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Asian Films on DVD: 'Fatal Contact,' 'Vibrator'

The Hong Kong film industry, renowned for producing action pictures with a unique blend of outrageous antics, has been enjoying a small resurgence of late. On the modern action side, Wilson Yip's SPL (retitled Kill Zone for the US market) kicked things into high gear in the fall of 2005, and more recently, Yip's Flash Point and Benny Chan's Invisible Target got fanboys like myself excited when they played at TIFF and Fantastic Fest last fall.

In between those films, Dennis Law's Fatal Contact came out in October 2006, and this week Dragon Dynasty makes it available on Region 1 DVD. Unlike those other films, the hero of Fatal Contact is not a police officer but a kung fu champion from Mainland China named Kong (Wu Jing, AKA Jacky Wu Jing, a villain in both SPL and invisible Target). His spectacular performance with a traveling opera company brings him to the attention of the criminals that run the underground boxing scene in Hong Kong. At the urging of a fetching, gold-digging co-worker (Miki Yeung), Kong is drawn ever deeper into a violent world ruled by bosses who gamble millions of dollars on every match.

Very much a story told in the traditional manner, with generous doses of broad humor, social drama and unrequited yearning, Fatal Contact succeeds by delivering a satisfying quotient of increasingly brutal fight scenes. As usual, Wu Jing is a rocket-fueled, unstoppable field of energy. Also notable is Ronald Cheng, a singer turned actor who looks pretty sharp as a fighter in the "street hustling sidekick" role. For good measure, he also performs a song over the closing credits.

Dragon Dynasty's two-disk edition includes an audio commentary by director Law with Bey Logan, four interviews, and a "behind the scenes" feature.

Also out this week is Ryuichi Hiroki's Vibrator, which won acclaim on the festival circuit a couple of years ago. It's a road drama about an alcoholic freelance writer (Shinobu Terajima); she's a woman "on the edge of madness, despair and finally love," in the words of Mark Schilling, writing in The Japan Times. The DVD is from Kino Video.

TIFF Review: Flash Point



The best possible signpost to what kind of movie you're in for comes early in Flash Point, when Donnie Yen's hard-bitten cop Jun Ma is standing before the equivalent of Internal Affairs or some other review board. Apparently, one of Jun's more recent busts resulted in a perp with " ... three fractured ribs, a broken hip ... and anosmia. ..." It only took a second to translate the subtitled medical jargon and have it sink in: Donnie Yen hits melonfarmers so hard he slaps the very sense of smell out of their heads.

And after seeing Yen in action, you believe that; hell, you're amazed anyone he slugs even has a nervous system left. Yen choreographed the action in Flash Point for director Wilson Yip, and the Toronto Midnight Madness premier of Flash Point saw Midnight Madness program head Colin Geddes reading an e-mailed manifesto from Yen about how he's enthusiastically moving towards using 'Mixed Martial Arts" for better, stronger, faster fight scenes. I don't know what, exactly, 'Mixed Martial Arts" means, but having seen it, I know I like it. A lot.

Yen's one of a group of cops trying to take down a bloodthirsty band of Vietnamese 'brothers' led by crazy-mean Tony (Colin Chow) with the brutal-crazy Tiger (Xing Yu) as their enforcer in pre-handover Hong Kong; his partner Wilson (Louis Koo) is undercover with the group already. And the fun of Flash Point isn't in the plot, which is just a return to the classic Hong Kong action Woo-niverse of cops and crooks and conflicted undercover agents. It's in the fighting.

Continue reading TIFF Review: Flash Point

TIFF Watch: Other Fests (AFI, Fantastic) Build on the Buzz

With hundreds of titles playing at the Toronto festival, which ones will emerge as critical or popular favorites? One way to build popular word of mouth is by screening selected titles at other fall festivals. Festival buzz often leads to sales for films without distribution, and that same buzz can increase awareness of films in advance of a theatrical release.

For example, this week AFI Fest announced another 15 titles, according to indieWIRE, of which 11 are screening in Toronto. Bruce MacDonald's The Tracey Fragments and Paprika Steen's With Your Permission will have their US Premieres at the fest, while other buzz titles include Telluride fave Juno, the animated Persepolis, the Romanian 4 Months, 3 Weeks and 2 Days (which was pulled earlier this year from the Los Angeles Film Festival), biopic The Diving Bell and the Butterfly, Tamara Jenkins' The Savages and Austrian Oscar entry The Counterfeiters. As an Asian film fan, I'm excited to see Hao Hsiao-hsien's Flight of the Red Balloon and Lee Chang-dong's Secret Sunshine in the lineup. Two documentaries will world premiere: Public Enemy: Welcome to the Terrordome and 1000 Journals. The fest will open with the North American Premiere of Robert Redford's Lions for Lambs; it runs from November 1-11 in Los Angeles, California.

Starting in less than two weeks, Fantastic Fest is filled with exciting titles for genre fans -- I'm going and my schedule is already overflowing. They've just announced their opening night film will be George A. Romero's Diary of the Dead, with director Romero in person. The film premiered Friday night as part of Toronto's Midnight Madness program. Other recently-added films include Flash Point (another Midnight Madness title), The Backwoods (starring Gary Oldman) and Nacho Vigilando's Timecrimes. Look for a BIG Cinematical preview coming next week. The craziness begins September 20 and lasts until September 27 in Austin, Texas.

Asian Box Office: Between Triumph and Subservience

China has been saved by an unlikely hero. Boston-bred Donnie Yen is the star of Flash Point, which opened wide on 500 screens and earned a cool $1.9 million, according to Variety Asia Online. In the US, that total would be a disaster, but it "thrilled" Virginia Leung, a senior distribution manager quoted in the story. The weekend earnings would jump the film to #19 on Box Office Mojo's list for the year so far. From all appearances an insane action picture made with the trademarked hyper-kinetic Hong Kong style, Flash Point will play in the Midnight Madness section at the upcoming Toronto film festival. Yen and director Wilson Yip will team again for Painted Skin, due to start filming later this year.

In South Korea, as Monica Bartyzel informed us earlier this week, monster movie D-War just missed beating the record-setting opening five-day numbers established by another monster flick, The Host. That builds on the success of another more serious local film, May 18, which opened the previous week and is based on the massacre in Gwangju, South Korea in 1980.

Other countries in Asia have been infected by Transformers fever, proving once again that bad taste recognizes no national boundaries. As reported by Variety Asia Online, Transformers opened this past Saturday on 600 screens and took more than $5 million from the hard-working people of Japan. No doubt rubbing his hands together in evil glee, the distributor estimates the film will top out at $59 million. Smaller in populace but no less subservient than anyone else in the world to the lure of a big dumb Hollywood action movie, Malaysians made Transformers the biggest film in local history, racking up more than $5 million over five weeks, while Michael Bay's baby has become the biggest non-sequel in Singapore box office history.

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