indie film Tagged Articles at Cinematical

"If a film fell in the multiplex, and no one was there to see it..."

Limited release: such a simple phrase, and yet two words that all but indicate to a majority of moviegoers that whatever it is they want to see may or may not escape the confines of a NY/LA run before the film in question comes to them by way of Netflix mere months later.

Meanwhile, screens upon screens across the nation are filled by the likes of the same stars and the same stories, with the same special effects and the same happy endings, leaving the smaller films, the different films, the better films to slip through the distribution cracks, as it were.

Among their number falls The Promotion, a film which we've admittedly supported ad nauseum to the oh-so-ironic tune of $365,928 on a grand total of 81 screens. It opened just this past weekend in my market, Orlando, Fla., on a single screen, for a whopping four days, with a grand total of eight showings, before being shuffled off to make room for that other Jason Bateman co-starring comedy-drama hybrid.

It was the first day of July, and the last night for the film. Having enjoyed it twice before and driven by - I don't know - a sense of romantic futility, I turned out for that final showing. Lo and behold, I wasn't alone...

The Hollywood Reporter has an interesting piece up on the disappearing space in print publications for reviews of independent films. The loss of print film critics in numerous outlets, coupled with the increasing number of independent films being released each year, is making it more of a challenge for indie films to get reviews of their films in print pubs. Online critics have taken up some of the slack -- we here at Cinematical still review as many indies as we can, in addition to the more mainstream fare, but there's still a perception out there among some that an online review carries less weight than a review printed on paper.

The article has some interesting dueling quotes; THINKfilm's Mark Urman notes, "We're not at a point where Internet writers have the credibility of established media with proven records and editors." Hollywood Elsewhere's Jeff Wells begs to differ, saying in part, "... there are maybe eight or 10 online critics who genuinely matter and are, in the parlance of the trade, 'conversation starters.' Due respect, but insisting that review quotes are still about print critics is generational hubris."

I was having an interesting heated argument friendly little discussion over IM yesterday afternoon with one of my Cinematical colleagues about what exactly designates a film as an "indie" film. Does it have more to do with the money spent on making it, or the artistic style of the film? Is a film an indie film if it's financed by an indie arm of a studio, like Juno? Or does it have to be financed by filmmakers on their credit cards, ala Four Eyed Monsters? What if it gets financed independently by a rich guy, like Little Miss Sunshine, and then bought by a studio for $10 million? And if an indie film gets bought by a studio and goes on to get Oscar nods, has it "sold out" like an indie band hitting the Top 40?

As you might expect, it was Juno that started this whole discussion. To me, Juno is clearly an indie film: it was financed not by Fox, but by Fox Searchlight, which is a studio arm set up specifically to buy and create indie films. Artistically, it certainly feels "indie" to me, although crossover hits like 40 Year Old Virgin, Knocked Up, and Little Miss Sunshine have helped to blur the line between indie comedy and mainstream. If Jason Reitman had gotten independent financing for it instead of getting it done through Searchlight, I don't think anyone would question its indie status. I understand, though why some folks feel a film like Juno, which had the benefit of backing by a studio to get it made, and a tremendous, well-executed marketing push, is straddling the indie line.

Personally, I see Juno as nothing but great news for other indie films, and I think Fox was smart to recognize both the power and passion of indie filmmakers, and that they don't know how to make indie films themselves. Partnering with filmmakers like Jason Reitman, who have both a solid background and a good eye for what works, especially with indie comedy, allows Fox Searchlight to target the indie market with films that are likely to also appeal to a broader audience. They've found a niche that works, they're both making and acquiring good films, and if all that expands the audience for indie films in general, opens up the popcorn crowd to checking out more indie fare, and ultimately paves the way for more indie films to be funded that's a good thing.

What makes a film an indie flim? Let us know what you think in the poll, and make your arguments in the comments.

Have you been reading Cinematical Indie lately? If not, here's what we've been talking about ...

COLUMNS, REVIEWS, and INTERVIEWS

• Killer Bs on DVDs: Matt Bradshaw reviews The Blood Rose and Dead Clowns.
• RvBs After Images: Danny Devito in The Van
• Jeffrey M. Anderson's 400 Screens, 400 Blows: The Match Game 2007
• Review: Jeffrey M. Anderson on Belle Toujours.
• Cinematical Indie Seven: Asian Flicks You Might Not Expect to Find on DVD
• Film Clips: Fleshing Out the TIFF Foreign Film Selections
• The Rocchi Review Podcast: Summertime Roundup with Cinematical's Scott Weinberg
• Review: Puzzlehead
• TIFF Madness: Scott Weinberg brings you the Midnight Madness Preview

... and more right after the jump ...

