hell ride Tagged Articles at Cinematical

Kit Kittredge -- An American Girl
It's the feature film for all the little girls out there who have American Girl dolls, and those who have long since grown up. Abigail Breslin stars as a young, budding reporter who tries to help her family during the Great Depression. She's surrounded by the financial woes of the time, plus prejudice and a situation that asks for a little Nancy Drewing. It's a must-see for the kids, and anyone who can enjoy a youthful dip into the past. Buy It.

Billy the Kid
Jennifer Venditti had come to the small Maine town to do some casting for Bugcrush, but she found something better -- Billy. Spending a week with the 15-year-old, Venditti captured a young man's highs and lows, his triumphs and vulnerabilities. The film is wildly funny, but also a telling account of the danger of assumption, the troublesome labels that get put on us during our youth, and the tribulations of the unique. Check out my review for more information. Buy It.

Hell Ride
Presented by Quentin Tarantino, this Larry Bishop film was pretty much ravaged by critics (11% fresh on Rotten Tomatoes). But if you like the rumble of a bike barreling down the road, Hell Ride follows some badass bikers trying to avenge the death of one of their own by a rival gang. There's lots of talent in this puppy -- Madsen, Balfour, Hopper, Carradine -- but unless you really like to just lose yourself in footage of bikers on bikes, Skip It.

Also on DVD: Journey to the Center of the Earth (see: Blu-ray), Tinker Bell (see: Blu-ray), Zombie Strippers.

I like naked women, but that's not why I saw Hell Ride. Honestly, I had forgotten that naked women might be featured prominently. It was the motorcycles and the negative reviews from Sundance that hooked me (I'm a contrary fellow). I like 60s biker flicks, and because writer / director / co-star / Quentin Tarantino's friend Larry Bishop had been in some of them, I figured he could make an affectionate homage. Alas, while Bishop can indeed shoot the hell out of the motorcycle footage, it's the other 95% of the movie that's lazy and boring. What I learned: Bare breasts, slit throats, and roaring motorcycles do not a movie make, as I wrote elsewhere (in German). Also, I hate when critics are right.

Hoping to elevate my thinking, I happily joined friends for an afternoon screening of Love and Honor, a stately, well-composed drama that follows the plight of a samurai food-taster who goes blind. I never knew a samurai could be a food-taster, so that was educational, and I appreciated the (presumably) faithful historical depiction of a samurai marriage, which involves -- you guessed it! -- plenty of love and honor. Unfortunately, the combination of a turtle-like pace and too many beers the night before resulted in sonorous slumber (i.e. I was snoring like a Mack truck). What I learned: Don't see any movie described as "deliberately paced" unless you've ingested copious amounts of caffeine.

Later that night, horror flick The Signal definitely kept me awake with its razor-edged jumble of thrills, chills, and laughs. Despite a disappointing final 10 minutes, I really wish I'd listened to Scott and Eric D., who urged seeing this sick puppy in theaters. What I learned: Always keep a huge metal canister of bug spray handy.

What with the Olympics and the Batman and the pineapple express and the pants, you might be a little overloaded with things to watch this weekend. On the other hand, maybe you've seen all that and want something different. In that case, hooray for the Indie Spotlight! It's our weekly roundup of what's opening beyond the multiplexes, designed so movie fans can keep an eye out for those less-publicized titles.

There are eight indie films for you to examine this week: Beautiful Losers, Beer for My Horses, Bottle Shock, Elegy, Hell Ride, Patti Smith: Dream of Life, Red, and What We Do Is Secret. Here's the skinny on each of them.

Bottle Shock
What it is: A fictionalized account -- very heavily fictionalized, it would seem -- about the plucky California winery that managed to beat French wines in a blind taste test in 1976.
What they're saying: The reviews at Rotten Tomatoes are almost evenly split down the middle. My own take: It's the Two Buck Chuck of wine movies.
Where it's playing: Various places throughout Northern and Southern California, Seattle, Dallas, Houston, Atlanta, Detroit, Washington D.C., Philadelphia, New York City, and Boston.
Official site: Take a sip.

Hell Ride
What it is: Executive-produced by Quentin Tarantino, it's Larry Bishop's homage to the sleazy biker movies of the early 1970s.
What they're saying: They're saying they hate it. Ten of the 12 reviews at Rotten Tomatoes are negative, and that includes the two from Cinematical, by James Rocchi and yours truly.
Where it's playing: Quite a few cities, actually; check out the map here.
Official site: Hop on, easy rider.

Sometimes I enjoy films with multi-layered stories and intricate characters, and then there are times when I just want to see people blowing sh*t up. I blame the testosterone. This week we've got five trailers that are all about the action.

Hell Ride
No, he's not directing, but Quentin Tarantino is producing this one which should turn a few heads, as will the fact that this is a red band trailer that earns its crimson hue. Three bad ass biker types played by writer/director Larry Bishop, Michael Madsen, and Eric Balfour are out for revenge against a rival gang for killing one of their bros. Dennis Hopper and David Carradine are in their too. The trailer embraces its b-movie action roots, not even caring that the shot of three figures nonchalantly walking away as a building blows up behind them has become something of a cliche. In his review of the film, Cinematical's Eric Snider makes the point that grindhouse style cinema is a niche market that appeals to a restricted number of people. True enough, though on a purely personal level, I'm a big fan of the old school grindhouse flicks and this looks like it's going to be pretty awesome.

