The consensus I've gotten from people after they've seen the red-band trailer for the Coen brothers' Burn After Reading is that nobody understands what it's about, and nobody cares, because everybody thinks it looks awesome. Well, if you thought that trailer was confusing, or at least lacking in plot synopsis, just imagine how moviegoers outside the U.S. feel after seeing this new international trailer.

As you can see, marketing to international audiences is more about selling the stars. Hence the CLOONEY, the McDORMAND, the MALKOVICH, the SWINTON and the PITT titles. As for story, there's even less revealed here than in the red-band trailer. In fact, it's almost a joke how little is said about the movie. Each actor/character maybe gets to slip in one or two words, which actually just serve as response to more intertitles telling us about the other major stars of the film: the Coens.

Early in Miss Pettigrew Lives for a Day, the title heroine played by Frances McDormand, a down-on-her luck "governess of last resort" who keeps getting dismissed by huffy high-class London employers, strolls the streets, dejected and down. On the soundtrack? A jazzy, swinging version of the Depression-era song "Brother, Can You Spare a Dime?" And that sweet-sour mix of bright horns and sad sentiments, swinging tempos and bleak prospects, in many ways sets the tone for the film. Adapting Winifred Watson's 1939 novel, Miss Pettigrew Lives for a Day is a nearly perfect piece of entertainment for grownups, as Miss Pettigrew's desperation inspires her to fake, fib and flail her way into a job as the social secretary to American actress/singer Delysia Lafosse (Amy Adams), a young woman in severe need of professional assistance and adult supervision. It's fairly easy to predict the rough curves of Miss Pettigrew's plot within moments of meeting the leads -- Miss Pettigrew will gain joy and confidence from her exposure to Ms. Lafosse, while Ms. Lafosse will acquire wisdom and character from Miss Pettigrew's example -- but the delights of this film are in the details, and everyone involved shapes this seemingly-featherweight entertainment with expert, steady hands.

Miss Pettigrew is not, in fact, a social secretary; however, she's prepared to do whatever is required. And so, in her way, is Delysia; the luxurious flat where she receives Miss Pettigrew is, it turns out, not hers. Delysia is staying there as the lover of nightclub owner Nick (Mark Strong), which makes it all the more necessary that Miss Pettigrew help get Delysia's overnight guest Phil (Tom Payne) -- son of the producer of a show Delysia hopes to land the lead in -- out the door as swiftly as possible before Nick returns. Miss Pettigrew is mortified, but hardly paralyzed, and she swiftly takes charge of matters. And, in the tradition of British farce, as soon as that crisis is averted, another is ready to take its place. ...

The films of the Coen Brothers tend to split their admirers into different camps. Some love everything they do, many favor their loonier comedic endeavors (Raising Arizona, The Big Lebowski, O Brother, Where Art Thou?), and still others pledge allegiance to their more straightforward and violent dramatic offerings (Miller's Crossing, Fargo, No Country for Old Men).

I fall into the latter camp, having first encountered the unique sensibilities of Joel and Ethan Coen on a tiny television in my tiny Brooklyn living quarters in the late 1980s. Even in a bowdlerized version for television, interrupted for commercials every 10 minutes, Blood Simple held me mesmerized from its opening shot -- an extreme low-angle view of a two-lane highway, shredded rubber tire in the foreground -- to its last.

Watching the film again last night, I was struck by how accomplished the film looks. You could play it on a double bill with No Country for Old Men and be reminded that the Coens already knew the power of silence way back in 1984. They also knew a great image when they saw one, appreciated the value of underplaying a performance, recognized the allure of shadows and silhouettes, and treasured subtle nuances. They've grown and matured, expanding their thematic range, but their debut demonstrates that they've always been uncommonly assured filmmakers.

A year ago, one of my favorite actresses, Frances McDormand, was cast as the lead in Miss Pettigrew Lives for a Day -- a film about a governess in the '30s who has to sneak her way into a new job after getting a notoriously bad reputation. In April, Amy Adams signed on to play Delysia, the American star she works for. Now that the film is less than a month away from release (March 7), Focus Features has thrown up a whole slew of clips and goodies on YouTube. Above you can see a brief featurette, and then after the jump, a bunch of short clips from the film. If these are any indication of the the feature on a whole, I can't wait to see it. Unsurprisingly, it looks like McDormand has done a wonderful job, and Amy Adams really seems to be holding her own -- and proving that Junebug wasn't a fluke.

