When Marvel officially announced the release date for Thor last week (June 4, 2010), news quickly followed that Matthew Vaughn was no longer directing, a script was being fine-tuned and Marvel was in search of an actor to fill Thor's mighty shoes. Seeing as he's blonde, a very popular actor and has starred in films like Troy, the first name to pop into the minds of fanboys (and girls) everywhere was Brad Pitt. And whaddya know: Latino Review is saying this week that Pitt is at the top of Marvel's wishlist. Who woulda thunk it?
On paper, this does seem like a logical -- and realistic -- choice. Pitt is at a similar point in his career as Robert Downey Jr., Edward Norton and even Johnny Depp (who surprised fans by starring in three Pirates of the Caribbean films for Disney). If there ever was a right time for Pitt to take a leap and "do one for his kids," Thor would be that project -- especially since his gal Angelina has already starred in two Tomb Raider flicks. But then the guy would have to sign for at least three films (most likely), not to mention the fact that he'd need to be in phenomenal shape. Plus, perhaps Troy was Pitt's Thor, and maybe he's tired of all those giant blockbusters; maybe he'd rather do some smaller stuff.
However, then you look around Hollywood and, honestly, who else could play the Marvel superhero? Taking into consideration the move by Marvel to hire bigger names for their films, is there anyone else who could muscle-up and play Thor? Or is Pitt the only name that could truly bring this project to the next level?
A whole crop of new images from The Incredible Hulk have hit the net, including the one above showing some assistant dude (Tim Blake Nelson) holding the super serum that's eventually injected into Tim Roth (which, of course, gave him super powers and turned him into Abomination). Ah, but those of us at New York Comic Con were told that this serum is, in fact, the same kind used to create Captain America. Additionally, First Showing is running around claiming there's a shot of Captain America's shield on Tony Stark's workbench in Iron Man -- and, while they've watched the scene several times and say it's true, I don't believe anyone from the Favreau camp has confirmed this yet.
Now thatIron Man has literally destroyed the box office, it will be interesting to see how their second self-financed film does when The Incredible Hulk hits theaters on June 13. The two scenes we watched at Comic Con were enough to convince me that this version of Hulk will definitely kick a bunch of ass. That's a given. But will it succeed with fans? (Something tells me there's already a whole bunch of people who will hate this film regardless, but that's their problem -- we'll certainly go in with an open mind and an open heart). Definitely check out all those new images (mixed with some older ones) in the gallery below.
According to early estimates from Box Office Mojo, this summer's second big-budgeted extravaganza failed to pick up more than $20 million at the box office this weekend, with the poorly-reviewed comedy What Happens in Vegasfinishing right behind in third. Of course,Iron Man took the top spot for a second week in a row with roughly $50 million, while Speed Racer -- which some projected to take home at least $30-40 million -- came in second with $20.2 million, as What Happens in Vegas slid into third with $20 million. Rounding out the top five were Made of Honor ($7.6 million) and Baby Mama ($5.7 million).
So what happened to Speed Racer? Part of the reason had to do with its targeted audience, which, supposedly, was kids, though kids weren't very familiar with the cartoon the film was based on. That, and the flick clocked in at over two hours -- a running time that's been mentioned a lot this weekend, as well as one that's way too long for a PG-rated kiddie adventure. That said, its PG-rating scared away those adults who grew up with the cartoon; people who, most likely, were looking for something a bit more skewed toward adults (especially when Iron Man came out the weekend before and kicked a whole lot of ass). Nevertheless, I'm pretty sure we can rule out that Speed Racer franchise at this point.
Coupla questions for ya: Why do you think Speed Racer failed to power across the finish line in spectacular fashion? Also, what happens to the Wachowski Brothers now? Will folks think twice before giving them $150 million and free reign?
There's been much buzzing around the Cinematical virtual office over the past few days about Speed Racer. James pretty much liked it (for a kids' movie), Scott pretty much hated it, and Eugene seems, well, a bit disappointed. We just got back from taking the crew to see Speed Racer.
Last week at the same time, we were at Iron Man, and the theater was almost completely packed, with only front row seats left by the time the previews started. This week, same time, exact same theater, even, and there were maybe 20 people total. And I have to say, if the Wachowskis are aiming for the kiddie market with this film, as many seem to think, I think they've largely missed their mark. Aside from the largely empty matinee theater, there were a couple of signs during the screening that this movie wasn't playing well to the kiddie set.
I'm not supposed to be working right now (took the day off to celebrate getting older), but I just had to pop on and show you folks this hysterical video from Funny or Die. It's called I'm a Marvel .. and I'm a DC, and for anyone who thought those Mac/PC spoofs were getting old and tired ... definitely check this one out. In the video above, Iron Man and Batman square off in a fight ... of words ... to determine who's the better superhero. Stick with it, because they really get into it after awhile -- when Iron Man goes off on the Batman viral stuff, I just about lost it; same goes for the "at least kids can go see my movie" rant. Best part of the whole thing: they use action figures ... and the voice work ain't that bad. Who do you think has the better argument?