If you haven't already noticed, today is Quentin Tarantino Day on Cinematical! This is the third time we've written about him -- first because of a scuffle in Park City, then a review of Hell Ride -- and now I bring you this pretty cool short film from Brazil called Tarantino's Mind. It's trippy, and there's tons of little nuggets of info in it, but basically the entire film follows two guys having a Tarantino-inspired conversation in a diner. It runs just over 10 minutes, and you'll need to put your reading glasses on, but it's damn good if I should say so myself.

One of the guys -- a Tarantino fanatic -- has just finished a thesis on the director, and he goes through each of his films pointing out similarities from other films. It's his belief that Tarantino created only one screenplay that "the geek divided into several parts." My favorite moment comes when he presents his theory on the briefcase from Pulp Fiction. Makes a lot of sense, and I can't believe I hadn't thought of that before. Anyway, take a break from whatever you're doing, clock out for ten minutes and check out this short. However, while it's in a foreign language, be aware that foul language is used and those words are displayed on the bottom of the screen. Enjoy!

The problem with making movies in the "grindhouse" style is that true grindhouse movies, almost by definition, were not seen by very many people. The target audience for a loving homage to the genre is therefore limited. Quentin Tarantino might adore the shlocky, violent capers of the 1970s, but how many of the rest of us have even seen them, much less love them enough to enjoy a re-creation of them?

Hell Ride, which Tarantino executive produced and Larry Bishop wrote and directed, is a salute to the ridiculous biker movies that Bishop frequently acted in back in the late '60s and early '70s. With titles like The Savage Seven and Chrome and Hot Leather, these were pure grindhouse cheese, and Hell Ride is either a parody of them or an adoring tribute. The line is always fine when it comes to a Tarantino project -- does he really like these movies, or does he only like them ironically? -- and here it's nearly invisible.

Bishop stars as Pistolero, the leader of a motorcycle gang called the Victors. Fellow members include Comanche (Eric Balfour) and The Gent (Michael Madsen); a comrade named St. Louie has just been murdered by a rival gang, the 666ers, led by Billy Wings (Vinnie Jones) and The Deuce (David Carradine). The Victors want revenge for this, but the often incomprehensible plot has them searching for a buried treasure, too, planted by a woman named Cherokee Kisum before she was killed back in 1976. Adding to the general mayhem is the reappearance of Eddie Zero (Dennis Hopper), a first-generation Victor who was presumed dead but has now returned to offer guidance to his successors.

For those who don't know, Quentin Tarantino was floating around Sundance last week, mainly to promote the film Hell Ride (which he produced). Cinematical spotted him a few times in our hotel bar, but that was about it. We drank in our corner, he drank in his corner and the world was a safe and happy place. Others, however, actually approached the guy for either a pic or to say what's up. I know one fellow blogger who asked Tarantino for a photo outside the Hell Ride premiere, only to have the guy flat out reject him as if he were asking for a million dollars and a lap dance. Then, not long after hearing that story, this video clip popped up on YouTube.

It shows Tarantino exiting a Starbucks in Park City, while some dude points a camera in his face. Right off the bat, Tarantino is edgy; asking continuously what this whole camera thing is all about. Yet, it appears the guy attempts to answer, only Tarantino won't let him. Instead, the Pulp Fiction director shoves the guy, threatens to fight and then both get all tough with one another -- like those days back in the schoolyard when each kid would wait for the other to throw the first punch. Now I'm on the fence as to whether Tarantino is in the right here. It does take awhile for the guy to even attempt to pony up his reason for being there, but Tarantino doesn't give him much breathing room. Plus, it's Sundance -- these guys aren't in the middle of nowhere. If you're a big celebrity, you have to understand folks will be interested in photographing you during the festival, be it at a party, a premiere or outside a Starbucks. But what do you think?

Very few actors in the history of the world have been in as many rotten movies as Dennis Hopper -- and yet the guy still keeps popping up in studio fare AND good films. Plus his good work definitely outweighs his bad work ... mainly because everybody remembers Easy Rider, Hoosiers, Blue Velvet and Speed and nobody remembers Super Mario Bros., Meet the Deedles and Waterworld. (OK, yes we do.)

Bottom line is that Hopper's a very talented guy who's still a lot of fun to visit with (even when he's chomping through scenery like it was made of chocolate). And it looks like we'll soon be seeing him in a Quentin Tarantino production (I said "production," not "film") called Hell Ride (which we first told you about here). The MTV Movies Blog is reporting that Mr. Hopper will join Michael Madsen, Eric Balfour and actor/writer/director Larry Bishop in a chopper flick that's being described as a modern-day take on The Good, The Bad and the Ugly. Ahem. That's some pretty lofty comparisons there, fellas.

Son of old-school comedian Joey Bishop, Larry's last feature was the barely-released Mad Dog Time (aka Trigger Happy), which had a fantastic ensemble cast but very little else. It looks like Larry and Q.T. hooked up when Bishop played "Larry Gomez" in Kill Bill Vol. 2, but Quentin must have really dug the Hell Ride screenplay if he decided to lend his name/money to the project. Plus, hell, one of Hopper's all-time best moments came while expelling Tarantino's dialogue. Yeah, that classic True Romance confrontation between Dennis Hopper and Christopher Walken. Damn I love that scene.