Eric D. Snider tried his best to trick me into watching Beverly Hills Chihuahua this week. It didn't work on me, but it worked on millions of Snider acolytes all over North America, who joined forces to give the talking-animals kidflick a strong $29 million, first-place debut. I didn't see it, as I say, so it would be wrong for me to bemoan the decline of civilization that this surely (if unsurprisingly) represents. Feel free to do so in the comments.

Nick & Norah's Infinite Playlist opened to $12 million and third place, which I'd have to say is okay for the low-profile, borderline-niche film. That number, though not terribly impressive, is actually a fair testament to Michael Cera's star power, since his presence was literally the only mass-marketable aspect of the movie. So the debut is at least a draw for Sony.

It was an interesting weekend in that there were several films opening in, or expanding into, semi-wide release. The biggest winner of that bunch has to be Religulous, Bill Maher's aggressively anti-faith documentary, which did $3.5 million on around 500 screens for $6,972 per screen. Given the preaching-to-the-relatively-small-choir quality of the film, I don't expect it to hold up too well in the weeks ahead, but this level of interest is a mild surprise. Facing off against Religulous ideologically was David Zucker's conservative spoof An American Carol which, according to the estimates, edged out Religulous with $3.8 million on over 1,600 screens.

Ed Harris's lightweight western Appaloosa expanded to roughly 1,000 screens and took in $5 million -- which is okay, but seems like a missed opportunity. Faring worse were Flash of Genius (1100 screens) and Blindness (1700), with $2.3 and $2 million respectively, both landing outside the top 10. The grim Blindness was a no-sale from the beginning, especially since the critics never got on board, but the unabashedly populist Flash of Genius underperformed. Maybe the ads emphasized windshield wipers too much.

A bit more plus the weekend's top 12 after the jump.

In this weekend's well-meaning docudrama, Flash of Genius, Greg Kinnear portrays an inventor who struggled for years to sue car manufacturing behemoth Ford and get them to admit that they helped themselves to his patent on the intermittent windshield wiper. (Eugene reviewed it back at Telluride, and I basically agree with his assessment.)

Despite the real-life case being settled a couple of decades ago, Ford has taken this current opportunity to point out the factual inaccuracies in the movie that they've taken issue with, doing so in the form of this handy timeline, without causing any sort of formal stir, as covered in this accompanying text. Especially considering that the film's subject, Robert Kearns, passed away over three years ago, I doubt it would (and hope it won't) come to any sort of renewed head.

Maybe in thirty years or so, we'll get a movie about a blogger battling impossible odds to get all the facts straight on either side of a movie in which an inventor battled impossible odds to get just some facts straight. Now, to just work the word 'Genius' back into the title...

(We're re-posting our review of Flash of Genius from the Telluride Film Festival to coincide with the film's theatrical release this weekend)

By: Eugene Novikov

Flash of Genius is a conventional crowdpleaser but not, I'm pleased to report, a shameless one. Chronicling the true story of a college professor's fight to reclaim his invention – the intermittent windshield wiper – from the car company that stole it, the film does many of the things you'd expect, but it may also surprise you. Don't let its Telluride placement fool you: this is a staunchly mainstream, unchallenging film, the sort of underdog-vs.-corporate-behemoth story you've seen time and again. But it's a decent rendition, hitting the right notes without insulting our intelligence.

Now, the intermittent windshield wiper is not exactly the light bulb. If you're not familiar with the term, the wiper is "intermittent" in the sense that it can pause between wipes – a problem that apparently puzzled engineers at all the major car companies until Kearns cracked it the late 60s. But part of what's nifty about the film is its ability to create suspense and curiosity around something so seemingly mundane. Kearns' first demo of his device to Ford is exciting in a very goofy way, but exciting nonetheless.

Chalk up another number one opener for Shia Labeouf as Eagle Eye took the top spot with Richard Gere's romantic drama Nights in Rodanthe sliding into second. Here's the top five:

1. Eagle Eye: $29 million
2. Nights in Rodanthe: $13.4 million
3. Lakeview Terrace: $6.9 million
4. Fireproof: $6.8 million
5. Burn After Reading: $6 million

We've got a whopping six new releases this week, so let's get started...


How to Lose Friends and Alienate People
What's It All About: Simon Pegg stars as a small time gossip journalist from England who joins the staff of a prestigious New York magazine and proceeds to piss off a lot of people.
Why It Might Do Well: Dude, it's Simon Pegg.
Why It Might Not Do Well: No zombies or cricket bats in sight.
Number of Theaters: 1,750
Prediction: $6 million

The Telluride Film Festival has wrapped up and we're gearing up for our non-stop coverage of the Toronto International Film Festival, which starts tomorrow. Just in case you missed any of our coverage from the Telluride Film Festival, here's a roundup of what we saw there. Most of these films will also be playing at Toronto as well; if you attended Telluride or are going to TIFF, be sure to let us know which films you love or hate -- we always enjoy hearing what our smart Cinematical cinephiles think about the films they catch at fests.

