(We're re-posting our SXSW review of Harold and Kumar Escape from Guantanamo Bay to coincide with the film's theatrical release this weekend.)

"Is it as good as the first one?" That's the question I've been asked most since watching Harold and Kumar Escape from Guantanamo Bay last night. Short answer: Yes ... and no. The HIGHly-anticipated sequel to 2004's Harold and Kumar Go to White Castle comes just how you'd expect it: raunchy, wild, disgusting and completely absurd. This isn't -- and has never been -- a real-life comedy (all that went out the window after the boys rode a cheetah in the first installment); it's a fantasy/comedy, the kind you'd dream up while stoned out of your mind on a Saturday night. I tend to think that's how writer-directors Jon Hurwitz and Hayden Schlossberg came up with this idea in the first place.

The Harold and Kumar films have always been about three things: drugs, sex and racial differences. Like with any sequel, all three of those are upped significantly. Instead of traveling across the state of New Jersey, Harold (John Cho) and Kumar (Kal Penn) are now traveling across the United States. The stakes are also higher; this time, the boys are mistaken for terrorists while on a plane heading for Amsterdam after Kumar rigs up a bong that holds in the smoke -- a bong that looks and sounds like "bomb." After they're taken down to Guantanamo Bay, the first ridiculous homosexual joke plays itself out and the boys manage to escape. But where do they go and how do they clear their name? And, most importantly, will we care ... at all?

"And then people will ask why I have a picture of President Garfield on my wall, and I'll tell them it's because I like lasagna, of course!"

I've been watching all the buzz surrounding Smiley Face for some time now, following two positive reviews from both Monika (at Toronto) and Jette (at SXSW), and yet the film still couldn't find its way to theaters (with the exception of a limited run at New York's IFC Center). Part of the reason why I wanted to review the DVD was because, after all the wonderful feedback, I needed to see for myself why, in fact, Smiley Face was not worthy of a theatrical run. Aside from a great, marketable cast (including Anna Faris, Adam Brody, John Krasinski, Danny Masterson, Jane Lynch, John Cho, Danny Trejo, Brian Posehn and friggin' Carrot Top), the flick comes with a very funny script, some great edge-of-your-seat set pieces and plenty of memorable quotes (see above). So what gives? Why is this one heading straight to DVD (tomorrow), instead of enjoying some theatrical face time?

Well, the problem probably lies in the fact that it's a straight-up, unapologetic stoner comedy ... with the words 'cult following' written all over it. With its R rating (for foul language and massive amounts of drug use), Smiley Face would've been near impossible to market to a mass audience. That said, they could've cut together a "safe" trailer, and I imagine the critics would've liked this one -- so either the money wasn't there or First Look just didn't have enough faith in their product (it is a female-driven stoner comedy after all -- and those are rare). Dazed and Confused grossed only $7 million when it was first released in 1993, but the film has gone on to reach cult status among teenagers (that DVD was passed around like a joint back when I was in college). It's my belief that, while Smiley Face will probably not reach Dazed and Confused status, it will definitely find an audience on DVD and perhaps go down as the first great stoner comedy of the new millennium ... or at least give Harold and Kumar Go to White Castle a run for its money.

Austin Film Festival doesn't only show movies, but also includes a screenwriters' conference. This year, the lineup included Jon Hurwitz and Hayden Schlossberg, who wrote Harold and Kumar Go to White Castle and have written and directed the upcoming sequel, currently known as Harold and Kumar 2. (First they were going to Amsterdam, then they were escaping from Guantanamo Bay. Maybe next they'll be searching for a crystal skull bong.)

Hurwitz and Schlossberg sat down with moderator Josh Weiner and an audience of conference attendees to discuss both the Harold and Kumar movies, and used clips from the first movie to share various lessons they learned in screenwriting.

The first clip shown was the scene in which Harold (John Cho) encounters Maria (Paula Garces) in the elevator, both in his fantasy world and in reality. Hurwitz said the scene was pivotal to the movie because it introduced Maria as a romantic interest, which provided something for the audience to connect with in a movie that otherwise has a fairly slight storyline. In fact, the impact of the scene ultimately caused the ending to be reshot.

Despite having a familiar cast and an easily digestible concept, Gregg Araki's stoner comedy Smiley Face has been dumped to the same status as a modern Steven Seagal vehicle. That's right, according to MTV, it's going straight to DVD, following a barely-even-limited run in Los Angeles, that is. The movie, which premiered at this year's Sundance Film Festival, stars Anna Faris (Scary Movie), John Krasinski (The Office), Jane Lynch (The 40 Year-Old Virgin), Danny Masterson (That '70s Show) and Danny Trejo (Grindhouse), none of whom are apparently good enough for a theatrical release. Maybe it's the fact that it can't be sold to Araki's typical fans, or maybe it's the fact that nobody likes to admit that Up in Smoke, Harold and Kumar Go to White Castle, Dazed and Confused, Knocked Up, Half Baked and Dude, Where's My Car? were all fairly popular and successful movies -- because then maybe it will seem like an admission that marijuana is cool.

