James Wallace over at Gordon and the Whale had the cojones to corner Danny Trejo at CineVegas and got some tasty details from the tattooed tough guy.

Trejo confirmed that he is still starring in Robert Rodriguez's Machete as the title character, and that it's going to start filming in just five short weeks. Machete started as one of the fake trailers in Grindhouse, which was, some might say, one of the best parts of the double feature. The other fake trailer rumored to get the full-length treatment, Eli Roth's Thanksgiving, is listed as in development on IMDb, but as the other news from Trejo proves, even IMDb sometimes gets it wrong.

Although IMDb lists Trejo as a rumored cast member of Stallone's next blow-'em-up, The Expendables, Trejo told Wallace "his name was associated with the film for some unknown reason and he was never contacted by Sylvester Stallone or anyone involved with the film." Kind of a bummer -- for them!

Meanwhile, I'm really looking forward to another upcoming Trejo flick, The Haunted World of El Superbeasto, which is Rob Zombie's first animated film. Am I alone here, or what?

You know, I was content with thinking that blax-ploitation send-up Black Dynamite was merely a very creative fake trailer (we've included the red-band version post-jump, just to stay safe). But every indication seems to suggest that Michael Jai White's funky fight against The Man is a feature-length affair -- and one that's been accepted to the next Sundance Film Fesitval to boot.

I don't care if Grindhouse didn't make much at the box office, because the world is still better off for having that film (or those films) in it, and I can't help but think there's room on our '70s throwback shelf for a little African-American TNT. Those feeling the vibe might want to check out the official website for a soulful theme that would do Isaac Hayes proud, some fittingly bad-ass posters and anything you might want to know about the film and its influences.

So, without further ado, help yourself to some NSFW goodness after the jump...

The other day, a blog entry from the cinetrix about "The Rule" evoked a flood of memories from my love-movies-hate-the-patriarchy college days. In 1989, my then-roommate's then-girlfriend showed me a comic strip from the series Dykes to Watch Out For by Alison Bechdel. The strip was called "The Rule" and it was about a character who explained that she only went to movies that met three criteria:

1. Two of the characters had to be women --
2. Who talked with each other --
3. About something other than a man.

Read the original strip for yourself. At the time, "The Rule" had a big impact on my life -- it explained a lot about what I found lacking in movies. I wanted to watch strong action heroines, but I also wanted to see movies with women who talked about ordinary stuff that didn't involve boyfriends or husbands.

While everyone was talking about Rose McGowan's machine gun-leg and Kurt Russell's road rage ways, at least the same amount of chatter, if not more, of the buzz surrounding Grindhouse was relegated to the faux trailers. Machete made such a big impact that for months many of us were musing about a Danny Trejo-starring feature film. But what about those Werewolf Women of the SS?

According to a post put up today on Rob Zombie's MySpace blog, we'll get more of the ladies in comic book form. The blog says: "Werewolf Women of the SS is back! This time it's back as a comic book series! The wacky exploits of Commandant Hess, Lt. Boorman, Von Strasser Eva and Gretchen Krupp, Fu Manchu and even Hiltler will be coming you way. Everything you ever wanted to know about Project Pure Wolf but were afraid to ask!"

Creating an entire story for fans to drool over is certainly a way to whip up buzz and head toward feature territory. We've seen the trailer, full of Nick Cage, Udo Kier, and more -- is now time for them to grace the pages of the comic book world? Hopefully it will be with less exclamation points.

[via Horror-Movies.ca]

OK, so maybe they aren't turning all their movies into Broadway musicals, but it sure seems like it. According to Variety, The Weinstein Co. is out to produce a number of adaptations for the stage, beginning with Finding Neverland, which is expected to hit the stage in 2010 (or re-hit the stage, since the movie was based on a play by Allan Knee). After that, it's a stage version of Pink Floyd's The Wall (apparently adapted from the album, not Alan Parker's 1982 film). Then, other titles in the pipeline include the Miramax hits Shakespeare in Love, Chocolat, Save the Last Dance and Cinema Paradiso. Wait, a stage musical based on a movie that celebrates moviegoing? That's gotta be one of the dumbest things I've heard.

