Whoopi Goldberg sort of had it coming in Ghost. She was a hack of a psychic, so it was poetic justice to get haunted by Patrick Swayze.This time around, it's still justice, but not the kind you would expect. Up above, you can check out the trailer for Ghost Town, which popped up on YouTube over the weekend.

Ricky Gervais stars as a jerky dentist who can't be bothered to do the simplest thing for another person -- like, say, hold the elevator. But then he goes in for a colonoscopy and dies for a little less than seven minutes. Upon leaving the hospital, he discovers he can see dead people. Lots and lots of dead people. Of course, in a predicament like this, he has to face his jerkish past, but he also has to do something else -- help the ghost of Greg Kinnear keep his widowed wife from shacking up with the wrong guy. The comedy looks cute -- if a bit too familiar. It'll hit theaters this September.

The first time I heard the term "Baby Mama" was probably on either Maury or Jerry Springer (don't laugh... you hear a lot of things as you're flipping over to PBS). It and its male equivalent, "Baby Daddy," essentially describes a person with whom you've had a child, but no other relationship currently exists. It used to be street slang, but in a movie world where pregnancy of all types seems to be the hot, go-to topic (Juno, Knocked Up), the whole "baby mama" thing was sure to come up at some point. I just never thought it would come from Tina Fey and Amy Poehler.

In Baby Mama, which opens the Tribeca Film Festival tonight and arrives nationwide on April 25, Fey plays Kate Holbrook, a successful vice president of a Whole Foods-esque organic supermarket chain. She's got the great job and the stunning Philadelphia apartment, but at 37, she longs for something more. You guessed it: Kate wants kids, and doesn't want to wait until she gets married to have them. One little problem: her chances of actually having a child are one in a million ("I just don't like your uterus," is what Kate's fertility doctor, played by The Daily Show's John Hodgman, tells her).

From a magical private school to the heart of the Iraq war is quite a jump. Luckily, Jason Isaacs is just the kind of versatile actor to pull it off. (If you don't believe me, take a look at the man's IMDB page -- talk about well-rounded!) Variety reports that Isaacs (aka Lucius Malfoy of Potter fame) has signed to star in Paul Greengrass' military drama, Green Zone. Isaacs will play an American officer in Iraq in the days following the fall of Saddam Hussein. Matt Damon stars as an investigator searching for weapons of mass destruction, Amy Ryan (Gone Baby Gone) plays as a foreign correspondent from the NYT, and Greg Kinnear makes an appearance as a CIA agent.

Zone is based on the non-fiction book by Rajiv Chandrasekaran, titled Imperial Life in the Emerald City: Inside Baghdad's Green Zone. For those of us who maybe don't watch the nightly news as much as we should, here is a little reminder: "The Green Zone, (the common name for the International Zone of Iraq), is a 10 km² (4 mile²) area in central Baghdad that was the center of the Coalition Provisional Authority and remains the center of the international presence in the city." Chandrasekaran's book highlighted the "absurdities, incompetence, and bureaucratic failings which prevented a timely transfer of power to the Iraqis and bred the growing insurgency" -- you know, just your usual fun bedtime reading.

Greengrass wrote the original script for the military thriller, but eventually L.A. Confidential scribe Brian Helgeland was brought aboard to help smooth out some of the rough edges. Green Zone started filming in Spain last month, and will then move to Morocco (the two locations have served as stand-ins for Iraq, since the production could obviously not work in the actual area). The film has yet to secure a release date, but is scheduled to arrive in theaters sometime in 2009.

This is a great week to catch up with a few indies that came and went quickly in theaters. Craig Zobel's Great World of Sound burst out of Sundance last year with positive notices -- check GreenCine Daily's roundup -- and our own James Rocchi named it one of the ten best of the year. The basic premise is that two music scouts go on the road in the American South to look for acts to sign. In James' original review, he described it as "funny and vital and tough." Magnolia's DVD includes an audio commentary and deleted scenes.

If Feast of Love had nothing else to recommend it, it would deserve recommendation as director Robert Benton's latest work. As Jeffrey M. Anderson commented, Benton's melodramas (Kramer vs. Kramer, Places in the Heart, Nobody's Fool) "almost always hit home." Feast of Love "focuses on several couples in a Portland college community," he wrote. "These characters may live in a college town, but in love, everyone has something to learn." Morgan Freeman, Greg Kinnear and Radha Mitchell star. MGM's DVD looks bare, with just one feature evidently on board.

