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finding neverland Tagged Articles at Cinematical

Weinsteins Turn All Their Movies Into Broadway Musicals

Filed under: Drama », Foreign Language », Independent », Music & Musicals », Exhibition », The Weinstein Co. », Miramax », Cinematical Indie »

OK, so maybe they aren't turning all their movies into Broadway musicals, but it sure seems like it. According to Variety, The Weinstein Co. is out to produce a number of adaptations for the stage, beginning with Finding Neverland, which is expected to hit the stage in 2010 (or re-hit the stage, since the movie was based on a play by Allan Knee). After that, it's a stage version of Pink Floyd's The Wall (apparently adapted from the album, not Alan Parker's 1982 film). Then, other titles in the pipeline include the Miramax hits Shakespeare in Love, Chocolat, Save the Last Dance and Cinema Paradiso. Wait, a stage musical based on a movie that celebrates moviegoing? That's gotta be one of the dumbest things I've heard.

These certainly aren't the first movies to be exploited adapted for the stage, and they won't even be the first stage productions from the Weinsteins, who also had a hand in Tony-winner "August: Osage County," as well as the hit stage adaptation of The Producers and the soon-to-be-a-film "Frost/Nixon." The Finding Neverland musical is already being written, with book by original playwright Knee and music by "Grey Gardens" composer Scott Frankel and lyricist Michael Korie. The Wall also is in the works under the care of playwright/screenwriter Lee Hall (Billy Elliot).

So far, it appears TWC is only adapting Miramax films, from back when the Weinsteins were in charge there, but maybe one day we'll get to see "Grindhouse: The Musical" or a stage adaptation of Fanboys (maybe it can even hit the stage before theaters, at the rate it's going).

Daniel Craig Talks 'Bond 22'

Filed under: Action », Casting », Fandom », Scripts », James Bond », Comic/Superhero/Geek », Remakes and Sequels », Daniel Craig »

Coming Soon has a new interview with Daniel Craig, and he's talking Bond 22. The script is done, and filming is expected to start very soon to avoid conflict with a possible Screen Actors Guild strike (different from the WGA strike -- ay caramba!). Craig confirms that Bond 22 immediately follows the events of Casino Royale, and praises director Marc Forster, saying, "If you look at Forster's current body of work, that in itself makes me very excited. If you look at Monster's Ball, Finding Neverland, and then Kite Runner, which is just stunning, it's such a diverse look at the world, I'd want us to have that. Marc is very solid."

You Ian Fleming fans might be disappointed with one tidbit from the interview -- Craig says the new script isn't based on Fleming's work at all: "There's nothing left, as far as I know." As for Craig's controversial mention of adding Roger Moore-style "humor" to the new Bond, Craig insists he was "lying," and adds "I'm not going to shy away from the fact that occasionally there should be humor. I just don't like gags. I don't like written gags. That's not the way I've ever liked working and I don't think that's funny myself." And Craig fans can rest easy, he says he's totally game for another Bond, as well as a sequel to the soon-to-be-released and surprisingly controversial The Golden Compass. There is no Compass sequel script yet, but there is an outline Craig says is "pretty good." Just pretty good? Show us a little enthusiasm there, DC! The Golden Compass releases December 7th, Bond 22 on November 7th, 2008.

Marc Forster Shows Up for 'Jury' Duty

Filed under: Drama », 20th Century Fox », James Bond », Remakes and Sequels »

When I first saw the headline, I thought Marc Forster was remaking the 1995 Pauly Shore classic. But no, fortunately (or unfortunately depending on your position), he is sticking to more serious fare. According to Variety, the director of such melodramatic films as Monster's Ball and Finding Neverland is now attached to an adaptation/remake of the British miniseries The Jury, which first aired in 2002. The original, written by The Queen's Peter Morgan and directed by Pete Travis, is about a murder trial involving a Sikh student charged with killing a classmate. Like a modern, more expansive version of 12 Angry Men, the miniseries focuses primarily on the members of the jury and the process through which they reach their verdict -- though apparently (I haven't seen the miniseries), The Jury bears no resemblance at all to Reginald Rose's play nor either of the films it spawned.

Rather than hiring Morgan to rewrite his own script -- the Oscar-nominee is pretty busy these days -- Fox 2000 has gone with Beau Willimon, who Forster himself recruited based on the playwright's well-received political drama Farragut North. While it seems that Willimon is inexperienced in writing for film, he presumably has a lot of time to work on The Jury, since Forster will next be directing the latest installment of the 007 franchise, tentatively known as "Bond 22". Whenever The Jury gets made, we should expect that it will follow in the tradition of other UK minis-turned-features like Traffic and the currently-in-production State of Play. It will probably have a cast of heavies and a lot of Oscar promise.

New On DVD - Bee Season, Brokeback Mountain, The Chronicles Of Narnia

Filed under: New Releases », DVD Reviews », New on DVD », Home Entertainment »



Bee Season - Richard Gere as a rough-boy sailor in An Officer and a Gentleman? OK. Richard Gere as a singing and dancing attorney in Chicago? Convincing enough. Richard Gere as a Jewish husband (of Juliette Binoche) and father exploring the mysteries of God through the flawless spelling of his daughter? Oy. Many parts of this existential drama about the ways in which a brilliant 11-year-old (Flora Cross) affects her family are sketchy, as no one of the characters is well-drawn enough for us to care about them too much. Genius was captured far better in films like Little Man Tate and Searching For Bobby Fischer.
 

New Line grabs Pan

Filed under: Horror », Independent », Deals », New Line », Newsstand », Remakes and Sequels », Cinematical Indie »

We all love to talk about how Hollywood never has any new ideas, and the folks there rarely do anything to change our minds, churning out crappy sequel after crappy sequel, and endlessly remaking and tweaking old ideas. Among those poor, abused old ideas is that of a little, green-clad boy named Peter Pan. From a silent adaptation in 1924 to the retina-scarring image of a fully-Naired Robin Williams as a grown-up Peter in Hook; from the 1950s cartoon version to Johnny Depp's J.M. Barrie in Finding Neverland, Hollywood just cannot get enough of that flying kid. And now, just in case you were worried a whole three years might pass without another Peter Pan flick, New Line has bought a pitch that approaches the story from a rather promising horror angle.

Blandly-but-cleverly entitled Pan, first-time writer Ben Magid's pitch has a supernatural twist, and depicts Peter as "a villain tracked by police captain named Hook"; New Line paid for the pitch and then set the film up to be developed through the recently-founded Energy Entertainment management group. Because I'm a whore for dark detective stories, I think this approach has a ton of potential. The more rational among you, however, will probably say that it's going to be a crappy, gimmicky mess with a throwaway story that probably won't be able to sustain 90 minutes of film. Sigh. Dammit, why can't you just let me dream for a few minutes?
 
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