These certainly aren't the first movies to be exploited adapted for the stage, and they won't even be the first stage productions from the Weinsteins, who also had a hand in Tony-winner "August: Osage County," as well as the hit stage adaptation of The Producers and the soon-to-be-a-film "Frost/Nixon." The Finding Neverland musical is already being written, with book by original playwright Knee and music by "Grey Gardens" composer Scott Frankel and lyricist Michael Korie. The Wall also is in the works under the care of playwright/screenwriter Lee Hall (Billy Elliot).

So far, it appears TWC is only adapting Miramax films, from back when the Weinsteins were in charge there, but maybe one day we'll get to see "Grindhouse: The Musical" or a stage adaptation of Fanboys (maybe it can even hit the stage before theaters, at the rate it's going).

In a new, in-depth interview with British magazine Sight & Sound, Quentin Tarantino, who I had the pleasure of meeting at this year's Sundance, goes into all his upcoming and most of his past projects, and gives a detailed update on exactly where he is with his next feature, a war movie called Inglorious Bastards. "I've got tons of material and a lot of stuff written but now I've figured out what to do, I gotta start from page one, square one," Tarantino says, seemingly putting to rest any notion that this thing will be going before the cameras in the next year or so. "I started just before I came on this trip and brought the stuff with me but I haven't had a chance to continue yet. But maybe on the flight back home I'll come back into it. I love writing in other countries." No further details about the plot or potential casting is given, just that quasi-confirmation that the film is in his cross-hairs at the moment.

Tarantino also talks at length about Grindhouse, admitting to being depressed and disappointed over how the film was received at the box office, but defending his longer, original cut of Death Proof as the definitive one and arguing that it stands on its own quite well. Tarantino also talks about the process of getting involved with the double feature in the first place, and reveals that he first wanted his contribution to be a Candyman-style horror film about the ghost of a slave that terrifies a group of white girls. "The first idea was a bunch of young college history students that were going through a tour of the plantations of the old South. And there's a ghost of an old slave that is part of negro folklore. Jody the Grinder actually went down and bested the devil, by f**king him. And so the devil put him on earth for all eternity to f**k white women."

So why didn't this idea make the cut? "I would probably have had Sam Jackson playing that part," Tarantino continues," and it was really good, but then I didn't have anywhere to go with it, because if you have a story about a killer slave with supermacho powers done in the style of a slasher film, then even if he's doing it today, and even if the white girls are innocent, how can you not be on the slave's side?" Tarantino goes into many other areas in the interview, talking about his writing process, the books he's reading, the British movies he'd like to make one day, and even his plans for eventual retirement.

I loved Grindhouse. Well, I loved Planet Terror, loved the ads, and liked Death Proof. But I loved, loved, loved the Machete trailer. Being a huge fan of Danny Trejo, Machete gave me just what I wanted -- a silly movie focused on someone I love watching. Of course, after Grindhouse came out, there were tons of rumors about Machete getting his own feature film. Some believed it. Some didn't. I just hoped.

The other day, The Movie Blog threw up the poster to the right, which you can see on their site in all of its full-sized glory. Is this really an official poster for Machete? Is it really on its way? Was a script completed before the strike? I would hope that "yes," is the answer to all of those, but I'm trying to reign in my excitement for now.

In the meantime, we can fangirl and fanboy away. What do you think of the poster? Me, I like it, but it would lose a lot of its charm if its grainy artwork was shown on a shiny, slick new poster. My thought: keep it as-is, but send it to all theaters folded where the folds are, and printed without gloss. That would be sweet, but not as sweet as the decent man who was living a decent life, but now he is a brutal savage who must slaughter to stay alive!

