The nomadic DVD peddlers in Chinatown and other urban areas seem virtually unstoppable, but that hasn't kept Hollywood studios from launching various attempts to prevent movie piracy. Boing Boing reports on the rumor that at least one theater has been silencing the soundtrack in Indiana Jones and the Kingdom of the Crystal Skull throughout the film in order to mess with potential bootleggers trying to record the thing. If true, it's got to be one of the most brain dead attempts at security since the rise of quart-sized bags. When you really get down to it, most two-bit criminals with camcorders in their laps don''t really care if the quality of the movie they're recording suffers, since the resulting product will already feature lo-fi video, the overlapping sounds of laughter and other audience reactions, and silhouetted cameos from patrons venturing to the concession stands or taking bathroom breaks. With all that, the intermittent exclusion of music doesn't sound like a major concern for the bad guys.

Studio anti-piracy measures are notoriously ill-conceived. Premieres and all-media screenings often force critics and even the filmmakers themselves to undergo intense evaluations before they're allowed to enter the theaters, while films open to the public, where pirates are more likely to show up, don't take any precautions. Granted, multiplexes wouldn't help their business if attending them felt like entering an airport terminal, but that doesn't mean there isn't a better way to prevent the crimes from taking place. Anyone care to offer some ideas?

[Via Movie City News]

Happy Memorial Day Weekend everyone! While I've been spending most of the weekend out at my imaginary mansion in The Hamptons, the rest of you were busy reserving just over two hours of your time for Indiana Jones and the Kingdom of the Crystal Skull. We've already asked you what you thought of the film (and we'll be asking again later to catch up with those who saw it at the end of the weekend), so now it's time to jump ahead and ask ourselves whether we want this franchise to continue.

Both George Lucas and Steven Spielberg have said they'll continue making Indiana Jones films if the fans want them. Since Harrison Ford is getting up there in age, one imagines a fifth film would involve handing the franchise over to Shia LaBeouf, though we don't know that for sure. What say you? Is it time to retire Indy once and for all? Did this latest installment prove there's not much gas left in this tank? Or, did you absolutely love the film, wonder why it took so long for a fourth one to hit screens and immediately ponder a wonderful future with lots more Indiana Jones-related films?

Sound off ...

If you missed any of our special Indiana Jones coverage last week, here's a recap of what went down:

Discuss: So, How was Indiana Jones and the Kingdom of the Crystal Skull?

Retro Review: Raiders of the Lost Ark
Retro Review: Indiana Jones and the Temple of Doom
Retro Review: Indiana Jones and the Last Crusade

Cannes Review: Indiana Jones and the Kingdom of the Crystal Skull (James)
Review: Indiana Jones and the Kingdom of the Crystal Skull (Scott)

Interviews: George Lucas, Shia LeBeouf and Cate Blanchett
Interviews: Harrison Ford and Karen Allen

Cinematical Sevens:

Indiana Jones Influences
Favorite Indiana Jones Moments
Indiana Jones Knock-Offs
Who Else Could've Played Indy
Watching Indy Through the Years

Special Features

The Exhibitionist: Indiana Jones and the Lost Art of the Serial
Monday Morning Poll: Your Favorite Indiana Jones Sidekick
The Geek Beat: Illumination
Discuss: The Women of Indiana Jones
Jeffrey M. Anderson's 400 Screens 400 Blows - How I Learned to Stop Worrying and Love Spielberg

More after the jump ...

Whether you liked or hated Indiana Jones and the Kingdom of the Crystal Skull, you now have to admit that it was good for something. Specifically, members of the Russian Communist Party have called for a nationwide boycott of the film, because it lies about history and aims to undermine Communism. They've objected that the Soviet Union in 1957 was launching satellites instead of "send[ing] terrorists to the States," and are wondering whether "talented directors want to provoke a new Cold War."

First, it's important to note that the Russian Communist Party isn't a tiny cabal of pamphleteering loonies à la the American Communist Party. The Russian Party got 11.6% of the vote in 2007's parliamentary elections (that's about 8 million votes), and its representatives actually hold seats in Parliament; it's the largest opposition party in the country, and the Communist presidential candidate tends to be competitive. Second: HAHAHAHAHAHAHA. An Indiana Jones film is an attempt to provoke a new Cold War? Really? If anything, it's proof -- as if any were needed -- that America doesn't take Communists seriously as adversaries. And if anything else, it's flattering: I seriously doubt that the modern Communist Party has any leaders as brilliant and ambitious as Cate Blanchett's Irina Spalko.

It turns out that George Lucas and Steven Spielberg are as much movie nerds as Quentin Tarantino and that their four Indiana Jones films are just as full of references and echoes. But while Tarantino discovered most of his favorites on video, Lucas and Spielberg probably saw many of theirs in film school on 16mm prints, many of which never made the transition to video. Last month our own Richard von Busack wrote a post about a rare film called The Secret of the Incas (1954), with Charlton Heston as a fedora-and-leather-jacket-wearing adventurer. (Another Heston adventure, The Naked Jungle (1954), is also a definite influence.) Richard found his info at TheRaider.net, which is where I also went to work on this list of potential Indy influences. Many of the titles they list are difficult to find, and I'm also trying not to give away crucial plot points in Kingdom of the Crystal Skull, so -- to quote Indy himself -- I'm making this up as I go.