Director Allan Moyle returned to his roots (Pump Up the Volume, Empire Records) to make Weirdsville, in which stoners, Satanists and drug dealers commingle. In her TIFF review, Monika Bartyzel called it "fun, endearing, and quite fluid for a stoner comedy. It's also recognizably Canadian (the drug dealer is into curling), but still completely palpable for wider audiences." Wes Bentley and Scott Speedman star. Magnolia's DVD includes an audio commentary and 14 featurettes: behind the scenes, making of, and interviews.

Moviefone is hosting our first look at the new trailer for Baby Mama, starring Tina Fey and Amy Poehler. Looking to capitalize on the very-hot-right-now pregnancy theme, Tina Fey plays a successful (yet still single) businesswoman who's having trouble getting pregnant on her own. When she learns how expensive a surrogates fee can be ($100,000), she begins to explore other options ... like allowing a sleazy-looking slacker (Poehler) to carry the baby for her. What follows appears to be a pretty cute buddy flick co-starring two of the funnier and more talented comedic actresses working today. I especially like the scene with Dax Shepard (who plays Poehler's husband/boyfriend), and I hope he shows up more than a few times throughout. Sigourney Weaver, Greg Kinnear, Maura Tierney and Romany Malco also star, while Michael McCullers (of Austin Powers fame) wrote and directs. Baby Mama will arrive in theaters this April 25, and you can check out the trailer above or head on over to Moviefone to watch it in glorious HD.

I get very excited about the upturns some actors and actresses' careers take following awards season, especially when those performers end up Oscar winners. I always enjoyed reading the post-Oscar write-ups on "What's Next for ____?", though it's less of a thrill nowadays because I typically already know what is in their pipeline. For example, thanks to Variety, I now know that Amy Ryan will be co-starring in Paul Greengrass' "untitled Iraq war thriller". She joins the movie, along with Greg Kinnear, which already starred Matt Damon (who has worked with Greengrass on two Bourne films) and which reportedly began filming in Spain yesterday. While Kinnear and Damon will both play CIA agents involved in the search for Weapons of Mass Destruction, Ryan has been cast as a New York Times correspondent investigating the WMD investigation.

A front-runner for the Academy Award for Best Supporting Actress (for Gone Baby Gone), Ryan has already had one heck of a year (she also appeared in Before the Devil Knows You're Dead and Dan in Real Life). In fact, I'm sure I'm not the only one to admit I'd never heard of her until 2007. But she may still not be a household name, and that should surely change following her expected win (she's also the best bet for the Golden Globe this Sunday). The supporting actress category is sometimes a bit of a joke, as it was throughout most of the 1990s (starting with Whoopi and ending with Angelina, with a Mira in the middle), but Ryan is hopefully going to be one of the few actresses that shows us how much she deserves the accolades by continuing to take respectable roles. In addition to Greengrass' film, Ryan will be co-starring in Clint Eastwood's The Changeling, which also stars Angelina (whose "What's Next ... " in 1999 included Gone in 60 Seconds and Lara Croft: Tomb Raider). By the way, for those not keeping track, after making The Changeling, Ryan will have worked with four of the ten 1990s supporting actress Oscar winners (Marisa Tomei is in Before the Devil; Juliette Binoche and Dianne Wiest are both in Dan). Perhaps Greengrass can find a part in his new film for Anna Paquin?

Okay... Before I get to the wonder that is Bruce Campbell, I've got to take a second and complain. If you remember anything about our previous coverage of Ghost Town, such as David Koepp signing on to direct Greg Kinnear and Ricky Gervais, Tea Leoni signing on, and then Kristen Wiig, you probably remember the premise. A dentist (Gervais) heads in for a colonoscopy under the knife of Wiig, and he dies for seven minutes. When he comes back to life, he can see the dead -- especially a ghostly businessman (Kinnear) who wants him to break up his widow's (Leoni) upcoming marriage.

Anal surgery is no longer the culprit. According to The Hollywood Reporter, the dentist temporarily kicks the bucket during a "routine dental surgery." Now that is a really boring and lame change. What's wrong with a colonoscopy? Gah. At least we've got Campbell to soften the news. He has signed on to play Leoni's character's fiance -- the one that the dentist really isn't into. Since this ghostly apparition isn't through Whoopi, I keep wondering if it'll end up with Kinnear taking over Gervais' body to have a second chance with his wife. Or maybe Campbell will go Ash on his ass and take him out of the picture. He could always just say Deadites possessed the dude. Shooting has already begun in New York, and hopefully they haven't vanilla-ed anything else.

Post edited as the original THR post now says "Billy Campbell" is the other man, and not Bruce. Thanks to ***Lance*** for spotting that. What a shame.

