In case you weren't sure, Zombie Strippers is exactly what it sounds like: a horror comedy about zombified strippers. And like most zombie movies, it has political subtext, though you don't have to worry about it being headier than something titled Zombie Strippers should be. Sure, it claims to be based loosely on Eugène Ionesco's classic absurdist play Rhinoceros and, sure, it features allusions to a number of philosophers, including Camus and Sartre, but really it's dumb and silly and a heck of a good time. Particularly if you're anything but sober. And if you're just looking for a grindhouse sort of guilty pleasure to pass the time.

Zombie Strippers opens with a montage that sets the scene: it's sometime in the near future, and Bush has just been reelected to his fourth term. Already, we know this movie will be a complete farce, but the ludicrous exposition continues, explaining that government scientists have developed a virus that allows soldiers in Iraq to continue fighting after they're killed. Yes, these super soldiers are zombies, a minor twist on Joe Dante's anti-Bush short Homecoming, which was one of the more critically celebrated episodes of the cable series Masters of Horror, and which featured Iraq War casualties rising from the dead in order to cast their vote against Bush's reelection.

In case you haven't enjoyed enough movies about zombies and the undead lately, Diary of the Dead supplies you with yet another opportunity. However, this low-budget film is from the guy who first introduced most of America to the horrors of the walking dead: George A. Romero, who made Night of the Living Dead back in 1968. (So the zombie genre is the same age I am. Cool!)

Diary of the Dead isn't a sequel to the other movies in Romero's Dead series, but it does tend to assume that you know Romero's standard operating rules about zombies. If a zombie bites you or if you die in any way, that's it for you -- you're undead. The undead are cannibalistic, and the only way to destroy them is to destroy their braaaaains. Unlike the other Dead movies, this one is shot as if it were a documentary -- a survivor has pieced together footage from the first night that the dead come back to life.

I could have sworn I did a little piece on the planned remake of George Romero's The Crazies, but the Cinematical search function seems to believe otherwise. But a while back it was mentioned that director Brad Anderson and screenwriter Scott Kosar (who once collaborated to give us The Machinist) very well might be getting back together for a remake of Romero's 1973 infection thriller ... and then we heard nothing.

Odds are that Mr. Anderson has moved on to other projects, but according to gory sources, the remake is not nearly dead. Seems that producers Dean Georgaris and Michael Aguilar have tapped a second writer (Ray Wright) to help the project along. We'll let Mr. Wright's debut (the wretched Pulse remake) slide and look forward to his Case 39, which stars Renee Zellweger and opens on August 22.

When the producers decided to finally ash-can this remake because nobody aside from hardcore horror fans even remember The Crazies (which means the title isn't nearly as marketable as Halloween, Chainsaw or Prom Night), we'll be sure to let you know.

If you're any kind of horror afficionado, you've probably either heard about or even read the script for George Romero's Diamond Dead -- it's one of those projects that's been around for so long no one even talks about it anymore. The film is a horror-comedy about a rock band called Diamond Dead whose members are all zombies and whose hot babe manager tries to use her media wiles to take them to the top despite their rather unappealing habits, like eating brains and stuff. It takes swipes at the media, Christian fundamentalists who hate the band, and various other Romero-style targets. In a forthcoming interview with Suicide Girls, Romero surprises by excitedly announcing to me that in the last week, Diamond Dead has raced back to the forefront of his upcoming projects slate. "I got a phone call two days ago, before I came here, from the producer saying 'We're back!'" he says, noting that he was more surprised than anyone because he worked for years on the project and "it looked dead." Since the financing has apparently just kicked in as this is going to press, no further details are available.

Romero also notes that he's very eager to get going on a sequel to his new film, Diary of the Dead, saying "I wish I could have gone further with it. If there is a possibility of a sequel, I'd actually love to do it, cause there's a hell of a lot more. I'd love to go further with that theme." At the same time, fans of Romero's previous and much larger film, 2005's Land of the Dead, should most certainly not expect a sequel to that any time soon. Romero expressed guarded admiration for that film, but called his experience with big-budget filmmaking "grueling" and said "it was just too hard." He also feels that Land "lost touch with its roots" and he has no idea how a sequel could even happen, if he were inclined to make one.

To the nine of you who actually recognize the title Deadtime Stories, I'll go ahead and disappoint you right now. This news story has nothing to do with the cheeseball 1986 anthology flick of the same name. Actually, that's a good thing. So let's move on.

