, or James Cameron has to be a beefy Terminator.

To be fair, kind words are given to both filmmakers; it's just fueled by this strange desire to make things at odds. Its execution doesn't relay a sense of distaste in Campion's and Bigelow's accomplishments, but rather an inability to discuss them without noticing a woman's physicality, without struggling to make connections between their looks and interests. It continues right down to the final line -- "Keats vs. Iraq: Now that's downright weird." -- as if Campion's Piano didn't already face off against the likes of Schindler's List and The Fugitive, as if Juno never faced off against No Country for Old Men, and so on and so forth.

As if women are some sort of alien species that cannot be understood without their physical presence -- they must be judged by it, defined by it.

*Let alone the ridiculousness that Campion has to be characterized as the "severe" woman to Bigelow's cuteness.

There have been notable women in the world since that first apple-curious gal was made from an extra rib, and Hollywood has even covered many of their stories. But it just can't seem to allow that bubble to burst fully into the X-X spectrum. The lack of female directors has been well chronicled: We've seen the challenge in following the Bechdel Rule, and the list goes on and on. Most recently, we've watched as Catherine Hardwicke earned the best box office opening for a female director ever, only to be axed and replaced by Chris Weitz for the Twilight sequel, New Moon. Not exactly the best way to wrap up 2008 and kick off 2009, but life goes on and so do we.

Hollywood also moves on, and luckily there are still women to watch for. Some are older, and some are quite young; a few have the pressures of sophomore features, and one isn't even real. But they're all women who will mold the face of Hollywood in 2009. Read on and make sure to comment with the woman (or women) of Hollywood that you're waiting to see in the new year!