Have you been reading Cinematical Indie lately? If not, here's what you've been missing ...

COLUMNS, REVIEWS, and INTERVIEWS

• Indie Seen: Women in Filmmaking -- Monika Bartyzel takes a closer look at some of the most important women in indie film.
• Killer Bs on DVDs: Matt Bradshaw reviews Dead Time Stories.
• Jeffrey M. Anderson's 400 Screens, 400 Blows: The Life and Death of Small Films
• Erik Davis interviews Rocket Science director Jeffrey Blitz.
• Fan Rant: Scott Weinberg wonders why the heck Nathan Fillion can't get a break already.
• Review: Rocket Science
• Cinematical Indie Seven: Freaks and Geeks -- Why Seth Rogen and Judd Apatow are Superhot.

... and more right after the jump ...

Welcome to The (Mostly) Indie Film Calendar. Each week, we'll give you a round-up of what's going on in indie film (and sometimes just cool film news and screenings) in cities near you. If you know of cool stuff happening that's related to film -- a local fest, a series of classic restored films, lectures, workshops, open calls for casting of an indie film -- send your tips to me at kim(at)cinematical(dot)com and we'll add them to the calendar.

Here are this week's happenings in film from New York to LA and points in between, right after the jump ...

Have you been reading Cinematical Indie lately? If not, here's what you've been missing ...

COLUMNS, REVIEWS, and INTERVIEWS

• Matt Bradshaw reviews Hollywood After Dark -- with the guys from MST3K!!! -- for Killer Bs on DVD.
• Nick Schager reviews Your Mommy Kills Animals
• Podcast: On The Rocchi Review, James Rocchi chats it up with Andrew Grant, the voice behind one of my fave film blogs, Like Anna Karina's Sweater, and Aaron Hillis, who reviews film for the likes of Variety The Village Voice and Premiere. Both guys are also the brains behind Benten Films, which will release Joe Swanberg's LOL on DVD August 27 28.
• Erik Davis interviews Four Eyed Monsters Co-Director Arin Crumley. The guys talked so much we had to break it into two parts, so be sure to check out both Part One and Part Two.
• Jeffrey M. Andersons 400 Screens, 400 Blows: Coming to America
• Cinematical Indie Chat: Deliver Us from Evil director Amy Berg.
• RvB's' After Images: Zouk's Lair in Mr. Arkadin.
• Review: alleyball
• James Rocchi interviews No End In Sight director Charles Ferguson.

... and more, much more, right after the jump ...

**Thanks, Aaron, for the corrections ...

It's time to take a little peek around the world of indie film sites and see what other folks are talking about. We're going to be posting a regular Indie Film Blog Group Hug. Do you have a blog where you're writing about indie films, foreign films or docs? Are you an indie filmmaker with a site up about your film that you'd like us to take a look at? Run a little film fest you want to get the word out on? Feel free to send your indie film links, hot tips and other fun stuff to me at kim (at) cinematical (dot) com.

And now, for this week's Group Hug:

• Over at Deep Structure, Christopher John Stack is writing about his film, An Exercise in Vigilance, which will screen at the Action on Film International Film Festival in Long Beach, CA, which apparently runs to coincide with a big martial arts fest -- so all you action film fans who live in that area might want to check it out. An Exercise in Vigilance screens at the fest at theater 4, 5:30PM on Sunday. And just to be really nice and throw other filmmakers some love, Stack even has a breakdown of the sched for you right there on his site. Congrats to Stack on his film getting into the fest.
• Movie City Indie's Ray Pride has a fasciYnating interview up with filmmaker Usama Alshaibi, who in 2004 returned to his native Iraq to shoot a documentary titled Nice Bombs, which won a best doc prize at the 2006 Chicago Underground Film Festival.
• DVD Panache, which runs a regular bit called "Friday Screen Test," wherein various film bloggers are asked all sorts of questions -- kind a True Confessions for film geeks -- put my fave Amsterdam-based film blogger, Peet Gelderblom, to the test. What's Peet like when his feet are put to the fire? Well, he once saw Famke Jenssen's sister in her underwear, so I guess that makes him just one degree removed from Famke herself. Check it out, and if you don't read Peet's blog, Lost in Negative Space, already, hunker down with some french fries with mayo to give you that "Amsterdam feeling" and check him out.
• You gotta love a film site that calls itself Burbanked: All the Smug of Hollywood, in a Much Less Desirable Location. Alan Lopuszynski, who runs the site, posits the question: Can one scene make a movie a classic?
• Another of my regular blog reads, Strange Culture, almost always has something intriguing to check out. This week, RC has a post up about torture as it relates to -- ahem -- "unorthodox" and secret torture used by government officials in interrogations. How does this relate to film? Rendition, an upcoming film due out in October, starring a pretty impressive cast including Reese Witherspoon, Meryl Streep, Jake Gyllenhall, Alan Arkin and Peter Saarsgard. Check it out.
• Peter Nellhaus has a blog called Coffee, Coffee and More Coffee, where he writes about all kinds of interesting film-related stuff. Most recently, Peter has a great little DVD review of the 1960 film called Seven Thieves, complete with some nice black-and-white stills, and another more recent flick, 2004's The Taste of Tea.
• It's been a while since we checked in with NYC blog Blank Screen. Most recently, the Blank Screen folks have been interviewing Thumbsucker director Mike Mills (who's currently dating another indie-film darling, Miranda July -- now that's material for an indie flick!). Side note: They also have tons of info on what's going on in the arts in NYC; if you live there and don't have them bookmarked, what are you waiting for? Bookmark, already!