According to Bloody-Disgusting.com, zombie lord George Romero will be "presenting" the new Deadtime Stories, but the writer/director is actually a guy named Jeff Monahan. (He's an actor turned director who appeared in Romero's Two Evil Eyes, The Dark Half and Bruiser, actually.) Apparently two of the three mini-movies are already finished, and the third one is set to shoot in February. BD.com tells us that one is a college-set ghost story called On Sabbath Hill and the other is a story about dangerous Mars soil called Dust. Obviously as a big fan of both anthology films and (almost) anything with George Romero's name on it, I'll be keeping an eye on this project.

You know, sometimes it's like the universe wants to prove you wrong. No sooner did I make one little offhand comment that Zack Snyder had probably abandoned his follow-up to Dawn of The Dead when his wife and producing partner, Deborah Snyder, tells Shock Till You Drop that Army of the Dead is alive and well (sorry, I couldn't resist). The script was written by Snyder and Awake's Joby Harold. Deborah Snyder summed up the story to Shock as follows: "Basically, something happened in Vegas and there was this huge outbreak of these zombies that were killing people...So to contain it they basically contain Vegas. The city is this wasteland with walls around it and all of these zombies are inside" -- and it could just be me, but that sounds awfully similar to Resident Evil: Extinction.

As we all know, Zack Snyder is hard at work on his big-screen version of Watchmen, and he will only produce the 'sequel' to his 2004 remake of George Romero's zombie classic. Deborah Snyder tells Shock that they are currently on the hunt for a director for the project, but that it is "...a little hard [to do] because we're here [on set] and every day is killer. We want the right person for it. The script has been turned in to the studio and they're really happy with it, with pretty minimal notes back, so they said, 'Hey, let's get a director.'" As soon as they do find their director, we'll be here to let you know who it is. Any ideas?

[via Justpressplay.net]

I'm no horror buff, but I do love the zombies. Well, I love the idea of zombies. I'm not really that interested in watching all the low-budget zombie movies, all the Italian zombie movies, or all the non-Romero Living Dead movies. But it's funny, I was looking over Ryan's recent Cinematical Seven of reasons he doesn't care for zombie movies, and it dually serves as my own list of reasons I like zombie movies. Or at least those zombie movies that apply. Primarily, I like zombie movies for the first reason: the symbolism.

Shaun of the Dead may be a comedic zombie movie, and it may not have any political undertones or serious social commentary, as do Romero's films and other prominent examples of the genre, but it does permit a scholarly subtext reading nonetheless. And because I'm a scholarly sort of gent (or maybe really I just like to over-analyze everything), I'm going to take this opportunity to look at this deeper level of the movie. Sure, I could just write about why I think the movie is one of the most hilarious I've ever seen, but that would be boring; plus, I respect that some people don't have the same sense of humor as me.

Shaun's symbolism comes in the form of the romantic story. The movie, often referred to as a "rom zom com" (romantic zombie comedy), actually serves as a sort of cinematic relationship guide, comically instructing us about dealing with commitment issues. Look at the order in which the members of Shaun's party are killed (killed dead, not undead): #1: his stepfather (Bill Nighy); #2: his mum (Penelope Wilton); #3: the other guy who loves his girl (the underrated Dylan Moran, who must be seen in Run Fatboy Run); #4: his roommate (Peter Serafinowicz); and finally, #5: his immature best friend (Nick Frost). These are the people that have to die in order for Shaun (Simon Pegg) to devote his full attention to Liz (Kate Ashfield). In real, non-lethal terms, they are the people Shaun has to let go of before he can fully connect in a relationship.

There's too much symbolism

I realize that this problem can largely be laid at the feet of George Romero, and I'll accept that, but every time I watch a Romero movie I feel like I'm being smashed in the face with the symbolism bat. It's not that he's an unskilled filmmaker -- although some have argued as much after seeing Diary of the Dead -- it's just that he's all-too-eager to use his zombies to advance whatever cause he wants to flog at the moment. Zombie movies are about ... racism. No, wait, zombie movies are about ... consumerism. No, no, the threat of nuclear war. Actually, go back to the first one -- they're about racism. Diary of the Dead, which I haven't seen, apparently uses zombies to set up the argument that there's too much reality TV. Has it come to that? I realize that zombies make a good catch-all, unlike, say, vampires, but there's a point where enough is enough. No more zombie message movies.

There's no growth in concept

No growth whatsoever, going back even before Bela Lugosi in 1932's White Zombie. One of the few interesting things about Resident Evil: Extinction was that it featured a subplot wherein the evil scientists try to reverse the zombie status of a zombie. They try to make him learn and regain some the cognition of a normal human -- but even this has been done before. Hell, the notion of zombies emerging from the fog of zombiedom has even been done by George Romero. What else have you got? The 28 Days Later films make zombies run fast and take care to not call them zombies, but that's hardly groundbreaking stuff either. Maybe the most innovative zombie movie I've seen in the last few years, Joe Dante's Homecoming, did something a little intriguing -- it gave the zombies a political motivation and had them intent on going to the voting booth. But even this is campy, and brushes up against my problems in point number one.

