frost nixon Tagged Articles at Cinematical

The Wrestler
For all its indie cred, adult language, and exposed body parts, Darren Aronofsky's film follows a well-trod path through sports movie cliches. Still, it's anchored by Mickey Rourke's empathetic, "I've been there and I know that" performance as a world-weary wrestler, and Marisa Tomei and Evan Rachel Wood provide needed counterbalance as a wary stripper and unforgiving daughter, respectively. Also on Blu-ray. Rent it.

Add to Netflix queue | Buy at Amazon

Frost/Nixon
Peter Morgan's adaptation of his own stage play supplies all the "based on truth" dramatic hay that's needed, while Michael Sheen and Frank Langella sparkle in the title roles. Ron Howard's movie feels very much like a television production; as an actors' showcase, it's fine for what it is, without illuminating deeper truths. Also on Blu-ray. Rent it.

Add to Netflix queue | Buy at Amazon

Caprica
I've watched and watched without being converted into the worshipful fold, but for Battlestar Galactica fans already suffering from withdrawal, you can get your fix with this prequel starring Eric Stolz and Esai Morales. I'm sure it's the best thing ever made, and that you will play it over and over again. Buy it.

Add to Netflix queue | Buy at Amazon

Wolverine and the X-Men: Heroes Return Trilogy
First three episodes of the animated TV series. "With great tragedy in their past and their future, Wolverine must lead Xavier's disillusioned heroes against the forces of fate and destiny. Only together can the X-Men steer the course of history away from catastrophe and save us all." Doesn't that sound cool, kids? Rent it.

Add to Netflix queue | Buy at Amazon

Also out: Into the Blue 2: The Reef (featuring bikinis and beefcake).

After the jump: Indies on DVD, more Blu-ray picks, and Collector's Corner.

As a precursor to the Oscars, all the Hollywood guilds and associations have been announcing their own nominations, and you might have noticed a pattern developing:

• The Producers Guild of America named these films as candidates for its best picture award: The Curious Case of Benjamin Button, The Dark Knight, Frost/Nixon, Milk, and Slumdog Millionaire.

• Then the Directors Guild of America announced its nominees, and they were the men who directed these films: The Curious Case of Benjamin Button, The Dark Knight, Frost/Nixon, Milk, and Slumdog Millionaire.

• And the Writers Guild of America had 10 nominees, five each in original screenplay and adapted screenplay, and among those nominees were the people who wrote these films: The Curious Case of Benjamin Button, The Dark Knight, Frost/Nixon, Milk, and Slumdog Millionaire.

The same five films were nominated for each of these guild awards -- a trifecta, to use a word I don't get to use often enough. So now you're wondering, is this trifecta common? And how does it predict the Oscar nominations?

It turns out it is pretty common for a movie to be nominated for all three of these. (It helps that the WGA nominates 10 films, increasing the chances of overlap with the other awards.) The PGA awards are the newest, having begun in 1990, and since that time 43 films (not counting this year's) have hit the trifecta. And of those 43 -- and this is the important part -- only three have then failed to be nominated for a Best Picture Oscar.

So if history is any indication, the nominees for Best Picture at the Academy Awards will be these five films: The Curious Case of Benjamin Button, The Dark Knight, Frost/Nixon, Milk, and Slumdog Millionaire. Put on your sad clown mask and take it to the bank.

In limited release, Frost/Nixon, Ron Howard's adaptation of Peter Morgan's stage play, had the highest per-screen average of the weekend ($60,000 each at three screens), according to estimates compiled by Box Office Mojo, but it's not an indie. Danny Boyle's Slumdog Millionaire ($18,026 per screen at 78 theaters) and Gus Van Sant's Milk ($17,071 per screen at 99 theaters) held up very well as they expanded in their fourth and second weeks, respectively, but we talked about them last week.

Instead, let's look at the resiliency of Philippe Claudel's I've Loved You So Long. Now in its seventh week, the French-language drama starring Kristin-Scott Thomas still had the 7th-highest per-screen average among all movies ($3,020 average, 51 screens). The film's cumulative take is a modest $1.76 million, which likely is a good return for distributor Sony Pictures Classics, and it will undoubtedly do very well when it's released on DVD in a couple of months.

My personal opinion is close to what Jeffrey D. Anderson expressed: "These characters are always subservient to the furthering of the story; the story itself squashes them." The popular appeal of the film is readily apparent, though: (1) Kristin Scott Thomas has a degree of name recognition in the arthouse world; (2) she gives an exquisite, finely-tuned performance; (3) it's in French, which is the default language for anguish and loss; (4) it revolves around a mother and her family, not a romance, which is a huge, refreshing relief; (5) it's rarely cinematic and feels much more like a televised stage play, which is oddly reassuring for some audiences; (6) it features a closing twist, which I found infuriating rather than enlightening, but twists always drive word of mouth.

Have you seen any films in limited release that you're recommending to friends?

Okay, so the Monsters vs. Aliens and My Life in Ruins trailers may have been leaked and subsequently pulled earlier this week, as was the case with certain awards contender Frost/Nixon, but now we can offer up the trailer straight-up, fully legit, by way of Yahoo! Movies.

The incongruous song selections aside (honestly, though: going from "Baba O'Riley" for the sake of nostalgia to Clint Mansell's wondrous score from The Fountain for the sake of drama in a matter of minutes just distracts me), I have little reason to think that this won't deliver on its considerable stage pedigree.

Frank Langella won a Tony Award for his portrayal of disgraced prez Richard Nixon, and as British talk show host David Frost, Michael Sheen looks to tap into that same sense of dignity under pressure that served him so well as Tony Blair in The Queen. It doesn't hurt that both political dramas share the same writer, and it also doesn't hurt that this looks to be the punchiest thing that Ron Howard has directed in quite some time.

Landing smack-dab in the middle of the Oscar drama blitz, Frost/Nixon should open in select cities on December 5th and will expand through Christmas.

Yesterday's New York Post contained a gossip item in Page Six taken from the book party for James Rosen's The Strong Man: John Mitchell and the Secrets of Watergate in New York, where attendee Tony Danza expressed an interest in playing Richard Nixon aide H.R. Halderman -- maybe in a movie version of Rosen's book. Halderman, who died in 1993, worked for Nixon as White House Chief of Staff until the Watergate scandal landed him eighteen months in prison in 1973. His story, partially recounted in The Strong Man, involved a longstanding relationship with Nixon going back to the 1950s and the tense moments immediately before and after the president's resignation. In between, he was involved in a botched attempt to assassinate Fidel Castro and other tumultuous events dutifully recorded in Halderman's diary, which became available to the public years later.

Many political scandals often revolve around a single corrupt individual, but it's the right hand man whose story can be most revealing. (Roy Cohen's personal drama has way more twists than that of Joseph McCarthy, for example.) There's little doubt that Halderman's experiences would work well on the big screen, but this wouldn't be the first time: IMDb lists no less than five actors who have portrayed Halderman, including James Downing in The Pentagon Papers, as recently as 2003. Would Danza make sense in this role? And will any film have a chance at getting people interested in this story after Frost/Nixon nabs the spotlight later this year?