Catching an afternoon screening of Iron Manlast weekend, the questionably denigrating representations of Afghani villains bugged me less than the bizarre cultural references in the trailers preceding it -- especially when it came to accents. Three previews in a row contained characters speaking intentionally mangled English, a fact all the more recognizable because all of them were played by well-known actors. You Don't Mess With Zohan showed Adam Sandler as a tough Israeli hair stylist. The Love Gurupreview found Mike Myers blabbering on with South Asian inflections. Rounding things out in perhaps the most innocuous case, Cate Blanchett popped up as a Communist baddie inIndiana Jones and the Kingdom of the Crystal Skull. Are these gross caricatures or fair play?
We've touched on this issue before, but it looks like each month the trend gets a little stronger. There's edgy and there's a line: Borat may or may not send the wrong message, but the character's faux Kazakh accent tells you a lot about the way Americans tend to judge foreigners on the basis of their less-than-perfect English. The specific nature of the satire gives Cohen's performance an underlying purpose -- unlike, say, Love Guru, which seems more like a chance to ignorantly marvel at Myers' ability to turn Indians into a continuous punchline. Recently, a few Hindu groups launched protests against the film. This could mark uncharted terrain for Myers, who did not, as far as I know, get lambasted by any hippies after the first Austin Powers.
In all the breathless excitement, possibility and release date for Iron Man 2, it's always good to step back and hear from the main men. You might be surprised (and maybe relieved) to know they haven't really started thinking about the sequel yet. On the other hand, one immediately begins to panic, thinking "Dear God, they won't actually ditch Jon Favreau, will they?"To answer that,Entertainment Weekly sat down with both Robert Downey Jr. and Favreau, the weariness apparent in their voices as they tried to actually comprehend doing it all again.
Let's start with Stark himself on where the sequel will go. "There's this idea of Terrence [Howard] putting on a suit and coming back as War Machine, who is pretty iconic in the Iron Man and Marvel universe. Just seeing where it can all go, but grounding it in a very modern mythology. I see it as the greatest dysfunctional family story ever told .... In The New York Post a couple days ago, [there was a cartoon] of Iron Man suited up, and he's telling the governor even his super-powers can't get him out of the budget problem. That was what Jon was hoping for and excited to see the most, the idea that Tony Stark and Iron Man can become part of the cultural fabric. When we heard posters were being defaced to promote political or social ideas, he just got such a hoot out of that."
If I asked you to name a half-dozen Marvel characters besides Spider-Man, Wolverine, and The Hulk, you'd probably have no problem. But if I asked you to rattle off six DC Comics superheroes besides Superman and Batman, your response might sound a little like this: "Well, The Flash, of course. And Wonder Woman. Oh, Aquaman! Um ... Green Arrow and Green Lantern, I suppose..." and then I'd rudely interrupt you with mentions of Hawkmanand Martian Manhunter before you started shaking your head in either confusion or disbelief in my nerdiness. (I can never tell which is which.)
I know all about the Justice League movie problems and the inability to get Wonder Woman flying, but really: After seeing how well-received Iron Manwas -- and after hearing about Marvel's plans regarding The Incredible Hulk, Thor, Captain America, and The Avengers -- I'm starting to feel a little bad for DC Comics' movie division. But here's the thing: As a character of popular culture, Iron Man (born 1963) is not exactly a Spider-Man or even close to a Superman -- and still Marvel and Paramount were able to bang a really excellent blockbuster out of the guy. (And let's not forget that a relatively obscure Marvel character called Blade pretty much kick-started this comic-flick renaissance.) Does anyone doubt that a character like The Flash could have similar results? Given the right cast and crew, I'm thinking The Flash could be one hell of a fun flick. So let's get moving already!
I had a very strange weekend, especially since I'm so used to hanging around here, listening to all you folks rant and rave about Batman, Iron Man and Indiana Jones. The weekend was strange in that everyone I spoke to offline named Sex and the Cityas the film they're most looking forward to this summer. Yes, Sex and the City: The Movie! Apparently, Oprah also did a show where she let her entire audience watch SATC: The Movie, but turned it off with 20 minutes left. (I don't know about you, but if Oprah pulled that "you can't watch the ending" sh*t on me, I'd switch it over to Rachael Ray full time!)
So then I sashayed my way over to Moviefone's Summer Movies poll, which asked readers to decide on a summer film they were anticipating the most. Know what won? Yup, Sex and the City. Crazy, right? I knew this TV show had a massive fanbase, but I, personally, hadn't heard a peep out of anyone who was actually looking forward to the movie. Is it that your usual SATC fanbase doesn't hang out online, perusing through movie news sites? Maybe they're out shopping or, ya know, living actual lives ... instead of geeking out over a new Dark Knight image on Cinematical? (By all means, continue to geek out -- I'm just trying to make sense of this whole SATC thing.)