There are many directors who I think should be barred from making films, but Courtney Solomon is near the top of the list. He disappointed gamers everywhere with Dungeons & Dragons (some people humorously feel it is worth watching), a movie even he admits is awful, and then tried to redeem himself with the not-much-better An American Haunting. As head of After Dark Films, he has gotten into more than one controversy regarding his advertising practices -- going so far as to be made an example of by the MPAA -- and still hasn't even put out a decent-enough release to make the company worth Lionsgate's trouble. Now the director is looking to annoy us some more by attempting to revolutionize the zombie genre, a plan that he claims is desired by horror fans.

Solomon isn't revealing the title for this proposed movie, which he thankfully won't be directing, but describes it as a "zombie version of Underworld," which sounds bad even if you like Underworld. Worse, though, is his explanation that the zombies in this movie will be fast and emotional, something he says is completely new for the creatures (did he not see the running zombies in the Dawn of the Dead remake or the seemingly conflicted zombies in Land of the Dead?). I'm all for new takes on the genre, but I hope Solomon has more ideas than this. Supposedly the movie will feature a whole new lore for zombies (actually, he calls them part human, part zombie, which is redundant, I think) inspired by conversations had on the web between Solomon's people and real horror geeks, but unless the movie has a good sociological undercurrent -- as the best zombie movies do -- the tweaking of the genre is simply an unnecessary attempt to create something original. But if Solomon truly wants to do something original and to please us movie fans, he needs to make a good movie.

Even if George Romero's latest film, Diary of the Dead, fails to satisfy, horror fans can rest assured that there's another Romero film on the horizon, though it's from another Romero entirely. The Screening is the new film from G. Cameron Romero, son of the man who developed shuffling, flesh-eating zombies into an art form. The tradition of fathers passing the horror film bug to their sons is a proud one going back as far as Lon Chaneys Sr. and Jr.

The movie's plot, which sounds similar to the Masters of Horror episode Cigarette Burns, centers around a series of disturbing films that seem to have an adverse effect on anyone who sees them. The last time they were shown was at the trial of the filmmaker, and the entire jury has since gone mad. The movie has an official website where you can register for updates on the film and possibly win an iPod. There's a Myspace page as well, and an article over at Twitch Film has several downloadable versions of the trailer.

Debbie Rochon's presence in the cast doesn't fill me with optimism. The last time I remember seeing her was in the abomination that was the Night of the Living Dead 30th Anniversary Edition, a project whose purpose was to shore up the copyright on the classic zombie film by adding new and unnecessary footage, and a far less compelling score. None of the other thespians in the trailer seem ready to set the world afire, but the cursed films within the film do look disturbing. What does everyone think; is Young Romero a worthy successor to the throne?

Zombies have never really done it for me -- it was all that groaning and brain eating I suppose. I have plenty of respect for George Romero and what he did for independent horror but like I said, I just never got it. The zombie flick might have evolved into an artistic action film with 28 Days Later, but a new Spanish film could finally make the zombie movie a class act.

Variety announced that Spanish filmmaker Elio Quiroga's The Cold Hour has been picked up by Lightning Entertainment for international sale. The plot of the film will follow a group of survivors of chemical warfare fighting off the infected masses. Apparently, the focus of the film will be on the drama between the survivors trapped inside during periods of intense cold and not on the usual violence and gore. Quiroga is already hard at work on his next project No-Do, a ghost story centered on a woman who has just lost her child.

The zombie movie had a brief resurgence with Dawn of The Dead (2004) and Land of The Dead but the genre never really managed to lose its B-movie reputation. The genre might not be done yet though; The Cold Hour could be the film that makes audiences take their zombie flicks just a little more seriously.

Happy Halloween, Cinematical readers! We know you've got lots to do, what with digging through that bowl of candy for the trick-or-treaters to hunt out all the Snickers and peanut butter cups, carving those last minute jack-o-lanterns, and, of course, putting the finishing touches on your costume so you can enter our spooktacular Halloween Costume Contest. You don't have time to poke around the internet hunting out all the cool Halloween stuff out there. But we do! Just for you, to help you get in that Halloween spirit, here's a roundup of some of the coolest Halloween tricks and treats we could dig up for you. Happy Halloween!