Slumdog Millionaire (dir. Danny Boyle): Fans of director Danny Boyle's work will find much to appreciate in his latest film, Slumdog Millionaire, a sweeping, hopeful story about a boy in the slums of India who becomes an instant celebrity after he wins millions on India's version of Who Wants to be a Millionaire? ... read more

Flash of Genius is a conventional crowdpleaser but not, I'm pleased to report, a shameless one. Chronicling the true story of a college professor's fight to reclaim his invention – the intermittent windshield wiper – from the car company that stole it, the film does many of the things you'd expect, but it may also surprise you. Don't let its Telluride placement fool you: this is a staunchly mainstream, unchallenging film, the sort of underdog-vs.-corporate-behemoth story you've seen time and again. But it's a decent rendition, hitting the right notes without insulting our intelligence.

Now, the intermittent windshield wiper is not exactly the light bulb. If you're not familiar with the term, the wiper is "intermittent" in the sense that it can pause between wipes – a problem that apparently puzzled engineers at all the major car companies until Kearns cracked it the late 60s. But part of what's nifty about the film is its ability to create suspense and curiosity around something so seemingly mundane. Kearns' first demo of his device to Ford is exciting in a very goofy way, but exciting nonetheless.

Pictured Above: Augie (CHRISTOPHER MINTZ-PLASSE), Danny (PAUL RUDD), Wheeler (SEANN WILLIAM SCOTT) and Ronnie (BOBB'E THOMPSON) in a comedy about two likable losers forced to do community service-Untitled Mentor Project.

As we told you earlier, Universal Pictures has released their upcoming 2008 film slate, including a ton of photos to go along with what looks to be a pretty solid list. Above you can check out the first image from the Untitled Mentor Project (aka Little Big Men on IMDb), starring Paul Rudd, Seann William Scott and Christopher Mintz-Plasse, following up his superb debut as McLovin' in Superbad. Below, check out an image of Angelina Jolie from Clint Eastwood's The Changeling, which comes with the caption: "Christine Collins (ANGELINA JOLIE) is introduced to a boy claiming to be hers by Captain J.J. Jones (JEFFREY DONOVAN) in a provocative thriller that tells the shocking tale of a mother's quest to find her son, and those who won't stop until they silence her-Changeling, from director Clint Eastwood.

Lots more after the jump ...

The cinematic version of the late, struggling inventor Robert Kearns finally has a friend. In June, Christopher Campbell posted that Greg Kinnear had been cast as the inventor in Flash of Genius, with Lauren Graham once again taking on the wifely role. (Is she becoming the token wife to balance out many years as the pretty-much-single Lorelai Gilmore!?) Now Variety has reported that Dermot Mulroney will be taking on the role of Gil Privick, Kearns' best friend, who owns a chain of auto-parts stores.

To recap, Kearns was the man who invented the intermittent windshield wiper. He took his invention to car manufacturers, and years later, Ford slapped his design onto cars and he got nothing for it. He had a breakdown, became obsessed and went after the companies that used them. After fighting for years, all the way up to the Supreme Court, Kearns finally got $30 million. However, it was at the cost of his family and dream.

As for Mulroney, maybe he'll finally get a little recognition. The man has been in a ton of films over the years but where all of his Young Guns co-stars made it big, he's always existed as that guy people recognize but don't remember -- the token co-star or supporting cast.

If you asked me to cast a 'David vs. Goliath'-type biopic, I'd immediately think of Greg Kinnear to star. The actor has played a number of desperate dreamers, including his recent characters in Little Miss Sunshine and The Matador, and he's shown that he can go the emotional distance as a tormented, heartbroken soul (like with his Oscar-nominated role in As Good as It Gets). So Kinnear has been perfectly cast as Robert Kearns in Universal's Flash of Genius. Kearns was the real-life inventor who came up with the idea for the intermittent windshield wiper, a staple on automobiles since 1969. When American automakers went ahead and used the idea without paying him, despite his holding the patent for the invention, he sued them. But the legal battle went on for many years, finally ending in a $30 million settlement after going all the way to the Supreme Court.

Playing Kearns' wife, Phyllis, is Lauren Graham. Her character will likely be the typical, frustrated wife of an obsessed man we've seen in countless films of this kind (for the most recent, see Chloë Sevigny in Zodiac). Graham has similar duty, though less seriously, in Evan Almighty, which bows next week. Flash of Genius will be the first film directed by producer Marc Abraham (Children of Men), who also co-wrote the script with Phillip Railsback (The Stars Fell on Henrietta) and Scott Frank (Minority Report). It is based on a 1993 New Yorker article by John Seabrook, which Abraham bought the rights to eight years ago. The problem with waiting so long to get the film into production is that now Kearns has passed away and won't get to see how well Kinnear portrays him. Flash of Genius begins shooting next month in Toronto.