I do love a good trailer. I'm one of those people who gets to the theater in plenty of time for the previews, and if I see a movie that has one or fewer trailers playing with it I feel gypped. It's as much part of the experience as overpriced popcorn and ill-timed cell phone usage. Man, did I see a lot of trailers this year. 2007 was my first full year of doing the Trailer Park feature here on Cinematical and the experience has strengthened my appreciation for the form. I'm not placing these in any particular order, but here are ten trailers that really got my attention this year. Some of the movies I've seen, some I haven't, some have yet to be released, but all (in my humble opinion) do an exceptional job of selling the film. My choices, of course, are purely subjective and will undoubtedly conflict with yours, so please add a comment and let us know what your favorite trailers of 2007 were.


Fantastic Four: Rise of the Silver Surfer (teaser)
This one may have dropped in late 2006, but I''m including it here for two reasons: I mentioned it in a Trailer Park last January and it kicked serious ass. Sure, the full length trailer had a little more meat on its bones, but it's the teaser trailer for the Fantastic Four sequel that had people talking, myself included. The wedding of Mr. Fantastic to The Invisible Woman (a pivotal moment from the early Lee and Kirby issues of the Fantastic Four comic) is interrupted by the arrival of The Silver Surfer. The Human Torch gives chase across the skies and through the tunnels of New York. One of the first movie's biggest problems was that the Torch wasn't able to fully exercise his powers until near the end of the film, but this time we get it up front in the trailer.

Cloverfield (teaser)
No one knew what to expect when this trailer showed up with Transformers last summer, but it has since inspired all kinds of speculation as to what this movie is all about. A hand-held home video of a farewell party in New York City is interrupted by a power failure. A massive roar can be heard off in the distance and a gigantic fireball engulfs a large chunk of the city. Huge pieces of shrapnel fly everywhere, including a large chunk of metal that turns out to be the Statue of Liberty's head. This is one of those trailers that is so good you find yourself saying, "the hell with that movie I just paid to see, I want to see this one right now." To further tantalize audiences, producer J.J. Abrams and company didn't even tell anyone what the title was at first. The full length trailer that followed added more footage, but failed to be as engaging as the original teaser.

Lame because: Big budget B-flicks are a contradiction in terms. Not to mention that making excuses for bad box-office is never cool. Who releases two straight-up horror flicks on Easter weekend anyway? How to turn it around: Maybe leave it to the midnight madness crowd boys, because no one should ever take bad movies that seriously. Tarantino and Rodriguez are so in love with themselves, they've kind of forgotten what we used to love about them.

Next up: Um ... time for a new agent!

Where did they rank?

Every Friday morning, when I'm surfing the new movie reviews and I flip over to Ebert's site, I'm always a little surprised to see a new review for some movie that came out back when he was sidelined by cancer. Atop each of these retro reviews -- which I think I own the copyright on -- he affixes the following simple tag: "Doubling back to pick up some titles I missed while ill." This past Friday, he panned Spider-Man 3, giving it a weak two-star review. He cites his displeasure with the film's lack of a compelling villain and goes into detail about his problems with the symbiote, which he didn't enjoy at all. He also doesn't like Mary Jane anymore.

Children of Men and the Dixie Chicks documentary Shut up and Sing have both been retro-awarded high marks -- I agree with the latter verdict. The Fountain, a movie that was on my top ten list of that year, is mildly panned although what's most interesting about the review is that Ebert spends much of it musing on the concept of a retro review in itself. "Although as a doctoral candidate in English I was advised to be familiar with the existing criticism on a work before venturing to write my own, as a film critic I am usually writing before other reviews have even been published," he writes.

The Lives of Others and Zodiac get four stars -- Ebert's been a little too generous with the four star rating since his return, by the way -- while Grindhouse is panned for being "an attempt to recreate a double feature that never existed for an audience that no longer exists." I haven't pinned down the exact dates that Ebert was absent, so I have no idea how long his retro-reviewing will go on, but it's fun to read.