Who doesn't love a good vampire flick? Get out your garlic necklace, because over at the Film Experience Blog, they've got more vampire posts than you can wave a bottle of holy water at with their Vampire Blog-a-Thon. In addition to a blood-tastic rundown of his own fave vampire flicks, Nathaniel has compiled a list of other blogs with vampire-related posts ranging from Eddie Copeland's piece on why Fright Night is the best vampire film ever, to Modern Fabulosity's tribute to Klaus Kinski as Nosferatu, to The Boob Tubers pondering something I myself have spend many a sleepless night contemplating: Spike -- or Angel? (Actually, it's not much of a contest for me -- Angel is hot, but he's such a goody-two-shoes -- and I'd definitely pay to go see a good Spike movie on the big screen). Want more? Get thee over to Film Experience and check out the full list of entries in the Blog-a-Thon.

More after the jump ...

I wasn't all that thrilled when I first heard about this Day of the Dead remake; I wasn't exactly elated when Steve Miner (Friday the 13th 2, Halloween 7) was handed the director's chair; and now that I've seen the extended trailer for the new Day of the Dead -- I'm still not entriely convinced. But hey, I was wrong about the Dawn of the Dead remake. Happily wrong, I might add.

OK, so I'm being a little tough on Steve Miner. The second Friday was pretty solid, but then again, he also directed that 3-D one. Ugh. Other flicks in Miner's rather eclectic filmography include the amusing House, the uncomfortable Soul Man, the goofy Warlock, the painful Big Bully and the snarky Lake Placid. So at least the guy knows where to point a camera. The man adapting Romero's Day is Jeffrey Reddick, he of the original Final Destination and the not-so-original Tamara. Cast members include Ving Rhames, Mena Suvari, Nick Cannon and ... Ian McNeice? Interesting.

Bankrolled by Millennium Films, the new Day of the Dead looks to be shooting for an early 2007 release. No word yet on who'll be doing the distributin'.

Remember the other day when I reported that Diary of the Dead was moving forward despite previous reports that the production would be delayed because of director George Romero's health? Sure you do; if not click here. Anyway, there's finally some casting news. Apparently Romero likes the idea of having a familiar face around; Shawn Roberts, who played Mike in Romero's long awaited and crushingly disappointing 2005 film Land of the Dead. Roberts also had the life nearly sucked out of him by Anna Paquin when he played Rogue's boyfriend in X-Men, and he's also got several other horror flicks on the verge of release including Stir of Echoes: The Dead Speak, a werewolf movie called Skinwalkers, and Left For Dead, which apparently involves frat boys and a machete wielding maniac. Fun!

But it doesn't stop there. Hot on the heels of Variety reporting Roberts' involvement comes news from Dread Central that he will be joined by Joshua Close (from The Exorcism of Emily Rose and a pretty neat Dawn of the Dead knockoff called The Plague), Michelle Morgan (Alien Fire), Jon Dinicol (from Weirdsville and The Virgin Suicides), Phillip Riccio (Rent-A-Goallie), and Scott Wentworth (Elizabeth Rex). No big names here, but certainly a better known cast than The Blair Witch Project, to which this film has often been compared. Romero is, of course, the creator of the modern zombie movie, with his zombie tetralogy sporting a 50% success rate in my book. Night of the Living Dead and Dawn of the Dead are bona fide horror classics, and while Day of the Dead and Land of the Dead have their admirers, I am not one of them. Although I've seen conflicting reports, the Dread Central story indicates that this film will not take place in the universe established in the previous films, making Diary of the Dead a sort of zombie reboot. Diary of the Dead, which started shooting this week in Toronto, marks a return to independent film making for Romero, and I'm very interested to see where it takes him.

[Via Coming Soon]

Arrow in the Head, and several other sites reported on October 5 that George Romero, the 66 year old auteur behind Night of the Living Dead, Dawn of the Dead, The Crazies and several other damn fine terror flicks, had collapsed and been hospitalized for a non life threatening illness. As a result, Romero had to cancel several personal appearances and shooting of his new zombie film Diary of the Dead (mentioned previously here on Cinematical) was to be delayed by at least two months. However, a new report from Dread Central says the film is still on track with Romero at the helm and will probably have begun production by the time you read this.

This new film is said to be something of a cross between a standard Romero zombie film and The Blair Witch Project: While making a low budget horror film, several young filmmakers find themselves in the midst of a real zombie outbreak. The crew proceed to record the event for posterity, taking themselves into the thick of the zombie action. As the director told Dread Central when the project was first announced, "I want to do this from a subjective kind of view with no music. You know, something really raw. So it's kind of a stylistic experiment, a low-budget, under the radar kind of thing that's just sort of from the heart." There has been some talk that this film might go straight to DVD, and although that might carry a certain stigma, I think that might be gutsy move on the part of Romero and his distributors. This way he could make as gory a film as he wants, and it's kind of reminiscent of Romero and company's decision to circumvent the MPAA by releasing Dawn of the Dead unrated.