1. Saturday Afternoon Serials
For those that don't know, serials were presented in front of regular features in 20-minute installments over a period of 12 weeks (mainly in the 1930s and 1940s), leaving off each time with a cliffhanger, to be miraculously resolved the following Saturday. Many of them are rentable today, and you can watch the entire 240 minutes in one sitting, if you so wish. To date, I've made it all the way through only one serial, though I've attempted many. Most reviewers credit serials as a major Indy influence, but few reviews actually name which ones. I've narrowed it down to five. The first two are Zorro Rides Again (1937) and Zorro's Fighting Legion (1939), mainly for the swashbuckling hero's use of the bullwhip. These two are in the public domain and widely available on DVD and for download, but I'd suggest going with VCI Entertainment's DVD versions. The other three are examples of the "jungle adventure" subgenre: Perils of Nyoka (1942), Secret Service in Darkest Africa (1943) and Perils of the Darkest Jungle (1944) -- although each has also been released under alternate titles.

Indiana Jones is a franchise of moments. Some die-hard fans may recall the precise steps the hero took to locate and procure the Ark of the Covenant (i.e. the plot), but damn near everyone remembers "Snakes... Why did it have to be snakes?" The series is defined and embodied by individual flourishes, images and icons that stubbornly refuse to leave fans' minds, and sometimes even get stuck in pop culture as a whole. As for which ones, well -- that may be different for different people. This is a list of moments that represent Indiana Jones for me: the moments that always evoke a knowing smile or elevate the pulse; the moments I look forward to every time I watch. Some are obvious, some are not, and some of the obvious ones are missing -- but hey, make your own list.

1. Raiders: "Start the engine!"

Oh sure, most people would probably list Indy and Satipo navigating the booby traps of ancient temple to retrieve the golden idol in Raiders' deservingly legendary opening sequence. And yes, that's cool. But what I love even more is a moment that comes a few minutes later: with Rene Belloq and the Hovitos on his tail, Indy comes barreling across a plain, hollering at his companion to "START THE ENGINE" of a waiting seaplane. It's intense, absurd, exciting, funny: everything everyone loves about the series, in the span of a few seconds.

Sometimes there are props from films. Sometimes there are super-affordable replicas. And sometimes ... well, sometimes there are expensive fan creations. This one, however, is worth at least a mention, even though it is completely and ridiculously expensive.

Virginia505 on eBay created a life-sized Indiana Jones -- coming in at a whopping 6 feet. The fake Indy has the classic apparel -- jacket, belt, and the classic fedora, as well as props like his trusty whip and bits from all three films -- Staff of Ra headpiece, sanskrit cloth, and Grail diary.

This can be yours for the super-affordable price of ... oh, fifty thousand US dollars! And, if you're worried about someone outbidding you, there's a sweet and so-affordable Buy it Now price of $70,000! But have no fear, Indy fans -- shipping will be free. (Somehow, I imagine someone who spends 50+k on something won't be worried about shipping costs.)

Still, it's an interesting bit of fandom, if you happen to have the cash. You've got until May 27 to make your bid, unless someone grabs it through the Buy it Now option.

In the Carlton Hotel at Cannes, a small group of journalists have navigated the maze-like hallways, made it through a series of security checkpoints and eventually brought to a suite to sit in rows and hear Cate Blanchett, Shia LaBeouf and George Lucas talk about the making of Indiana Jones and the Kingdom of the Crystal Skull. Despite the bizarre timing of the interviews -- Paramount scheduled the press day before the press screening of the film -- rendering the experience slghtly awkward, LaBeouf, Blanchett and Lucas were relaxed and charming as they took hypothetical questions, general inquiries and wild guesses about the film. Cinematical was there to hear George Lucas talk about the politics of Indy, LaBeouf explain why his switchblade skills needed work and Blanchett talk about being directed by her children, and much more; Cinematical's questions are indicated.

George, was it really important to have the space alien element to the story? The legend about this movie is that it was held up because you wanted to have the Area 51 segment in there. Is that true, and why is it so important to have the aliens in there?

George Lucas: Well, these movies don't work without an object that they're going after that is supernatural and that is a real object that people believe in – whether it's actually true or not true – whether it's the Ark of the Covenant, whether it's the Holy Grail, these are things that are mythological artifacts that have real mythology. It's not made-up Hollywood, by me or by anyone else, it's the real deal. So I had to have something that would be the real deal. When we finished the third film, we didn't know if we were gonna make (a next) movie. ...

27 years after Raiders of the Lost Ark burst onto movie screens, Indiana Jones and the Kingdom of the Crystal Skull brings Harrison Ford's Indiana Jones and Karen Allen's Marion Ravenwood back to the big screen: Reunited, as the song says, and it feels so good. What felt less good was the timing of the press interviews for Kingdom of the Crystal Skull; Paramount scheduled their Cannes publicity interviews the day before the press screening of the film. (Call me a traditionalist, but normally I like to see the actual movie before talking to the actors in it; I'm just funny that way.) Still, Ford and Allen were funny and disarming -- they seemed a little amused by the hypothetical questions and broad general inquiries the chain of events required -- and Cinematical was there to learn about Harrison Ford's take on the best parts of playing Indy, Karen Allen's musings on Marion Ravenwood's sex life and much more; Cinematical's questions are indicated.

I'm just wondering how your own excitement level is, returning to the Indiana Jones character?

Harrison Ford: Well, I'm very excited to bring another one of these spectacular adventures to the screen, and to work with Steven and George again. For the last twenty years or so, these films have continued to appeal to an audience, and young kids, as it becomes age-appropriate, have been introduced to the films on DVD by their parents, and to have the opportunity for them to see it full-scale in a movie theatre, with a big screen and big sound, in the dark with a bunch of strangers, and have this common visceral experience is a brilliant opportunity, so I'm delighted to be a part of it again.