guerilla Tagged Articles at Cinematical
NYFF Nabs 'Changeling', 'Wrestler' and 'Che'
Filed under: Drama », Foreign Language », Independent », Angelina Jolie », New York », Cinematical Indie », War »

Some people may consider the New York Film Festival a simple "Best Of" sort of event, but the fact that it compiles selections from earlier film fests and merely showcases them in a competition-free program is what I love about it. For those of us New Yorkers who can't always make it to the highlands of Utah and Colorado or the exotic seaside locales of Italy and Southern France, it's nice to know that major festival highlights will likely make their way to Lincoln Center in late September, early October.
This year, the lineup for the 46th NYFF is being noted for its inclusion of films that previously screened at Cannes back in May. Even Steven Soderbergh's four-hour Che (aka The Argentine and Guerilla), which played to mixed reactions in France, even while picking up a best actor prize for star Benicio Del Toro, has been given a spot. Also featured are Cannes leftovers Waltz With Bashir, Wendy and Lucy, Grand Prix-winner Gomorrah and Clint Eastwood's Changeling, which stars Angelina Jolie and has the honor of being NYFF's centerpiece film. Opening the festival is the Palm d'Or winner The Class, while the closing film is Darren Aronofsky's The Wrestler, which premieres a few weeks prior at the Venice Film Festival.
Other exciting big name films include Mike Leigh's Happy-Go-Lucky, Wong Kar-Wai's Ashes of Time: Redux, Lucretia Martel's The Headless Woman and Olivier Assayas' Summer Hours. Surprisingly, Charlie Kaufman's Synechdoche, New York, which screened at Cannes, is New York appropriate and is scheduled to open in October, is missing from the lineup.
The complete list of NYFF selections, courtesy of The Hollywood Reporter, can be found after the jump:
Cannes Review: Che
Filed under: Drama », Foreign Language », Cannes », Theatrical Reviews », Festival Reports », Celebrities and Controversy », Politics »

Plenty of people are going to be talking about Steven Soderbergh's Che Guevara biographical films -- The Argentine and Guerrilla, screened at Cannes tonight as one presentation simply called Che -- over the next few months. There will be arguments about the politics of the films; there will be discussions of whether or not the films have any emotional center; there will be questions around, when the films get some kind of U.S. distribution deal, exactly how they should be released -- two films released staggered throughout the last half of the year or cut down to one three-hour film or shown as a long, big double bill that presents the separate films back-to-back. There will be talk of if Benicio Del Toro deserves a Best Actor nomination for his work as Guevara, or if Soderbergh's portrait of Che is too flat to engage us; I can easily imagine discussions of the look and feel of the film, shot in high-resolution digital with all the craft and care Soderbergh usually brings to shooting on film. I can't predict how all of these questions and possibilities will play out, but I can say -- and will say -- what a rare pleasure it is to have a film (or films) that, in our box-office obsessed, event-movie, Oscar-craving age, is actually worth talking about on so many levels.
Will Soderbergh's Che Guevara Biopics Find a Distributor?
Filed under: Drama », Foreign Language », Independent », Deals », RumorMonger », Celebrities and Controversy », Scripts », Distribution », Exhibition », Movie Marketing », Politics »
If you thought leading a revolution was easy, try filming one. In The Huffington Post, Jeffrey Wells of Hollywood Elsewhere discusses Steven Soderbergh's two-part Che Guevara biopic, comprised of The Argentine and Guerilla. Despite earlier rumors to the contrary, it appears that both movies will definitely screen next month at the Cannes Film Festival, where Soderbergh was warmly welcomed last year for the premiere of Ocean's Thirteen. The reception of his latest project could be even more positive, but its distribution prospects are another story: As Wells explains, Soderbergh's project guarantees to offend some people for its apparent exclusion of Che's stint as the overlord at La Cabana fortress, where he ordered the execution of over 600 political prisoners. Add to that the heavy amount of Spanish dialog and the director's insistence that the two movies should be enjoyed as a four hour-plus package, and you've got enough red flags to send even the bravest U.S. distributors packing. Wells, who read both scripts, analogizes the project to Lawrence of Arabia. "Hey, how about presenting the two films as a single, gargantuan Lawrence of Arabia-styled deal with an intermission, running between four or four and a half hours?" he suggests, perhaps somewhat tongue-in-cheek.
Jon Stewart had it right during the Oscars this year when he ironically geeked out over Lawrence of Arabia on an iPod. If most audiences can't appreciate that movie on the big screen now, why would they turn up for something like this?
Cannes Announces its 2008 Lineup!
Filed under: Cannes », Fandom », DIY/Filmmaking », Newsstand », Angelina Jolie »
For the first time in Cinematical history we'll have two (count 'em TWO) writers on the ground at this year's Cannes Film Festival: James Rocchi and Kim Voynar. Rocchi's been covering Cannes for us for a few years, and this will be Kim's first time. (Shhh ... she's super nervous, but don't tell anyone.) Anyway, this year's Cannes lineup was just announced, and among the larger, more talked-about films we find Steven Soderbergh's two Che biopics, The Argentine and Guerilla, and Clint Eastwood's Changeling, starring Angelina Jolie (in a role that doesn't find her hanging out the side of a red sports car). According to Variety, the Soderbergh move seems to come last minute, as word had it he wasn't going to finish the films in time for the festival. Also on the agenda are the premiere of the animated Kung Fu Panda, Woody Allen's new hot, threesome flick, Vicky Christina Barcelona and Charlie Kaufman's directorial debut, Synecdoche, New York. A few foreign titles making their way to Cannes include Jia Zhangke's 24 City (only Chinese film at the fest), Walter Salles' Linha de passe, Wim Wenders' The Palermo Shooting and Waltz with Bashir, an animated film about Israel's 1982 invasion of Lebanon. Of course, enjoying its world premiere on May 18 will be Indiana Jones and the Kingdom of the Crystal Skull. I don't think I have to tell you that a) I'm extremely jealous of James and Kim, and b) we'll be bringing all of this from France to your computer monitor in just a couple weeks. So keep it tuned in here, folks.
Full Cannes lineup after the jump.
Catalina Sandino Moreno Joins Soderbergh's 'Che' Films
Filed under: Drama », Casting », War »
Bit by slow, lingering, snail-like bit, we've gotten news on Steven Soderbergh's upcoming $70 million (approximately) Ernesto Che Guevara films -- The Argentine and Guerrilla. It all started back in November of 2005, with one film and Benicio Del Toro. Then, the team had to scramble to shoot footage before some refurbishing at the UN, some pics were released, Julia Ormond joined the cast and the film got split in two. After a long wait, production is finally scheduled to begin next week in Spain, and we've got another name to add to the cast -- Columbian actress Catalina Sandino Moreno.Of course, the actress is best known for her starring, Oscar-nominated role in Maria Full of Grace, but she's also spent time in Richard Linklater's world of Fast Food Nation, and the Ethan Hawke-helmed The Hottest State, which is getting released next month. Unfortunately, there is no word about who she is going to play. Whoever it is, she's a great addition to an already intriguing cast. Really, you could throw almost any name at me, and I'd still pay to see Del Toro as Che and Franke Potente as Tamara Bunke -- the only woman to fight alongside communist rebels under Guevara. Shooting is scheduled to continue for nine weeks in Madrid and Andalusia, and hopefully once the cameras begin to officially roll, we'll have some more information on just what Soderbergh has up his sleeve for the epic man of t-shirts.









