gigantic Tagged Articles at Cinematical

I Love You, Man
Bro-mance, schmo-mance, this is a funny movie, centered by a very good performance by Paul Rudd as a befuddled "ladies' man" in search of a best man for his upcoming wedding to Rashida Jones. He starts awkwardly 'man dating' until he stumbles across the happy-go-lucky bachelor Jason Segal, and an unlikely triangle is formed. "A sweet, amusing, and perfectly acceptable comedy all around," wrote Eugene Novikov. Also on Blu-ray. Buy it.

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17 Again
Personally, I have zero interest in seeing this movie, but if you're a devoted fan or even curious about the star, help yourself. 17 Again is "a run-of-the-mill family comedy that would be tiresome," Jette Kernion opined, "if not for [Zac] Efron and a few of the other cast members." Also on Blu-ray. Skip it.

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The Class (Entre les Murs)
Laurent Cantet directed this adaptation of a semi-autobiographical novel by François Bégaudeau, an inner-city Paris school teacher. James Rocchi observed: "Begaudeau's interactions with his students are so nuanced and smart that it doesn't feel like the heavy hand of drama when various incidents and events escalate as the film progresses; they feel natural, lived in, human." Also on Blu-ray. Buy it.

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Also out: Chaos (from 2006, with Jason Statham, Ryan Phillippe, and Wesley Snipes); Road Trip: Beer Pong (the sequel, directed by Steve Rash); I Do, I Did ("One man, two women, too much!").

More Indies on DVD, more Blu-ray picks, and Collector's Corner, all after the jump!

In this week's edition of Indie Roundup, we begin by noting the sad and untimely passing of one of the great champions of independent film, Wouter Barendrecht. The founder of Fortissimo Films, an international sales and production company, Barendrecht died unexpectedly last weekend from heart failure while in Thailand.

Eugene Hernandez at indieWIRE writes: "Perhaps his greatest professional achievement is the invaluable role he played as a tireless champion of Asian cinema and as a stalwart supporter of independent, queer and international film. On a personal note, his friendships with so many members of the worldwide film community are also hard to overlook." He was just 43.

Deals. Overture Films has acquired worldwide distribution rights to Nicholas Jasenovec's Paper Heart, which debuted at Sundance. In his review, Eric D. Snider said the film, which stars and was co-written by Charlyne Yi, "combines elements of reality and fiction in an amusing, meta-referential way, though one's enjoyment of it may ultimately come down to one's enjoyment of Yi as a performer." Yi's real-life boyfriend, Michael Cera, is featured. Overture plans to release Paper Heart in New York and Los Angeles on August 7 and expand it a week later, according to indieWIRE.

Box Office. Kate Churchill's documentary Enlighten Up!, advertised as "a skeptic's journey into the world of yoga," exercised its right to be the highest per-screen earner among indies, grossing $16,161 at the one theater where it played, per Box Office Mojo. (Check out the trailer, embedded below.) Fashion doc Valentino: The Last Emperor continued to draw good crowds, earning $14,196 per screen at four locations, while Paul Dano and Zooey Deschanel helped Matt Aselton's Gigantic become the top performer among new releases, reaping $10,294 for a film that's received mixed reviews.

After the jump: Film festivals around the country.

Welcome back to the Indie Spotlight, in which we list the new limited-release films being released today. Keep an eye out for when they come to your local art house or Netflix queue.

• Alien Trespass (pictured), opening on about 40 screens nationwide, is a loving, non-parody homage to the cheesy invaders-from-space B-movies of the 1950s. For me, the style wears thin too quickly; the fact that the '50s films were corny out of necessity while this one is doing it on purpose makes it feel insincere. Indeed, it has a low 31% approval rating at Rotten Tomatoes.

• Bart Got a Room is a comedy about a nerdy Jewish teenager trying to find a date for the prom. Cinematical's Erik Davis loved it at Tribeca last year, and the 71% positive rating at Rotten Tomatoes backs him up.

• C Me Dance combines the world of evangelical Christianity with the world of dancing. Sold! It's opening on about 150 screens nationwide. No reviews are up yet, but I would suspect it's a preaching-to-the-choir sort of thing, aimed at people who are already evangelical Christians.

• Sugar comes from the Half Nelson team of Anna Boden and Ryan Fleck and is finally hitting theaters after premiering at Sundance last year. It's about a young Dominican Republic baseball player who is recruited by scouts and brought to the U.S. to train for the majors. Cinematical's Kim Voynar liked it quite a bit, calling it a coming-of-age story more than a baseball movie, and as beautiful as "a painting brought to life" -- and hey, check out that 88% positive rating at Rotten Tomatoes!

If you're currently living (or crashing) in and around the New York City area (and you like movies), then there's absolutely no reason why you shouldn't be checking out the Gen Art Film Festival, which kicked things off Wednesday night with the premiere of Lymelife, followed by last night's premiere of the quirky-but-huggable Gigantic, and continues through to Tuesday, April 7. This weekend features a rather fantastic line-up of Peter and Vandy, My Suicide and Punching the Clown -- three films I whole-heartedly vouch for -- so get your ass over to Gen Art's website and snag yourself a ticket. Not only do you get to watch a feature and a short, but you also gain access to a hip-hoppin' after party with a three-hour open bar. Yes, I did just say three ... hour ... open ... bar!

