ghostbusters Tagged Articles at Cinematical

Has there ever been a summer that proved to be as important – not just personally, but historically - to comic book fans as 1989? Surely the last decade or so has produced its share of must-see superhero adventures, but before Tim Burton's Batman was release on June 23, 1989, the idea of wall-to-wall wallcrawlers was little more than a cobweb stuck to the bottom of discarded studio call sheets. Burton's aggressive, dark reimagining of Bob Kane's iconic character quite literally changed the face of comic book adaptations, and ushered in the era of superhero movies, even if it would take another ten or fifteen years to find the right balance between real-world grit, splash-page heroism, and tongue-in-cheek self-awareness.

Meanwhile, the rest of the summer of '89 was no less exciting, featuring sequels, comedies, dramas and plenty of fare that defied categorization – which, in all likelihood is why it defied the box office gods en route to home-video glory. And while we could no doubt devote countless column inches to recounting every film from that fateful summer, here's a decidedly more svelte list of the entries that most aroused our imaginations and inspired us to suckle at 1989's summer-movie teat.

Harold Ramis is the comedy writer and director everyone's cribbed from, from Sandler to Apatow. After leaving "Second City TV," Ramis went on to write, direct, and occasionally star in comedic touchstones like Animal House, Caddyshack, Stripes, Groundhog Day, and of course, Ghostbusters, which have starred a slew of loveable losers fighting to get their sh*t together in the army, on the golf course, or in the middle of a war with supernatural beings. After taking a few years off, Ramis is taking it back to the beginning with this summer's Year One, which stars Jack Black and Michael Cera as loveable loser cavemen who, when Black's Zed accidentally burns down the village, find themselves in the middle of a very familiar holy war. Read on and find out what the big daddy of buddy movies had to say about evolution and self-improvement, male full frontal nudity and the lack thereof, and what the heck is up with Ghostbusters 3.

Year One opens nationwide this Friday, June 19th.

Cinematical: How much more stressful is it to deal with marketing a summer blockbuster and competing with the other movies that are out?

Harold Ramis: You know, it's the same level of stress every time you make a movie, because you've pinned all your hopes and dreams on it and you've fantasized what success will be like, but at the time you can't escape fantasizing what failure will be like. [laughs]

I conceived this movie on a big scale, to do a Biblical epic comedy. I knew it was ambitious and when the studio said "Yes, we'll do it," and it became real, I thought, "Oh my God!" [laughs] It's one thing to fail small, but to make a big movie that doesn't work is so risky.

Friday the 13th
Marcus Nispel directs a rebooted version of the venerable series, which borrows elements from the first four films and adds precious few of its own. I'm tempted to say "skip it," based on my own review, but those first 20-25 minutes are pretty ferocious, and the "Extended Killer Cut" promises more of everything. Also on Blu-ray. Rent it.

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Tyler Perry's Madea Goes to Jail
Tyler Perry has grown his beloved character Madea "into a larger-than-life force of nature that is genuinely funny," wrote Eric D. Snider. He noted the writer/director's "tendency toward oversimplification," however, and commented: "Maybe if someone would do a better job of making films targeted at a black, female Christian audience, Perry's half-baked didacticism would suffer in comparison. In the meantime, this is the best there is, so it's nice that Perry is improving, albeit in small increments." Rent it.

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Ghostbusters
The comedy classic with Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, and Sigourney Weaver stands ready to imprint itself upon your memory once again, in a new Blu-ray edition. One word to keep in mind before buying, however: grain. "Surprisingly heavy," says DVD Beaver; "heavy wash of grain that never quite dissipates," per IGN; "features plenty of the swirly stuff in most every scene," according to Blu-ray.com. Other than that important factor, which is claimed to reflect the original source print, reviews have been positive. Rent it.

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Also out: What Goes Up, Morning Light, Sword of the Stranger, and a boatload of TV series (a list of the latter at TV Squad).

After the jump: Indies on DVD, more Blu-ray, and Collector's Corner.

