i served the king of england Tagged Articles at Cinematical

Was it the controversy over the title? Or the controversy over the bloody tampon scene? Either way, Alan Ball's Towelhead finished the weekend with the best per-screen average of all films, earning $13,250 at four engagements in New York and Los Angeles, according to estimates compiled by Box Office Mojo. Neither this flick, first unveiled at Toronto last year, nor Ball's recent return to HBO, Southern Gothic vampire drama True Blood, have drawn unanimous critical praise, but specialty audiences still seem interested in whatever the American Beauty scribe / Six Feet Under creator is doing.

Speaking of directors with a strong following, Takeshi Miike's Sukiyaki Western Django expanded to Los Angeles and maintained a healthy $4,200 per-screen average in its third week of release. Also in its third week, comedy I Served the King of England expanded into 37 locations but hasn't picked up much steam ($2,262 per screen), while steady earners Tell No One ($2,263 per screen; 11th week), Frozen River ($2,011 per screen; 7th week), Elegy ($1,948 per screen; 6th week), and Vicky Cristina Barcelona ($1,724; 5th week) all saw somewhat predictable declines in business. After all, sex and thrills only go so far among indie filmgoers.

Our criteria for inclusion in the Indie Weekend Box Office report hinges on the distributor, so here's another shout out to the #1 overall earner, Burn After Reading, from Focus Features. Likewise, soon-to-shutter Picturehouse released Diane English's The Women on the largest number of of screens they've ever handled -- 2,962 -- resulting in a per-screen average of $3,405. The picture earned more than $10 million total.

Is everyone in Toronto for the festival? Has everyone caught up with everything they want to see? Are arthouse movie lovers football fans too? I'm not sure how else to explain the downturn in the indie box office this weekend, in which Takashi Miike's Sukiyaki Western Django continued its stay at the top, per estimates compiled by Box Office Mojo. Sukiyaki made $5,100 at its single Gotham engagement; now let's see what happens when it expands beyond New York City.

Also holding up decently in its second weekend was I Served the King of England, which increased to 17 theaters and earned $4,241 per location. Everyone Wants to Be Italian was the only debuting indie to crack the Top 10, but its tepid $2,224 per-screen average at 98 locations indicates that not everyone wants be Italian. No word on what happened with The Pool (which I loved), August Evening, Ping Pong Playa, Mister Foe, or the other new indies.

Speaking of poor performances, Hamlet 2 earned just $520 per screen at 1,575 theaters. Yikes! That's a lot of empty auditoriums. The film's cumulative total is $4.3 million, though, so perhaps it can break even on the DVD release.

Among the holdovers, Frozen River and Transsiberian pushed past $1 million dollars in earnings, Elegy broke past $2 million dollars total, Tell No One reached $4.7 million dollars, and Vicky Cristina Barcelona soared past $16 million in its fourth week.

Take one renegade Japanese director, set him to work on a Spaghetti Western, add a cameo by a talkative American filmmaker, and what do you get? First place in the indie four-day weekend box office race. Sukiyaki Western Django, directed by the prolific and extremely versatile Takashi Miike and featuring Quentin Tarantino in a small role, tore it up at the single Manhattan theatre where it opened, grossing $13,100, according to estimates compiled by Box Office Mojo. The version released in the US does not represent Miike's original vision, however. Distributor First Look edited 20 or so minutes for the bastardized edition currently playing, so this is a muted triumph. *

The light-hearted I Served the King of England had the right stuff to average $8,487 per screen at eight locations. Directed by Jirí Menzel, the film stars Ivan Barnev, Oldrich Kaiser, and the always wonderful Julia Jentsch. Naked Penélope Cruz outdrew mostly-clothed Penélope Cruz, as Elegy bested Vicky Christina Barcelona on per-screen numbers, $5,697 to $5,102. To be fair, however, Woody Allen's latest is playing on nearly 700 screens and cracked the Top 10; it's made more than $13 million so far, though Elegy's $1.7 million is nothing to sneeze at in the specialty field. Right behind came two consistent cold-weather flicks, Frozen River ($5,028 per screen) and Transsiberian ($4,728). The more temperate Tell No One blew past $4 million in total US earnings in its ninth week, averaging $4,480 at 102 theaters.

