gremlins Tagged Articles at Cinematical

Erik Davis ordered me to come up with a new approach to summer movies, and he demanded that the concept be intelligent, engaging, and jam-packed with vowels and consonants. (One out of three isn't bad.) And since I'm a childish movie nerd who had a deep affection for all things nostalgic, my first idea was "Hey, let's have the writers pick their favorite 'movie summer' and write a piece about it." And since my next eleven ideas stunk, he said "Ugh, fine. Do your Favorite Summers thing. But don't forget the vowels."

Nearly all of the Cinematicaleers will be penning their own pieces, but since I like to lead by example (when I'm not leading by guilt), I figured I'd get the ball rolling first. (Special thanks to Box Office Mojo for displaying OLD release dates in very handy fashion.) Also, for the sake of this series, let's say "summer" counts as "May through August," even though May is technically spring and part of September is definitely summer.

5/4 -- The Bounty // Breakin' // Hardbodies // Sixteen Candles -- So which one of these would be the big "Iron Man" release? We got Gibson and Hopkins in a nautical remake; a whole lot of pop-lockin' looneys; a leering sex comedy that helped to kill the sub-genre of mid-'80s sex comedies; and the directorial debut of one John Hughes.

5/11 -- Firestarter // The Natural -- Robert Redford knocking the cover off a baseball and Drew Barrymore immolating George C. Scott. Now THAT's summer!

5/18 -- Finders Keepers // Making the Grade -- A pair of justifiably forgotten farces, yes, both of which I saw theatrically.

5/23 -- Indiana Jones and the Temple of Doom -- Even back in 1984 Indiana Jones demanded his very own weekend ... one that starts on a Wednesday, no less! I distinctly remember seeing this on the afternoon of opening day, and while I was waiting for Mom to come pick us up, there was a woman BERATING the box office girl. Honest! Something about the heart-tearing scene had upset her small child. And just like that, the PG-13 was born.

It never ceases to amaze me what can be found on eBay:

• Since it's almost Valentine's Day, I thought I'd lead off with an engagement ring for the geek crowd. If you're about to propose to a Spider-Man fan, you might want to pick up Aunt May's engagement ring from Spider-Man 3. It's listed at $2,500, which isn't bad for something that can double as a fan prop and engagement ring.
• Just as we close on our last Watchmen-free days, a few original signed lithograph plates from the comic issues have hit eBay for a whopping ten grand. Well, ten grand if you want one, or you could get two for the discounted price of $17,500! Pricey splurges, especially for these times, but they are signed by both Alan Moore and Dave Gibbons.
• But just to make that deal sound a bit cheaper, what about the trophy cup used in Citizen Kane? $499,000.00 seem steep? The seller claims that this is the only on-screen object from the film held by Welles himself, so there's the tres unique factor.
• On a creepier front, and the cheapest so far on this list, you could own some of Marilyn Monroe's bleached hair -- starting bid is $995.00. The clump of hair was taken from one of her last haircuts in 1962.
• Finally, there's an original Gremlins Gizmo prop with a Buy It Now price of $750.00. You probably wouldn't want to cuddle up to this head though -- it looks much more suitable for scaring the pants off someone.

Because it's important to start off the new year on the right foot, here now is a Gremlins-related Fan Made video that's sure to bring back a few monster memories. Essentially, what if Gremlins somehow found a way to break into your DVR player, scroll through it and wreak havoc on the recorded films? Using puppets created from a hard cast of one of the production sculptures, Sacha Feiner created this video (for a total of $3,000) which pays homage to the alternate scene from the VHS version of Gremlins 2.

Confused? Here's Sacha's description: "In the middle of the movie Gremlins 2, there is a sequence where the film seems to break, and where the gremlins invade the projection booth. For the VHS edition in the early 90's, they reshot a special sequence where the VHS tape seemed to be torn apart and in which the gremlins invaded a John Wayne movie. The DVD just kept the original theatrical version. This is the alternate sequence I made, supposed to replace the theatrical one on the DVD." Some of the films featured include Tim Burton's Batman, Raiders of the Lost Ark and The Exorcist. Very funny stuff -- check it out below. What do you think: Is it time for a Gremlins 3?

Each week, The Exhibitionist comments on the latest news, trends and innovations related to the theater industry, or it discusses long-continuing problems with and complaints against cinemas in general, or it simply relates a specific moviegoing experience of yours truly. But rarely does this column get into the subject of actual movies. Well, seeing as there's not much new in the industry this week, and seeing as I'm fortunately not being dragged to see Sex and the City and therefore have no experience to relate about being a sole male in an auditorium packed with women, I figure this is a perfect time to bring up actual movies. Not just any movies, though: I'm presently only interested in discussing movies about, set in or prominently featuring movie theaters.

The earliest movie that I'm familiar with that significantly involves a theater is Buster Keaton's Sherlock Jr. The silent comedian plays a projectionist who falls asleep on the job then has a dream in which he literally climbs through the movie screen and into a detective film. A similar idea of breaking the boundary between auditorium and screen is used in Woody Allen's The Purple Rose of Cairo and in John McTiernan's The Last Action Hero, both of which involve a movie character who manages to leave his respective film within the film. But nothing tops Keaton's screen-entering stunt, which utilizes special effects that still astonish more than 80 years later.

As the son of an illustrator, I grew up appreciating movie poster artists more than probably do most movie geeks. And John Alvin, who passed away last Wednesday, was one of the artists I idolized. Alvin is considered one of the most important poster artists of the past 35 years, and it's no wonder. From E.T. to Gremlins to Blade Runner to The Goonies* to numerous Disney films, his art is as recognizable and iconic as poster design gets. The Smithsonian even named one of his works, for Brian De Palma's Phantom of the Paradise, one of the best posters of the 20th century.