I was fortunate enough to be on hand for the opening night premiere of Lymelife -- a moody late-seventies dramady surrounding two dysfunctional Long Island families who desperately want, need and lust after the things they think they want or need in order to achieve the "American Dream". The film, directed by Derick Martini (and co-written by Derick and his brother Steven, inspired by their own lives growing up) boasts what is perhaps one of the best ensemble casts I've seen so far this year -- including Alec Baldwin (who was on hand), Cynthia Nixon, Emma Roberts, Jill Hennessy, Timothy Hutton and sensational scene-stealing performances from Kieran and Rory Culkin, the former of which reminds me of a young Tobey Maguire. I'll be back with a full review of Lymelife next week, but in the meantime check out this video of opening night from my good pal DavidJr.com.



For more on the Gen Art Film Festival (including ticket information), visit their official website ... and make sure to say hey if you're heading over there this weekend.

As a programmer (my first time!) for the 2009 Gen Art Film Festival, I can tell you that finishing this slate was not easy. It required me (and a small group of others) to watch a lot of films ... and I mean a lot of films. The awesome part of this, though, is the discovery. Sure, you'll get the occasional mess -- but then sometimes you stumble across a brilliant piece of work that hasn't been seen by anyone yet, and you just know it's destined for greatness. With that said, the programming is now complete and I'm able to share with you the names of the films playing at this year's Gen Art Film Fest in New York City from April 1 to April 7.

The Sundance and Toronto hit Lymelife (we premiered the poster here) was chosen as this year's opening night film. It's a gem of a family drama starring Alec Baldwin and Cynthia Nixon (watch the trailer on Moviefone), and you should definitely look for it in theaters on April 8. Also from this year's Sundance fest is the romantic dramedy Peter and Vandy, starring my gal Jess Weixler and Jason Ritter. One of the more experimental and cult-ish films screening is My Suicide, which I whole-heartedly recommend as a deep, dark and oddly hilarious flick about the Me Generation. Julie Davis' Finding Bliss (starring Leelee Sobrieski, Denise Richards and Jamie Kennedy) was chosen to close out the fest, while Gigantic (Paul Dano, Zooey Deschanel), Punching the Clown (Slamdance audience award winner) and Picture Me: A Model's Diary (doc about a model) round out this year's slate.

As always, I'll be on the ground at the Gen Art fest looking for whatever I can wrap my brain around -- so definitely stay tuned. But, heck, if you're in the NYC area, you may as well check this sucker out for yourself. The fest runs from April 1-7, and you can find out much more (like how to buy tix) over at the official Gen Art Film Fest website.

Full press release after the jump

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Cinematical has received this exclusive poster for the film Gigantic, starring Paul Dano, Zooey Deschanel and John Goodman (check out the full-sized version in the gallery below). Co-written and directed by Matt Aselton, Gigantic follows a depressed mattress salesman (Dano) who, while on a quest to adopt a Chinese baby, is sidetracked when he falls in love with a girl named Happy (Deschanel). Completely bizarre plot, but I have no problem whatsoever watching Deschanel in anything, and it's damn good to see our buddy Dano back up on the big screen (that yellow on the poster remind you of anything?). Oh, and I should mention that Ed Asner and Jane Alexander co-star. Right on! Click on the image below to see the full poster.

Gigantic hits theaters (in limited release) on April 3. Check out a full synopsis after the jump.

To be perfectly honest, the premise of Gigantic didn't grab me at first. The plot seemed a little too self-aware and contrived.

Paul Dano (who is also executive producer) will be playing a depressed mattress salesman, who is on a quest to adopt a Chinese baby. But he's sidetracked by falling in love with a girl named Happy, played by Zooey Deschanel. (That's the second reason this film didn't grab me. You're depressed and you meet someone named Happy? How lucky! When I was depressed, I just made good friends with a cold Russian named Stolichnaya.)

But it's starting to win me over now, particularly with these latest cast members. The Hollywood Reporter has announced that Ed Asner, John Goodman, and Jane Alexander have signed on.

Asner will be playing Dano's father, who loves pot and gangsta-rap, and Alexander will be playing his long-suffering mother. Goodman will be playing Happy's brilliant and domineering father. The parental combo overcomes my misgivings about the film -- although a stoned Asner could fall incredibly and painfully flat. But they inexplicably have me at "gangsta-rap loving father."

After spending 2006 having the crap scared out of him by Daniel Day Lewis, Paul Dano could probably stand to work on something just a little more light-hearted. The Hollywood Reporter announced that Dano has signed to star in the independent romantic comedy, Gigantic. Dano will star alongside Zooey Deschanel, and plays a mattress salesman who falls in love with a young woman at the store where he works. I can only assume that Deschanel, fresh off of M. Night Shyamalan's The Happening, will play that young woman.

So far, no other cast has been named other than Frank Harts (Miracle at St. Anna). The relatively tiny cast leads me to believe that the film is going to be a pretty small affair. Although now that Dano still has some of that post-Oscar buzz surrounding him (despite being snubbed for a nomination), it could raise the profile of the film ever so slightly.

Gigantic will be directed by first-timer Matt Aselton, who also helped to write the script alongside Adam Nagata (also making his feature debut). Production is set to begin this March in New York, but a date has yet to be confirmed. After Dano finishes up work on Gigantic, he's off to work on another indie film, The Good Heart. Heart will reunite Dano with Brian Cox (the two worked together on L.I.E. back in 2001) in a story about an older man who befriends a young homeless man and makes him is protégé. Well, so much for Dano making more happy-go-lucky flicks. Gigantic is expected to be released later this year.