gosford park Tagged Articles at Cinematical

So we've already torn the Motion Picture Association of America asunder for not displaying enough discipline with select film ratings, but what about the times that the MPAA maybe overdid it a bit with their judgment calls?

Earlier this week, I watched Danny Boyle's Millions for the first time in a good while, and I'd noticed that it was only rated PG for "thematic elements, language, some peril and mild sensuality" after an appeal to the ratings board. It's a fitting rating for a film worthy of an audience of all ages, but it made me wonder what the similarly whimsical Son of Rambow did to merit a PG-13 for "some violence and reckless behavior". I suppose the argument could be made that the behavior in Rambow lends itself more to imitation, but I know that my theoretical children (they have their mother's eyes) wouldn't be watching one and not the other.

Later that day, I saw Ron Howard's Frost/Nixon, which gets an R for "some language". Now, I know that the MPAA tends to let adult-skewing PG-13 fare get away with an extra f-bomb or two (ex: About a Boy or the particular exception that is Gunner Palace), but by my count, F/N has a single -- albeit loud -- usage of Samuel L. Jackson's favorite expletive, and then nothing else that wouldn't earn an R. Isn't this just Once all over again? Are our nation's teens really going to stumble into this film and walk out worse off for it? (Robert Altman admitted on his Gosford Park commentary track that he intentionally swung an R for similar reasons.)

I normally have a problem with movies about infidelity (there's just too many of them), but I rather enjoyed Separate Lies, the directorial debut of Oscar-winning screenwriter Julian Fellowes (Gosford Park). Apparently enough people liked the film to allow the writer-director to be hired for yet another magical fantasy franchise. This one is based on a series of books by L. M. Boston called The Green Knowe Chronicles. The first novel, published in 1954, is titled The Children of Green Knowe, though the film has been renamed From Time to Time. The plot follows the adventures of a boy visiting with his strange grandmother during WWII. Somehow the boy ends up traveling backward in time -- but as a sort of ghost -- and visits with older generations of his family, who help him to solve an old mystery.

The film will feature another great crop of British actors, two of whom are no strangers to magical franchises (hint: they appear in the Harry Potter movies). And of those cast, I will take a wild guess and say that Maggie Smith is playing the grandmother. I would love to say that Timothy Spall plays the boy, but I'll go ahead and assume he plays some other character. Rounding out the ensemble so far is Hugh Bonneville and Annie Reid, neither of whom are likely the boy, either. It will be interesting to see how well Fellowes is able to work with children and youth-oriented material, because both Separate Lies and Gosford Park were pretty much films for grown-ups (and no, I don't mean they were "adult films").

Along with Martin Scorsese, Alfred Hitchcock, King Vidor, and Clarence Brown, Robert Altman holds the dubious record for most best director Oscar nominations without a win: all five men have been "just happy to be here" five times. Now, though, Altman, whose nominations have been for MASH, The Player, Nashville, Short Cuts, and Gosford Park, is going to get his well-deserved statuette, even if it is just honorary.

It's hard to overstate what Altman has meant to American movies. Always unconventional, his improvisational techniques, innovative use of sound, long takes, and broad, rambling stories have, over the years, given Hollywood entirely new ways too look at filmmaking. Though they can never like the man enough to just vote for him already, Academy members decided Altman deserves a lifetime award because of his "innovation, his redefinition of genres, his invention of new ways of using the film medium and his reinvigoration of old ones." Amen.

I think it's safe to assume that Altman will not be spending the next two months carefully revising his acceptance speech. Whatever he says, we'll get to hear it on March 5, during the thirteen hour Oscar ceremony.