In spite of the some rather negative early reviews, I plan on plunking down my cash to see Land of the Lost this weekend. It's a silly move, but I can't help myself; I blame my addiction to Danny McBride. Plus, I wasn't around for the original series, so it's not like Ferrell can mess up any childhood memories. But it did get me thinking; sci-fi and comedy are two genres that usually work pretty well together, right? So what does any movie geek do in this situation? That's right, we make a list. So now I present in no particular order, my top ten sci-fi comedies:

1. Hellboy
So technically, maybe not a pure sci-fi flick (it has gadgets...does that count?). But you definitely can't argue with funny; and it made for a nice departure for those of us tired of seeing our heroes 'brood' all the time.

2. Innerspace
Most people I know hate this movie; and to be fair, it hasn't aged well. The F/X are a little creaky, and Meg Ryan is downright annoying, but when I saw this film as a kid it was the height of hilarity -- score one for nostalgia.

3. Idiocracy
How could you not love Mike Judge's vision of a dystopic future where the #1 rated TV show is Ow! My Balls!

4. Ghostbusters
When it comes to sci-fi comedy, Ghostbusters is the granddaddy. To this day I consider it one of the funniest films ever made; and thanks to Bill Murray, I grew up to be the smart-a** that my family and friends know and love.

5. Sleeper
Woody Allen and sci-fi probably aren't two things that most people think would work well together. But Allen transplanted his nebbish New Yorker into the future, and still managed to make jokes about sex and health food stores.

After the jump; the final five...

Because of the commercial pressures Hollywood places on filmmakers these days, many directors adopt a sort of "one for them, one for me" career strategy that allows them to exercise their creativity while maintaining a degree of viability at the box office. Brad Silberling, despite an array of films that really do run the gamut from intimate character studies to effects-laden opuses, seems to have effectively synthesized the two more and more effectively with each subsequent effort. Starting with straightforward studio fare like Casper, he quickly graduated to meatier projects, including the semi-autobiographical Moonlight Mile, before tackling an adaptation of the first book in Daniel Handler's Lemony Snicket series.

But he seems to have truly captured both his own creative idiosyncrasies and the demands of a summer blockbuster with Land of the Lost, a sprawling, bizarre big-screen reimagining of the Sid and Marty Krofft TV series from the 1970s. The film stars Will Ferrell as a disgraced scientist trying to rebuild his reputation while dodging aliens, dinosaurs, and oversized crabs, and Silberling brilliantly brings the film's fantastic world to life. Cinematical recently spoke to the director via telephone from the film's Los Angeles press day, where he discussed the prospect of making a madcap, foul-mouthed summer movie, explained how (and why) he managed to include an extended homage to "A Chorus Line," and talked about the summer movie that inspired him to become a filmmaker.

Rocky, Rambo, Indy, all of the old icons are making their way to the big screen, and as we know, our favorite ghostbusters are hoping to head in that same direction. But rather than just jumping into the action, we learned back in March that this Ghostbusters sequel would have the old pros handing over the reigns and mentoring a new batch of ghost fighters. Now if Dan Aykroyd has his say, this will mean creating a larger new core team that will finally increase the female ghost-fighting power.

While talking with the LA Times about the particulars of the third film (he says Sigourney Weaver is in, as are the ectoplasmic specialists, and that he wants Harold Ramis to direct), Aykroyd said that he's pulling for a "new generation" ghostbusting team. This one would have five members, at least a few of whom are women. Specifically, he's hoping for Alyssa Milano (who lent her voice to the new game), and Dollhouse star Eliza Dushku. "I think they're amazing."

I get the feeling that they're trying to go for a more sleek ghosbusting feel, rather than simple comedy. Neither actress is a big name in the world of laughs, and both have their feet firmly planted in the supernatural fighting biz. So this becomes a bittersweet yay: women are entering the flock, but will we see some of that classic comedy go out the window as the story gets modernized? I like it when things get a little more slick, but please -- not too slick.

Are these the two women you'd like to see fighting the ghosts? Or, would you wish for a more comedic bent with someone like, say, Tina Fey? Who should be the lady ghostbusters?

In an interesting video game/movie tie-in, GameStop has a promo running until June 30, 2009 ("or until all e-Movie Cash tickets have been distributed, whichever comes first," natch) called "Love the Movie - Live the Game," and it's definitely a mixed bag.

