Dang, there sure are a lot of hitman characters in the movies. And what's the difference between a hitman and an assassin, anyway? Does Jason Bourne count, or is he no longer a hitman/assassin by the time his cinematic story begins? Are Pulp Fiction's Vincent and Jules really hitmen or are they technically bagmen? Yeah, it's a difficult task to make a list of prominent hitmen in film. So, I'll let someone else make a "25 Greatest Hitmen" list; here, I present my seven favorites.

Feel free to mention your own preferences. With so many characters, whether easily falling within definition or not, I'm certainly leaving out a lot of good ones. But, as I said, these are my favorites. The cool, the funny, the interesting, they're the ones I enjoy watching over and over again, despite their lethal nature.


Martin Q. Blank in Grosse Pointe Blank (1997, George Armitage)

There is no better hitman than John Cusack's Martin Blank. He's good at his job, and he's funny, and he's willing to give it all up for love. Of course, he's bored enough by the occupation that he'd probably give it up for any good reason. It doesn't seem to matter to him that it's morally wrong; he's just another normal guy, dissatisfied with his job. And while it does seem to be a gag that's stretched thin, his issues do make him more entertaining than the usual silent-yet-conflicted hitmen. Plus, it's enjoyable to think that this is what really happened to Lloyd Dobbler, or Lane Meyer, or any other Cusack character from the '80s.

Signature line: "I was hired to kill you, but I'm not going to do it. It's either because I'm in love with your daughter or because I have a new found respect for life."

One of these days we may end up suffering the existence of another Lara Croft: Tomb Raider movie. It may even have Angelina Jolie reprising the title role. Unfortunately for the few who actually like the video game adaptation and its sequel, this isn't yet the day. But it is a day to celebrate if you're a Lara Croft fan in general. The character is now getting her own online animated series. The show is called Re\Visioned: Tomb Raider and it will 'air' on Turner Broadcasting's GameTap broadband channel. Also, each episode will be written and drawn by a different big-name talent, like Jim Lee, Warren Ellis and Aeon Flux's Peter Chung. I don't know if the series' creators attempted to snag Angelina Jolie for the gig, but instead of her Minnie Driver will be voicing the character.

Yeah, poor Minnie Driver. To think ten years ago she was my ideal girlfriend thanks to Grosse Pointe Blank and Good Will Hunting. Nowadays it isn't easy to find her in any movie role, let alone an ideal girlfriend role. But taking a part in an internet cartoon is pretty low. Can't John Cusack make a sequel to Grosse Pointe Blank already? Or couldn't Matt Damon and Ben Affleck write a part for her in that new script they may be working on? I will admit that I love Driver's voice, which can also be heard in the English-language version of Princess Mononoke, as Brooke Shields in South Park: Bigger, Longer and Uncut and in the upcoming Simpsons: The Movie. So, I'll probably check out the series, at least for a listen. The first episode premieres on Tuesday with subsequent episodes premiering in the days following.

At the end of Léon (a.k.a. The Professional), Natalie Portman's character, Mathilda, goes back to school and presumably returns to a normal, civilized childhood. But who knows? A lot of us have imagined that she continues learning the ways of the assassin. I always think her character is like a precursor to the main character in Luc Besson's earlier film Nikita (aka La Femme Nikita). Of course, we will never know what really becomes of Mathilda, because Besson has no intention of making a sequel to Léon. But the last time he addressed the issue, he mentioned that people keep sending him script ideas for a follow-up. One of these ideas may have just been picked up by Focus Features.

According to Variety, Focus has a new film in development that the trade calls "a reverse spin on The Professional." Whether or not this was the studio's description, the film, called Hanna, appears to have a story that would easily work as a continuation of Besson's movie. It centers on a 14-year-old girl (two years older than Portman's character) who has been raised to be a killer (only here it is by her father, not the kindly neighborhood hit-man) and who now has to begin acting like a girl (just as Mathilda must do once back at school). The plot probably consists of the girl -- let's assume her name is Hanna -- getting into some sort of trouble that warrants her need to keep killing -- I'm thinking Grosse Pointe Blank but much, much younger (homecoming dance substituted for reunion, etc.) I'm sure that I'm wrong about the script, which was written by Seth Lochhead, originating as a sequel to Léon, but Besson might want to just take a look at his supposed stack of submissions and make sure.