Smiley Face stars Faris as a woman who starts her day by smoking up and then mistakenly taking care of her munchies with a batch of pot cupcakes. Then ... hilarity ensues. During its Sundance premiere, crowds were reportedly laughing non-stop (though Karina claimed that it received some awful buzz) and it seemed to be well-enough-received at later festivals, too. Jette reviewed the movie at SXSW, pointing out that it's "the kind of movie that will be more fun to watch with a big audience than alone on your DVD player." So much for that idea. Earlier this month, Monika saw the film in Toronto, where she confirmed its worth. "Araki's comedy gives us the best of many comedic worlds in an incessantly funny, easily-quotable serving," she said in her review. "From discussions of Marxism to love of lasagna, Smiley Face serves it all -- with some weed and a very, very stoned smile." Well, at least we can be sure it will develop a cult following on video; aside from that we can only hope our local art-house cinema will give it a midnight screening somewhere down the line.

Surprisingly, one of the funniest comedies in the past few years (to me, at least) was Harold and Kumar Go to White Castle. Sure, there were a bunch of stupid set pieces (the most memorable one involved Harold and Kumar riding a cheetah), but there's no denying Neil Patrick Harris' brilliant performance as, well, himself. Rumors of a sequel have been passed around the internet more times than a joint on April 20th (if you got that, then you know I've been around the block more than once), and today Production Weekly confirms the project is definitely a go.

John Cho (Harold) and Kal Penn (Kumar) have officially signed on to star in Harold and Kumar 2, with screenwriters Jon Hurwitz and Hayden Schlossberg (who penned the first flick) set to make their directorial debut on the sequel. Now, before there was word that a sequel would find the boys traveling across Amsterdam, however we're not certain whether it will take place abroad or here in the States. PR describes the pic as a cross-country adventure that "follows the pot-smoking duo as they try to outrun authorities after being suspected as terrorists when they try to sneak a bong on board a flight to Amsterdam." So, based on that description, it seems the boys never make it to Amsterdam, right? Regardless, I'm definitely looking forward to another adventure from these two -- how about you?

Though the paint is still wet on Van Wilder 2: The Rise of Taj (which, surprisingly hits theaters and not DVD on December 1), star Kal Penn and director Mort Nathan are partnering up once again on another absurd comedy called Under New Management for Bauer Martinez Studio's.

Penn (who just barely beat out one of my good friends for Best Personality back in high school -- a story we've all heard about a thousand times) is probably best known as Kumar in Harold and Kumar Go to White Castle, but has recently tried on some more dramatic material like The Namesake and Fox's hit show 24. In Management, Penn will play one of two slackers who talk their boss into taking a vacation on a sex cruise, only to turn around and transform the office into one big party. As far as that much-anticipated Harold and Kumar Go to Amsterdam, Penn is currently trying to hammer out a deal to star.

According to Advertising Age Magazine, we will soon be subjected to a Burger King movie. I know what you're thinking. When I read this article, I thought I'd woken up in the wrong universe this morning. But it is apparently true. The fast food company is working with the advertisement firm Crispin Porter & Bogusky on the project, which has a partially written script but no director, cast or studio. No plot was given either, but the firm says it will take place in an apartment above a Burger King and will be a cross between Napoleon Dynamite, Garden State, Raising Victor Vargas and What's Eating Gilbert Grape?, intentionally avoiding the kind of dumb comedy featured in another fast-food-advertisement of a movie, Harold & Kumar Go to White Castle. The budget will be under $10 million and the movie will not feature any name stars (as if any would do this).

The thing that worked for Harold & Kumar is that it was dumb, and people could enjoy it because it didn't take itself seriously. A somewhat serious movie marketed by Burger King seems way too ridiculous for anybody to accept. Perhaps the restaurant chain could do well to remember a little disaster called Mac and Me, which was a blatant advertisement for McDonalds that horribly ripped off E.T. and featured such serious subjects as a handicapped child and a broken home. It had the awful stench of old guys in suits who think they know what is necessary to make a hit but who actually have no clue. This Burger King thing stinks pretty similarly. These are the people who have been giving us one of the creepiest commercial campaigns ever to hit television (and no, the king mascot will not appear in the movie).

So, I say good luck to Burger King in blowing a hunk of money on something that will probably fail. Once in awhile I encourage stupid businessmen to learn the hard way. 

[via Hollywood Wiretap]