Basically, if you buy one of the following games, you can get a $10 voucher for select movies at participating theaters that's only good until July 31, 2009. That's a lot of ifs, especially if you check out the games they're offering, which are not all tied in to current releases. And some of them will make real gaming geeks bleed from the eyes. Take a look.

When Ghostbusters came out, I was busy traveling the Oregon Trail, trying not to die of dysentery, and trying to hunt with some arrow keys and a spacebar. Now, well, there's a whole new gaming world out there, finally ripe for a sweet, ghost-capturing video game. Let's face it -- Ghostbusters, The Video Game wouldn't have been nearly as fun if we had to fight the Stay Puft with graphics like this.

Many months after sharing the game's trailer with you, there's a pretty sweet collection of footage that's popped up, courtesy of The Game Heroes. The video details some behind-the-scenes game info, like just what we can expect from the proton pack and its new bells and whistles, plus a new look into game play with clips from an elevator scene rife with Bill Murray's sarcasm.

The game has been in production for three years, and it definitely looks like the wait was worth it, between all of the talent involved (Harold Ramis and Dan Aykroyd wrote it!) and how nice it all looks. (If only I had an XBox or PS3!) The game will hit shelves later this year.

Erik Davis ordered me to come up with a new approach to summer movies, and he demanded that the concept be intelligent, engaging, and jam-packed with vowels and consonants. (One out of three isn't bad.) And since I'm a childish movie nerd who had a deep affection for all things nostalgic, my first idea was "Hey, let's have the writers pick their favorite 'movie summer' and write a piece about it." And since my next eleven ideas stunk, he said "Ugh, fine. Do your Favorite Summers thing. But don't forget the vowels."

Nearly all of the Cinematicaleers will be penning their own pieces, but since I like to lead by example (when I'm not leading by guilt), I figured I'd get the ball rolling first. (Special thanks to Box Office Mojo for displaying OLD release dates in very handy fashion.) Also, for the sake of this series, let's say "summer" counts as "May through August," even though May is technically spring and part of September is definitely summer.

5/4 -- The Bounty // Breakin' // Hardbodies // Sixteen Candles -- So which one of these would be the big "Iron Man" release? We got Gibson and Hopkins in a nautical remake; a whole lot of pop-lockin' looneys; a leering sex comedy that helped to kill the sub-genre of mid-'80s sex comedies; and the directorial debut of one John Hughes.

5/11 -- Firestarter // The Natural -- Robert Redford knocking the cover off a baseball and Drew Barrymore immolating George C. Scott. Now THAT's summer!

5/18 -- Finders Keepers // Making the Grade -- A pair of justifiably forgotten farces, yes, both of which I saw theatrically.

5/23 -- Indiana Jones and the Temple of Doom -- Even back in 1984 Indiana Jones demanded his very own weekend ... one that starts on a Wednesday, no less! I distinctly remember seeing this on the afternoon of opening day, and while I was waiting for Mom to come pick us up, there was a woman BERATING the box office girl. Honest! Something about the heart-tearing scene had upset her small child. And just like that, the PG-13 was born.

Most fan-made projects can't hold a torch to the impressive world of Easter Peeps and dioramas. There's something about those marshmallow chicks and bunnies that were just made for the world of Hollywood. For the second year in a row, The Washington Post has held their Peeps contest, and once again, the world of film is heavily, wonderfully, and comically represented. The people that send in these recreated scenes -- they've got some serious talent ... and time on their hands.

Would Ghostbusters have been as eerie if the gigantic Stay Puft monster was actually an enormous Peep with no mouth? And I think the Coens were missing out when they made No Country for Old Men with humans instead of Peeps. There's just something about marshmallow and bloody gore that goes together. But these are only the tip of the iceberg -- other movies that got the Peeps treatment this year: The Wizard of Oz, Full Metal Jacket, Mars Attacks, The Birds, A Christmas Story, Amadeus, Crouching Tiger Hidden Dragon, and Casablanca.

After a few years of these killer recreations, I'm thinking that Hollywood should dump those competing Easter bunny projects and direct their attention to the Peeps. Check out some of our favorite movie-related Peep creations in the gallery below, then view the rest over at The Washington Post.