It's Insert Caption craziness this week on Cinematical. On Monday, we posted not one but two photos, doubling your pleasure with hotties Halle Berry and Frances McDormand (yeah I said it) modeling MGM's summer and winter lines. At stake: Four boxed sets for four lucky winners. Congrats to our victors below, and special shout out to William G. for entering a single caption that applied to both photos, you're our Mickey Rourke Rebel of the Week.

1. "No I can't stir them; I can only shake them." -- Kurt M.

See full images and all captions

1. "I got his keys! His wife and kids are about to get Punk'd!" -- Max R.

2. "Duck...Duck....Duck...GOOSE!
-- Adi B.

3. "Hurry up with that coffee. And bring some of those donuts! I think somebody slipped Ed here some decaf, but yah, we're not too late he's still breathin." -- Chaz K.

This week we're giving away more lavish prizes, with a photo from the indie sleeper Pirates of the Caribbean: At World's End, starring Johnny Depp, Keira Knightley and an incredibly cute monkey. Our grand prize winner will take home the DVD (available on Dec. 4), plus all sorts of amazing Pirates goodies (a Gentle Giant Jack Sparrow Animated Maquette, Gentle Giant Elizabeth Swann Animated Maquette, Flying Dutchman Dual Deck playset and more) that totals up to almost $600. Our first runner up gets a DVD, a Barbossa porcelain structure and Pirates action figures, while our third-place winner gets the DVD. Got that? Good.

On a personal note -- this will be my last week posting Insert Caption contests as increasing responsibilities on the Moviefone side will limit my blogging action, so I'll be passing the caption-master torch to Erik Davis. But thanks for playing along with me! We'll always have India. And Finland. And Mr. Woodcock hats.

Read the official rules for this contest

No Country for Old Men, the new film from Joel and Ethan Coen, is an unquestionable return to form. It is scary, funny, moving, violent, and meaningful, in pretty much equal measure. The Coens' take on the Cormac McCarthy novel of the same name is a pairing as successful, as seamless, as delicious as that of chocolate and peanut butter.

Josh Brolin gives the finest of his four excellent performances this year as Llewelyn Moss. Moss is a struggling everyman who stumbles upon a circle of trucks and dead Mexicans in the desert -- a heroin deal gone bad. Real bad. The lone survivor asks Moss for some agua, and Moss ignores the request. He surveys the scene and eventually comes upon a suitcase filled with $2 million dollars. Moss' response upon finding the money? A simple "Yeah." It's a perfect moment in a movie packed with them. Moss takes the money and returns home to his trailer and his wife Carla Jean (Kelly MacDonald). Soon, his conscience begins to nag at him, and he decides to head back to the scene of the crime to give the dying man a drink. A compassionate decision, but not, as you can probably imagine, an intelligent one.

Javier Bardem plays Anton Chigurh (start to say Chicago and then growl and you're close to the pronunciation). I'll leave his specific involvement in the proceedings up to you to figure out, but just know that he really wants that $2 million. Moss will come to refer to Chigurh as "the ultimate badass," and that's about right. Chigurh is a classic screen villain, the kind we haven't seen in far too long. Every time he appears on screen, cattle stunner in tow, it just makes your heart sink -- somebody is going down. Much like Hannibal Lecter, the guy is a vicious, remorseless killer, but he has a strangely sensible logic and one can't help but be seduced by him. Bardem, sporting a Prince Valiant haircut, gives a flawless performance here, one that will likely be noticed come Oscar time. He completely disappears into Chigurh.

George Clooney is one of the busiest men in Hollywood. He's currently promoting his excellent new legal drama Michael Clayton. He's wrapping up acting and directing duties on Leatherheads, a 1920's football romantic comedy with John Krasinski and Renee Zelwegger. He's shooting the Coen Brothers' Burn After Reading, a CIA comedy co-starring Brad Pitt, Tilda Swinton (so great in Clayton), John Malkovich, and Frances McDormand. In addition to all that, he's got to fly around the world in a jet made of gold and make the women of the world swoon 24/7. So yeah, the guy's got a lot going on. In fact, he's just decided that he has too much going on.

