Remember the '80s? Ah, those long-ago days when MTV actually showed music videos and had the occasional black screen when someone was changing a videotape, and the five original VJs (can you name them all without Googling it?) ruled our lives, spinning videos that were, in the beginning at least, mostly concert footage outtakes or whatever else they could get their hands on.

In 1983, MTV was two years old, a toddler tottering around on unsteady feet, but just starting to get the hang of it. I was a freshman in high school, and Joe Eszterhaus and Paul Verhoeven were still 12 years away from unleashing Showgirls on the world. We'd been inspired by Fame just three years earlier, the world was ripe for another dance musical -- and a film called Flashdance -- an unlikely Cinderella story about a blue collar girl who works as a welder by day and an exotic dancer (the kind who doesn't take her clothes off) by night, while dreaming of a better life as a ballerina -- took the world by storm.

To me, nothing defines my awkward childhood better than those irresistible 80's movie tunes. Back in the day, before I saved up my hard-earned cash to purchase the Ghostbusters 2 soundtrack on a cassette tape (true story), I would take my boom box, hold it up to the TV and record the songs like that. Some of the time you'd even hear the actors' dialogue pop in -- but I didn't care; if that was the only way to get The Power of Love by Huey Lewis and the News right that second, so be it. There were loads of songs to choose from while writing this list, and I was tempted to include two from the same movie on several occasions (Footloose, to give one example), but in the end I decided to go with the songs that meant the most to me. The songs I would sing in the shower when I knew my parents weren't home. The songs that showed up at a certain point, kicked tons of ass, and defined a movie. So, without dragging this on any further, I present to you Seven Great 80s Soundtrack Songs ...

Don't You Forget About Me (Simple Minds), The Breakfast Club -- Perhaps the most memorable for any angst-ridden teenager trying to sort out their feelings about high school and the opposite sex, this song and this movie helped define a generation. When the time finally comes in the film for this song to be played, you feel like you've gone through such an emotional journey with the characters -- all of whom found their lives change forever over the course of one, long weekend detention session. Who knows if they ever remained friends after that; if their brief chats in the hallway progressively got shorter and eventually became friendly nods until, finally, they graduated, moved on with their lives, raised families and that whole experience became a distant memory. If it wasn't for that song, The Breakfast Club might have gone the same route -- and instead of becoming a classic, it may have gotten lost amidst a long list of films you remember from time to time, but quite often forget. -- Most Quotable Line: Don't you forget about me.

Since I'm well over the age of 18, you can probably understand why I'm not all that familiar with the work of Zac Efron. With only a passing familiarity with High School Musical and my refusal to sit through the Hairspray update (since they weren't bringing Pia "I play my bongos, listen to Odetta, and then I iron my hair" Zadora back), most of the time I'm just looking at the heartthrob wondering why he has chosen to revive Gwyneth Paltrow's haircut circa Sliding Doors. The Hollywood Reporter announced that Burr Steers (writer/director of Igby Goes Down) has just signed to direct the teen comedy 17 starring Efron. Written by Jason Filardi, the story centers on an adult man who suddenly finds himself to be 17 again and having to navigate the social mine field that is high school -- think of it as Mean Girls meets Big. Considering Steers' somewhat acidic take on young adulthood, it might help cut through the fairly cutesy premise of 17.

New Line snapped up the original pitch for the film back in February, and last June, Erik had given us the news that Efron had signed for the lead. The addition of a director must mean that the project is on its way to production. Efron has been recently linked to a remake of the 1984 classic, Footloose -- but as a musical! -- and our own Monika Bartyzel totally adores the idea. We kid. Of course, there is still the small matter of High School Musical 3 -- although, if you've been keeping on top of the gossip lately, you probably know that HSM producers might be facing a delay of in order to look for a new squeaky clean female lead.

While most movie-watching eyes were on the theatrical box office this weekend, wondering if Superbad would surpass expectations and if The Invasion would crash, another demographic had a higher priority -- the hotly anticipated premiere of High School Musical 2 Friday night on The Disney Channel. If you don't have a tween, it might not have been on your radar, but if you, like me, have a girl between the ages of 9-12 in your house (and be honest, a lot of you high school girls were watching it too) you've been hearing of little else for weeks.

In our house, we became aware of the phenomena that is High School Musical when the first one premiered on January 20, 2006. Our daughter, then almost-nine, DVRed it and she (and we, by default) watched that movie so many times that it wasn't unusual for me or my husband to be caught absent-mindedly singing "We're All in This Together" or "Get Your Head in the Game" -- two of the shows most popular tunes -- while we bopped about the house doing chores. Then they had the karaoke version, and the version where the cast taught you the moves to the choreography for "We're All in This Together" step-by-step, and pretty soon even the two-year old was showing off his "cool moves" to company.

In a whirlwind of Comic-Con Kevins, which involved Kevin Smith, Marvel Studios' Kevin Feige, G4's Attack of the Show Kevin Pereira, AOL's Kevin Polowy, and yours truly, I was able to get one more Kevin under the wire ... Kevin Bacon.

He's spent more time making movies than the rest of us have spent watching them, and I was able to catch up with him to talk about his upcoming thriller Death Sentence, and to ask him about some other things, including the upcoming Nixon/Frost film that reunites him with Ron Howard, Rails and Ties, directed by Alison Eastwood, and of course, the upcoming remake of Footloose.

Kick off your Sunday shoes, if you're still wearing them, and check out the video.

While I could whip out that oft-used sign of disgust: "I think I just hurled a little in mouth" just now, I really don't think that properly exemplifies my horror over this news. I'm tempted to whip out some yarn and knit a voodoo doll, but I don't think making a big building with the name "Paramount" on it will work the same as a little doll with body parts to stick pins into. I might be able to make some mysterious holes in the company's buildings, but that's not the same thing. So, I'll just gripe about the fact that the flipping crazy company has decided to make a remake of Footloose -- as a full-blown musical. Oh, yes. I think I finally believe that nothing is sacred. (Okay, I'll still hold out hope that Heathers is never, ever remade. If it is, someone will have to strap me down to keep me from revenge.)

The word over at Variety is that director Kenny Ortega is in talks to helm and choreograph the remake, grabbing his High School Musical star Zac Efron to take over Kevin Bacon's role as the wild, dancing rebel, Ren McCormack. Oh, how I hope that this one slips into development hell, and those responsible for the project choke on the fumes. You've gotta cut loose this idea, Paramount. You just know this remake will lose all of the original's spark -- the dust and charisma will be wiped clean to reveal pretty, perfect, ever-smiling faces. In the original, Bacon made dancing look cool in the town where it was banned -- partially because he wasn't some Disney-fied young actor obsessed with musical movies. He was Chip Diller from Animal House, not pretty boy Troy from High School Musical. Now if you'll excuse me, I have to bang my head against the wall.

It's rare that I open my news feeds and am actually shocked by something in the "movies!" folder, but the news of Chris Penn's death this morning really shook me - and I can't imagine I'm alone in my affection for him. Though Penn made dozen and dozens of mostly unimpressive films, there was always something powerful inside him that, when called upon, could produce moments of greatness. From the bumbling buddy in Footloose to the brutally conflicted son in At Close Range; from the dim flunky in Reservoir Dogs to the out of control brother in The Funeral, his surprising, affecting performances made us regret all the crap that much more, and perhaps explain why so many of us were inexplicably on his side.

Penn was 40; the cause of his death is unknown.