Cinematical

Whenever Scott and I aren't out fighting crime together, we tend to be chatting each other up about horror films, as he has often either pointed me towards many a overlooked gem or brought to my attention the best titles currently making the festival rounds.

Whether or not Weinberg was the one who got me initially amped up for [REC], I can't accurately recall, but the point is that I can support his many praises over the film, and I think it's safe to say that we're both cautiously optimistic about the forthcoming American remake, Quarantine. It seems that Sony's smarter minds are also prone to cautious optimism, as Shock Till You Drop informs us that the film's release has been bumped up a week, from October 17th to October 10th.

Now, the 10th is a crowded weekend - we also have a crime thriller, a family adventure, and a teen sex romp - but what's important is that not only do none of those films appeal to the same horror-seeking demographic as Quarantine, whereas video game adaptation Max Payne might on the 17th, but the move gives it an extra week to rake it in until Saw V comes around and effectively dominates the market come the 24th.

As for me, I'm still curious about Quarantine director John Erick Dowdle's previous film, the still-unreleased The Poughkeepsie Tapes. Is it some sort of staring contest between them and the equally delayed All the Boys Love Mandy Lane, or what?

Just the other day, I shared the new trailer for the bloody, music extravaganza known as Repo! The Genetic Opera, and I noted that the flick was still without a release date. If Ace Showbiz is to be believed, the opera has found itself a new tentative square on the calendar -- November 7, 2008. That puts it face to face with the next James Bond film, Quantum of Solace.

Spies. Genetic repossessors. Gadgets. Song and dance. Bond girls. Paris Hilton. Okay, going back and forth between the perks of each feature isn't going to win this battle. These are certainly different films, but I wonder if it's wise to put them head to head. But even more to the point -- why the 7th? Heck, seeing that it's only one week after Halloween, it would make more sense to zip it into theaters a week earlier -- it might have to go up against Kevin Smith, but it would have the Halloween creepiness on its side.

Stay tuned to see if this release date sticks.

Talk about conflicted emotions! In a very fine article at indieWIRE, Anthony Kaufman reports on filmmaker Lance Hammer's recent decision to pull out of a distribution deal with IFC Films for his Sundance award-winning feature, Ballast. While I'm heartened that Hammer is willing to place creative control ahead of financial concerns, I'm also discouraged that there appears to be little room in the current distribution landscape for Hammer's critically-acclaimed independent drama to find its audience.

Ballast details the lives and connections between a man, a woman, and her son. It won praise from our own James Rocchi -- "Cineastes, looking for an American film that offers something on-screen other than glossy consumerist fantasies, will embrace Ballast with the ardent fervor of a drowning victim offered a rope" -- even though James acknowledged the challenges the film would face in drawing viewers from "outside the film festival circuit."

Paris-based sales outfit Celluloid Dreams nabbed nternational rights (outside the US) at Sundance, and then IFC made a deal for US rights in February. But Hammer told indieWIRE that, while he wasn't thrilled with the prospect of not even recouping his production budget from the deal, he was "particularly dissatisfied with the lengthy terms of the contract." All things considered, Hammer decided to walk away: "It becomes difficult to justify giving up creative control."

In case you didn't spot it earlier this week, Kevin Smith slipped a peek at the supporting cast for Zack and Miri Make a Porno into his MySpace blog. It's nestled amongst remembrances of the late, great George Carlin and other morsels.

This picture is awesome, and not because you can get a look at what everyone will look like in the film. Look at their faces. I'm going to go out on a limb and say that these six people are witnessing something porn-esque, and the variety of expressions is priceless. Traci Lords looks a little unnerved. Katie Morgan looks unimpressed. But best of all is Jason Mewes. First, he looks ready and willing to get in on the action -- legs spread, face serious, anxious posture. (Pinch hitter, perhaps?) Secondly, what's with the beer? On-set hops enjoyment?

This definitely won't be our usual Halloween fare when Smith's latest opens on October 31, and I'm thinking that's a good thing.

[via JoBlo]

Before we get started, I just want to make it clear that in Hollywood nothing is ever official until you see the press release (and you should probably take the following news with a big grain of salt). Over at the Alice in Wonderland fan site, talk has surfaced that Tim Burton has finally cast Alice in his live-action version of Alice in Wonderland (not to be confused with the long-suffering American McGee creation).

According to the commenter, Ian B: "My brother is working on the movie and he said Alice has been cast. He is a music supervisor for the movie and said there will be a press release about it on July 9th. The role was originally supposed to be Evan Rachel Woods but she backed out. Alice won't be played by a child but a 23 year old. From what I was told it's her first Burton movie, and her first big role in a film that will be released world wide." So who's the lucky gal? Say hello to Ryan Nikole Parker. Parker is not very well known, and other than a few TV credits is a relative newcomer to the business.