His name may not be as familiar as that of Drew Struzan, another well-known movie poster designer whose work is quite similar. And it isn't that strange to (as I did often in my youth) confuse the work of the two illustrators, both of whom attended the same school as my father, Pasadena's Art Center College of Design, and both of whom worked for many of the same clients and for many of the same films. But there's no doubting that Alvin, who got his start with the poster for Mel Brooks' Blazing Saddles and worked on many of Brooks' film campaigns from then on, was a distinctly innovative artist.

In addition to designing original posters for more than 135 films, Alvin produced art for many special edition and anniversary releases, as well as collector's art for popular movies such as Star Wars, The Lord of the Rings and Pirates of the Caribbean. There's probably a good chance that, if you're a real movie geek, you have something of his hanging up in your room or home. I think the closest thing for me is a Blade Runner t-shirt on which his poster art appears. And, of course, I can see a bunch of his talent clearly when looking over at my DVD collection*.

For a good list of his work, check out the filmography on his Wikipedia page, and for a fairly comprehensive look at images of his posters, check out this fan site.

*I just realized that the poster for The Goonies that I'm most familiar with, and which is on my DVD, is the one by Drew Struzan. Oops.

OK, so this is theoretical: Charles Dickens died in 1870, about 25 years before the very first motion pictures were shown. He published A Christmas Carol in 1843, when he was about thirty, which would have put his fictitious Ebenezer Scrooge several years older, with even less chance of ever having seen any movies. So we're just imagining that if Scrooge was around today, and still hated Christmas, but loved movies -- and preferred to spend Christmas alone watching mean, dark Christmas stories -- then these might be his favorites. A Happy Humbug -- er... Holidays to all!

1. Bad Santa (2003)
Of course: Billy Bob Thornton's Willie T. Soke has gone down as perhaps the greatest Christmas curmudgeon since the Grinch, and even Scrooge himself. His beautifully crafted dialogue is like an opera of swear words, soaring over the proceedings like the wings of drunken, unwashed angels. Terry Zwigoff's masterful direction walks an impossible line between vicious and sweet, hilarious and human. (Note: avoid the theatrical cut and the bogus "Badder Santa" version, and stick with the superior, official Director's Cut.)

2. Black Christmas (1974)
Bob Clark directed everyone's holiday favorite, A Christmas Story, but nine years earlier he made this horror masterpiece about the first holiday serial killer, a nasty piece of work who torments a girl's sorority house on the eve of the holiday break. But these girls (including Margot Kidder and Olivia Hussey) are no innocent Cindy Lou Whos; they can out-drink and out-curse any slasher. Even Scrooge wouldn't accept the dreadful 2006 remake, however.

Gremlins was released in 1984, the summer I turned 10. I saw it with my cousin. We loved it. I bought the novelization and read it repeatedly. (It says Gizmo is an extra-terrestrial!) I bought a plush Gizmo toy that squeaked when you shook it. My school folders were festooned with Gremlins stickers, drawings, and other merchandise. To me, Gremlins was a perfect horror movie -- scary and fun with some humor thrown in for good measure.

Then I grew up and the Internet happened and I started to read other people's views on the film. Apparently it was a dark comedy? What?! That scene where Kate tells Billy how her dad died on Christmas Eve -- that was supposed to be morbidly funny, not sad? Huh.

With new eyes I watched Gremlins again recently, the first time in at least 15 years. Sure enough, it does play better as a macabre spoof of 1950s monster movies -- in fact, that's the only way the illogical and arbitrary "don't feed them after midnight" rule can even work: as a parody of illogical and arbitrary rules. Kate's story really is funny, as are the other juxtapositions of horror and Christmas (Santa Claus mobbed by gremlins, the monsters posing as Christmas carolers, etc.).

A few things struck me in particular this time around. First, as a protagonist, Billy (Zach Galligan) is pretty useless. He's painted as a nice guy with ambitions of being a cartoonist, but for some reason he still lives in his parents' attic, has a dead-end job at a bank, and drives a car that doesn't work. He's a loser. He manages to save his mother from a gremlin (after she's already taken care of three others by herself, thank you very much), and he succeeds in dispatching a theater full of others later on by doing something that doesn't take much brains or bravery: he sets it on fire. In the climax, it's Gizmo who saves the day while an injured Billy watches helplessly.

Billy is also kind of stupid. When Kate tells him she doesn't celebrate Christmas, he says, "What, are you Hindu or something?" That's not just insensitive, but clueless, too: In the United States, wouldn't Jewish be your first guess? I'm just sayin'.

When it comes to picking "scary movie" fare for kids, you want to walk that line between "just scary enough to be fun" versus "gives them nightmares for weeks." Of course, the appropriateness of any of these picks depends on your particular child and their tolerance for all things spooky, but here's a list of picks that I think my own brood (ages 10, 8, 6 and 4) would enjoy. Best of all, they're all available on DVD, so you can rent (or buy) them and watch them over and over again!

Ghostbusters -- My husband and I realized recently that our kids had never seen Ghostbusters, and set out to remedy that with a stop at the video store. I wondered how the film, now 23 years old, would play to kids raised on spectacular CGI special effects; I needn't have worried, as they were enthralled from start to finish. They laughed hysterically at the Stay-Puft Marshmallow Man, and even loved the Ray Parker, Jr. theme song -- they sang and danced along with the song sequence, gleefully shouting "Ghostbusters!" at the appropriate times. Thankfully, none of them have (yet) asked to be the Stay-Puft Marshmallow Man for Halloween -- not that that wouldn't be a cool costume, I just don't have time to make one -- though I suppose if I was really lazy I could just bungee-cord some pillows to their arms and legs, slap on a sailor collar and hat, and call it good.