Hey, did you know that Cinematical's indie film content is on its own site now? If you're looking for news, reviews and interviews related to independent film, Cinematical Indie is where you'll find it. We're adding some new features to the Cinematical Indie, including a regular Indie Film Calendar with news of what's going on with indie film in your area. If you have news about screenings of indie films, indie films being shot in your town, inside scoops on casting, or anything else indie-related, send all your tips to kim(at)cinematical(dot)com and we'll get you covered!

Meantime, here's what's been going on over at Cinematical Indie lately:

• Taiwanese filmmaker Edward Yang passed away at the age of 59. Film journalists from all over wrote tributes to this filmmaker, who's work was vastly under-appreciated by American audiences. This weekend, why not rent Yang's most well-known film, Yi-yi, which won the director Best Director at Cannes in 2000. Yang never completed another feature; he was diagnosed with colon cancer shortly after winning at Cannes. Maybe now his work will finally be more well-known here in America.
• If you're looking for more DVDs to fill up your weekend movie-watching, Peter Martin (who, as you may have noticed, recently joined the team here at Cinematical Indie) has a solid roundup of the latest indie flicks coming out on DVD.
• Fans of the Matt Dillon-starrer Factotum, based on the book by Charles Bukowski, will be glad to know that director Bent Hamer has a new film in the works in his native Norway. The film, called O'Horten, is about a train engine driver named Odd Horten (played by Bård Owe), and it's likely to hit the fest circuit next year.
• Actor/environmentalist/friend-of-Al-Gore Leonardo DiCaprio has been busy promoting the film The Eleventh Hour, which he produced and also narrates. Leo showed up doing the intro for the film's trailer, which is up on the official MySpace page for the film.
• If you've wondered lately what former talk-show host Phil Donahue's been up to (and hey, who hasn't?) you'll be thrilled to your toes to know that he's directing a documentary about Iraq (there just haven't been enough of those lately, have there?) This one, titled Body of War, does take a different angle -- Donahue criticizes not just the Republicans on the war issue, but goes after the Dems, too.
• Also: New details about Young Victoria, Michael Moore takes on Wolf Blitzer and Dr. Sanjay Gupta, Once Upon a Time in Seoul promises some action, and the Edinburgh Film Fest announces its lineup.

Just a couple weeks ago or so, film journalist Anne Thompson, former Deputy Film Editor over at The Hollywood Reporter, jumped ship to Variety (along with editor Cynthia Littleton). Now Thompson has settled into her new digs as a deputy editor, writing a weekly column and a daily blog -- Thompson on Hollywood. Kicking things off, Thompson ran a piece on how the success of 300 "could rewrite the rules of comic book movies". On her new blog, Thompson writes about the 19-member writer's co-op that's formed at Warner Bros., how Showest in Las Vegas was and how the highlight of the fest was Hairspray, and other such Hollywood goodies.

It's good to see Thompson up and running so quickly on Variety, which seems to be making a move towards more web-based and blogging efforts, perhaps to reach a greater audience outside the industry. Variety scored well in snagging Thompson (I bet some folks at The Hollywood Reporter were seriously irritated at losing her). She's a savvy journalist who does her homework, busts her butt covering great inside topics I'd otherwise probably never read about, and has succeeded in achieving remarkable credibility among other film journalists and Hollywood industry folks. Thompson's smart, savvy writing will be a welcome breath of fresh air over at Variety. We here at Cinematical welcome her to her new gig, and look forward to reading her future words of Hollywood wisdom.