Up next? Chris Smith's very good drama The Pool opens on Wednesday; Friday will see the release of Chris Eska's entrancing poetic drama August Evening, Jessica Yu's playful comedy Ping Pong Playa, romantic comedy Everybody Wants to Be Italian, thriller Mister Foe, drama Save Me, and the self-explanatory comedy/drama Surfer, Dude.

* UPDATE: A representative for First Look says that the company acquired the film after it had already been edited from 121 minutes to 98 minutes, and further states that Miike did the editing. My apologies for the error.

As a further aside, the original-length version screened at the Toronto International Film Festival in September 2007 and was released in Japan shortly thereafter.

The last weekend of the summer means the multiplexes will be crammed with Hollywood's leftover products, most of them rolled out without being screened for critics (never a good sign). But don't despair! The Indie Spotlight is here to fill you in on the limited-release, art-house films opening this weekend, and if they're not playing where you live, you can keep an eye out for when they do arrive. See, it gives you something to look forward to!

The six films opening today are, in alphabetical order: Ballet Shoes, I Served the King of England, My Mexican Shivah, Sukiyaki Western Django, Year of the Fish, and Young People F***ing. In a slightly more subjective order, here's the scoop on each of them.

Sukiyaki Western Django
What it is: A comedic Japanese tribute to the spaghetti Westerns, featuring Quentin Tarantino in a small role and directed by the twisted Takashi Miike.
What they're saying: The reviews are about evenly split at Rotten Tomatoes. Some say it's a one-joke movie that's all style and no substance; others say the sheer insanity of it makes it entertaining.
Where it's playing: New York City (Landmark Sunshine Cinema). Opens in L.A. on Sept. 12.
Official site: Taste the sukiyaki.

I Served the King of England
What it is: A comedy/drama about a man working at a fancy Prague hotel under the Nazis and then under the communists. It was the Czech Republic's official Oscar entry this year, though it didn't wind up getting nominated.
What they're saying: Every single review at Rotten Tomatoes is positive ("darkly humorous," "intelligent," "witty") -- every single review except for one, that is, by Jeffrey M. Anderson, who is also one of Cinematical's finest writers. Why you gotta be different, Jeff?
Where it's playing: New York City (Lincoln Plaza Cinemas, Quad Cinemas), Los Angeles (Laemmle Royal, Regency South Coast Village in Costa Mesa, Laemmle Playhouse 7 in Pasadena), San Francisco (Embarcadero Center Cinemas).
Official site: It's in English!

As we've reported on various countries' candidates for the Best Foreign Language Film category at next year's Oscars, we've observed that many of them are longshots at best. Countries like the Philippines and Singapore have never even secured a nomination in the category, let alone a win. That's not to say it won't happen this year; just that it's not as likely.

But now two countries with solid Oscar track records have announced their entries: Israel is putting up The Band's Visit, while the Czech Republic offers I Served the King of England. Israel has submitted a film every year since 1977 and fairly regularly before that, earning six nominations but no wins so far. The Czech Republic had six nominations including two wins back when it was Czechoslovakia; since the split in 1993, Czech Republic has had three nominations, with a win in 1996.

Israel's The Band's Visit (Bikur Ha-Tizmoret) automatically became its Oscar entry when it took the top prize at the Israeli Film Academy Awards on Thursday. The comedy, about an Egyptian police band that gets lost in Israel, won the audience award at the Sarajevo Film Festival and the Jury Coup Du Coeur in the Un Certain Regard section at Cannes. It also played at Toronto, where Cinematical's lovely and talented James Rocchi reviewed it favorably. Sony Pictures Classics is set to release it in the U.S.; Variety says the amount they paid was a record for an Israeli film.

I Served the King of England (Obsluhoval jsem anglického krále) is based on an epic novel and spans years before and after World War II. It was directed by Jiri Menzel, whose film Closely Watched Trains won the Oscar back in 1968.