Burton struck the deal for Alice with Disney back in November, and according to comments on the IMDB message boards, he's already finished casting. Luckily for us, July 9th isn't that far away, so we won't be waiting long for the official word.

Sound off below on who you would like to see go down the rabbit hole with Mr. Burton.

[via The Bad and Ugly]

They say truth is stranger than fiction. To that I say "you obviously haven't seen Naked Lunch," but reality is certainly a fertile ground for film makers and today we've got five trailers for films based, to varying degrees, on real events.

The Perfect Game
I've never enjoyed watching sports so baseball movies usually leave me cold, but this one has a couple of things going for it: a true tale of a bunch of kids rising up from poverty to become world champions, and former drug culture icon Cheech Marin playing a priest. Based on true events, a former coach for the St. Louis Cardinals (Clifton Collins Jr.) takes a group of poor Mexican kids under his wing and teaches them the fine art of baseball, which ultimately leads them to the 1957 Little League World Series. There are the usual sports metaphors: "Love ain't like baseball," says Collins' character. "Yes it is," replies one of his bright eyed proteges. I'm teetering between cute and cringe-inducing on that one, but this kind of rags to riches story is pretty appealing and the period setting is pretty cool. The Perfect Game hits theaters on August 8.

I'm not exactly sure how the act of delivering silly little video games translates into tickets bought at the multiplex, but I suppose it works like this: Sony created the tie-in games, and now I'm telling you about them. So ... I guess the method works.

Anyway, it's a slow holiday weekend, which means you might have some time to waste on clicky little browser-based video games that are based on a pair of upcoming comedies. Click here for the Donkey Kong-esque misadventures on The Pineapple Express, or click here for the "whack-a-mole" game starring Step Brothers Will Ferrell and John C. Reilly.

I'm definitely looking forward to both comedies ... but I'll just stick to my beloved Zuma, thanks. (Good luck making a movie out of that game.)

Back in the old days, moviegoers used to get a cartoon before every movie. A lot of the classic Donald Duck, Bugs Bunny, Tom & Jerry, Droopy, Popeye, Superman & Casper the Friendly Ghost cartoons that many of us grew up watching on TV were once savored on the big screen. Eventually filmmakers began cranking out cartoons much more cheaply for television, and it was the end of an era -- almost. In recent years, Spike & Mike's touring cartoon festival has been a big success and other cartoon festivals have joined in. Earlier this year the five Oscar-nominated animated shorts opened in theaters, although together they ran nearly two hours. The new The Animation Show 4 collects some 18 shorts and series and runs less than 90 minutes. (See official site.)

Curator Mike Judge, the gentleman behind "Beavis & Butthead" and "King of the Hill," is definitely a man who likes his cartoons to get to the point, and so the three longest shorts here run about 7 minutes apiece. Steve Dildarian's Angry Unpaid Hooker is one of them. When his girlfriend arrives home early, Tim has trouble explaining the angry unpaid hooker sitting on his couch. The befuddled Tim will go on to star in his own series, "The Life and Times of Tim." Another epic is This Way Up, from the team of Smith & Foulkes. In it, a pair of long-faced morticians (father and son?) carries a sarcophagus to its final resting place, attempting to keep the box upright despite cruel fate's best attempts to knock it down. Stefan Mueller's Mr. Schwartz, Mr. Hazen and Mr. Horlocker, from Germany, is the other "long" one. A cop investigates some noisy neighbors in an apartment building, but can't quite get the entire story until the same scenes are played out again, behind closed doors. This features the greatest cinematic drug trip since James Toback's Harvard Man.

Can you make a summertime movie that gives audiences excitement, adventure and real drama -- and still have it flop? Are Hancock's reviews missing the big picture? And does the success of Sex and the City mean that the niches of movie marketing are going to get even more narrow? Joining us this week to talk about all these topics and more is David Poland, editor-in-chief of Movie City News and author of The Hot Blog. Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

It would be easy to offer you appropriately themed movies for the Fourth of July. There is, of course, Independence Day, plus flicks like Yankee Doodle Dandy, or on a more serious note, Born of the Fourth of July. But what's the fun in that? You could come up with those yourself. I could be snarky and offer only British fare, which is actually very tempting, but I have something else in mind: Independence-themed chills.

The two films for this double feature are not centered specifically on the Fourth of July, but the date is important to both stories -- whether it's the tale of tourists and teeth, or parades and creepiness. Do you see where I'm headed? For this double feature, in honor of the Fourth of July, I give you: Jaws and Cape Fear.