No director alive can make family melodramas as brilliantly as Douglas Sirk once did, but I'd suggest that Robert Benton comes the closest. Though filmmakers continue to grind out weepies by the truckload, it's extremely difficult to find that exact thread between heavy and hammy, perhaps even more difficult than making a funny comedy. Weepies generally tell depressing stories, about death, disease, failed romances, unrequited romances, estranged romances, etc. The trick is not to make the film itself depressing. Most directors make the mistake of shooting the material head-on, which has the effect of bludgeoning the audience rather than coaxing them in. Part of Sirk's genius was his timing; he made his best films in the 1950s when you couldn't show everything. He used his skills, his palate of colors, space and the elements, to suggest, rather than tell, his stories.

Admittedly, Benton isn't as visually astute as Sirk, but he's a good writer, good with words and characters. He has lots of different kinds of films on his resume -- he's often attracted to crime stories -- but his melodramas almost always hit home: Kramer vs. Kramer (1979), for which he won a Best Director Oscar, Places in the Heart (1984), and Nobody's Fool (1994). Even his previous film, The Human Stain (2003), worked on a basic, emotional level, though critics generally dismissed it because of its failure to live up to Philip Roth's novel and its mismatched casting of Wentworth Miller as a young Anthony Hopkins. Benton's new movie has less of a pristine literary pedigree, and so perhaps it will go down easier.

You might remember our Scott Weinberg reviewing a documentary from SXSW called The King of Kong (which has since added onto the end: "A Fistful of Quarters"). He said it was "as compelling, colorful and entertaining as any of the 'human interest' documentaries of the past five years." The film, which opened in limited release this weekend, follows the quest of Steve Wiebe to get his record-breaking score on Donkey Kong recognized -- one that beats the long-established score of Billy Mitchell. There's lots of argument over the whole thing, which has continued beyond the making of the doc. Mitchell isn't happy with how he is portrayed, and four months after Wiebe beat his score, it seems he regained his title. But the kicker is that a fictional account is in the works, to be written by Michael Bacall, and the filmmakers got chatty with VH1 about who they'd like to star.

If you're wondering about what kind of movie this could be, director Seth Gordon described one scene they weren't able to catch on film, but could make it into the feature: "There was a moment recorded only on audio when Steve was approaching a record on his Donkey Kong machine in his garage. As he hopped barrels toward glory, his young son was yelling, 'Daddy, Daddy, wipe my butt,' and hitting dad with a broom. I think it will be pretty fun physical comedy."

And who do they want to play the gamers? Gordon says: "My first idea for Billy was Johnny Depp. Ed Norton I thought would be good. It's not really about the hair, it's about the eyes. It's got to be a real actor." For Wiebe, producer Ed Cunningham thinks Greg Kinnear would be good, while Gordon likes Nathan Fillion. With names like these, this could rock the pants off The Wizard! I imagine they'd have a good shot with Fillion -- he's still making his way so I imagine he'd be easier to sign, and considering the success of the doc and the possible co-stars, it would be an appealing project for an up-and-comer...not to mention the fact that I think he'd make a good gamer. I'd also love to see Depp in the role, but I wouldn't be surprised if he was too busy or uninterested. Who would you pick?

Cinematical has just received an assortment of exclusive images from the upcoming indie drama Feast of Love. This is one of those ensemble pieces in which the lives of a community of friends in Oregon (don't see many flicks set in Oregon) intertwine to form a narrative about love, romance, loss and redemption. Feast of Love arrives in theaters on September 28, and here's the straight synopsis in case you're interested (then check out the gallery below, or click here):

From venerable Academy Award® winning director Robert Benton (KRAMER VS. KRAMER), comes a kaleidoscopic ode to life and love in all its funny, sad, sexy, crazy, heartbreaking and life sustaining facets: FEAST OF LOVE. In a coffee shop in a tight-knit Oregon community, local professor Harry Stevenson (Academy Award® winner Morgan Freeman) witnesses love and attraction whipping up mischief among the town's residents. From the unlucky in love, die-hard romantic coffee shop owner Bradley (Academy Award® nominee Greg Kinnear) who has a serial habit of looking for love in all the wrong places, including with his current wife Kathryn (Selma Blair); to the edgy real estate agent Diana (Radha Mitchell) who is caught up in an affair with a married man (Billy Burke) with whom she shares an ineffable connection; to the beautiful young newcomer Chloe (Alexa Davalos) who defies fate in romancing the troubled Oscar (Toby Hemingway); to Harry himself, whose adoring wife (Jane Alexander) is looking to break through his wall of grief after the wrenching loss of a beloved . . . they all intertwine into one remarkable story in which no one can escape being bent, broken, befuddled, delighted and ultimately redeemed by love's inescapable spell .