Entertainment Weekly is reporting that Clooney has just dropped out of Joe Carnahan's White Jazz, a gritty tale of police corruption set in 1950s Los Angeles. Clooney was set to star in the independent film, which is based on the James Ellroy (L.A. Confidential) novel. White Jazz was expected to begin filming early next year, and was scheduled for a 2009 release date. Grant Heslov, Clooney's producing partner, says "It just simply came down to scheduling. George continues to believe in the project and in Joe." Clooney was set to be a producer on the film, and whether he'll remain involved in that capacity has not been announced. And those of you excited about the film, myself included, might not be too happy with this last sentence. According to a spokesperson at Warner Independent, where the film was set up -- White Jazz has dropped off its slate. Currently, there's no word from Carnahan, who, as of a couple days ago, was pretty pumped about starting production in January.

Because how can you go to sleep tonight without checking out at least one picture of Brad Pitt. I know I can't, and I'm sure you ladies out there are thinking the same thing. Unfortunately (for some), this image is of Brad Pitt all bloodied up -- or, as Peter Griffin (as Han Solo) would say: "Looking all penisy." And is it just me, or does Pitt look to be doing his best Val Kilmer impersonation? This photo showed up in (I believe) the NY Post today (although it could be the Daily News; not sure, the guy reading it next to me on the train was being "all penisy" with his paper), and it's a scene from the Coen Bros. new film Burn After Reading.

In case it's tough to see in the pic to the right (click on it for a larger version courtesy of Just Jared), Pitt's nose is bloody and he's holding a bike helmet. And as much as I'd like to say he's doing his best "I'm George Clooney, and I just got run over by a 1999 Mazda in Jersey," something tells me that's not what this scene is about. Coincidentally, Clooney is co-starring alongside Pitt in Burn After Reading, which tells of a CIA agent ( John Malkovich) whose soon-to-be ex wife ( Frances McDormand) steals a disc containing his memoirs, but accidentally leaves it at the gym where Pitt, a trainer, finds it and thinks he can use it to blackmail Malkovich. Clooney, on the other hand, plays an assassin hired by the CIA to "clean up" the mess. Burn After Reading will most likely hit theaters sometime next year.

Though we're only a few short weeks away from the debut of the new Coen Bros. pic, No Country for Old Men, at the Cannes Film Festival, all the talk of late has surrounded the casting of their next project, Burn After Reading. Following the news that George Clooney, Frances McDormand and Brad Pitt had signed on to star, comes word from The Hollywood Reporter that John Malkovich is in talks to star as Ozzie Cox, a CIA agent who loses the very important computer disk that holds his memoir. This will mark Malkovich's first-ever appearance in a Coen Bros. flick; personally, I feel this collaboration is long overdo.

With shooting to begin this August, plot details have been kept under wraps. However, word has it that McDormand will play Malkovich's estranged wife, and the person who steals the disk before accidentally leaving it at the gym. That's where Pitt's character (a personal trainer) comes into play; he attempts to use the disk to blackmail Cox. Meanwhile, Clooney will play a hitman hired by the CIA to "clean up" the entire situation. Based on this premise, it sounds like another fabulous Coen Bros. dark comedy, and the cast is as good as they come. No word yet on whether Coen favs Steve Buscemi and Billy Bob Thornton will make an appearance, but there's still plenty of time to announce more names as we creep closer to the pic's start date.

Looks like the Joel and Ethan Coen (ever wonder why Joel's name always comes first?) have decided to get serious for Focus Features and Working Title, the shingle that previously helped produce Coen flicks like Fargo, The Hudsucker Proxy and The Big Lebowski, among others. Following news that Brad Pitt is set to star alongside George Clooney and Frances McDormand in Burn After Reading, comes word from Variety that the Coen's will follow up that pic with one called A Serious Man. Described as a "dark comedy in the vein of Fargo," both Ethan and Joel intend on being credited as writers, producers and directors on the two films.

Seeing as A Serious Man is slated to be a serious dark comedy, one has to assume that Burn After Reading will go a different route. That film is said to revolve around a CIA agent who loses the computer disk in which his (or her) tell-all book is stored. In the Variety article, they mention that Brad Pitt will play a trainer at a gym (did we know that already?), while rumors suggest Clooney will play a killer of some sorts, and not the strikingly-handsome protagonist. Hmm, do you think McDormand will play the CIA agent? Or have the Coen's not decided on a star (ahem, Billy Bob) yet? And, with nothing else lined up after Burn, me wonders whether McDormand will sign up for back-to-back Coen flicks; perhaps she'll take on another Fargo-like role and win a second Oscar. These are good times for all you Coen fanatics out there; aside from the aforementioned two films, their latest, No Country for Old Men, will premiere at the Cannes Film Festival next month, before arriving in theaters later this fall.