What were the top films at this year's Tribeca Film Festival? What have been the breakout performances of this year's fest? What does Tribeca need to do to be even better next year? And finally, is the question of if Iron Man's box office will take a hit from Grand Theft Auto IV lazy journalism, or just plain stupid? Joining the Rocchi Review this week along with your regular host James Rocchi is Cinematical's Editor-in-Chief Erik Davis to talk about all these topics and much more. Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:
As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.
It was briefly leaked online last week, but now the new official trailer for Indiana Jones and the Kingdom of the Crystal Skull is online ... and you can watch it above or over on IndianaJones.com. This is the trailer that begins to explain the story; how, as per usual, Indy is off in search of some artifact (the crystal skull) which comes with a spooky-cool story (the person who has possession gains great powers), but there's an evil group (the Russians) who want to use said artifact to their advantage. Sound familiar?
But it's cool, because Indiana Jones is back. And Marion Ravenwood is back. And a whole new generation now gets a chance to enjoy one of my all-time favorite movie characters on the big screen for the first time. And, well, you got Steven Spielberg who, last I checked, makes some pretty good films. What's not to look forward to? In addition to this new trailer, you can check out two new TV spots for the film here and here -- both of which use a combo of footage we've seen previously, and there may even be some new stuff thrown in too.
With all this Iron Man talk, did you realize we're only a couple weeks away from Indy? May 22? C'mon! Am I the only one excited about this?
Gallery: Indiana Jones and the Kingdom of the Crystal Skull
It has been well established that when a list of names starts scrolling up against a black screen, the movie is OVER. You're done. Whatever story you had to tell, you told it. That's the way movies work.
You want to put something cute after the credits, fine. Knock yourself out. A lot of times that stuff is fun. But it doesn't count as an actual part of the story. If it's something we need to know, tell us. Don't hide it after the list of gaffers and production assistants and humane society certifications.
Oh, what, at the end of the last Pirates of the Caribbean -- after the 37 minutes of credits have rolled -- it turns out Elizabeth has a son and is standing around waiting for her once-in-a-decade evening of romance with Will? No she doesn't, and no she isn't. Because the movie ended 37 minutes earlier, when the closing credits started. Whatever happens after that is just you horsin' around. Doesn't count. It's not canon.
In case you haven't heard by now,Iron Man took home a whopping $201 million worldwide over the weekend, with that amount pretty much split right down the middle between domestic and international. Not only is it the second best non-sequel opening ever, but it also proved that Marvel (now self-financing their films) is in it to win it ... big time. Fortunately, folks won't have to wait long to see if Marvel will strike gold twice -- in a little over a month from now (on June 13, to be exact), The Incredible Hulk will debut in theaters. Last time a Hulk film was in theaters, Ang Lee directed and Marvel did not self-finance the flick. After seeing what Iron Man did to the box office over the weekend (and what fans thought of the film), something tells me we're in for a completely different kind of re-boot this time around.
Right from the start, folks haven't been giving The Incredible Hulk a fair shake, myself included. It took a long time to get those first images, and even longer for a trailer. But now that the film's marketing campaign is in full swing, I'm starting to see the fans turn. I witnessed the full "field scene" from the trailer at New York Comic Con last month, and I can assure you it looked awesome. Everyone is talking up the Iron Man cast, but have you noticed that The Incredible Hulk cast is just as good (not to mention I think Tim Roth will play a better villain than Jeff Bridges)? And now that Iron Man killed, does that change anything for The Incredible Hulk? Do more people now want to see it? Are expectations higher? Sound off below in the poll and in the comments section ...
Folks expected a huge opening take forIron Man, but $201 million worldwide? Damn. And doesn't it feel a whole lot better when a film that makes that kinda money actually deserves to make that kind of money? Anyway, as expected, Marvel went absolutely nutty over this news and, while announcing quarter one profits, took some time to give us tentative release dates for Iron Man 2, Thor, Captain America and The Avengers. Marvel Entertainment will not release a film in 2009, but first up in 2010 will be Iron Man 2 on April 30. Two months later, on July 4, 2010, Thorwill debut in theaters. So, like this summer, we'll be getting two Marvel flicks in 2010 -- and if Thor wants to claim fourth of July weekend, that film better know how to kick some serious ass. You don't jump on July 4th without knowing you have a set -- know what I mean?
Similarly, in 2011, Marvel Entertainment will debut another two films. First, on May 6, 2011, we have The First Avenger: Captain America (new title I believe). Then, in July, the biggie -- The Avengers! There was no word of an Ant-Man film in there, though last we heard it was in development with Edgar Wright attached. Honestly, unless they push The Avengers to 2012, I don't see where Ant-Man could fit in. Additionally, I imagine we'll have to wait to see how well The Incredible Hulk does, seeing as they may want to sequel-ize that one too. Otherwise, Iron Man will be the only franchise to debut a sequel prior to an full-on Avengers flick.
Phew. Chime in, folks. What do you think about it all?
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When Katherine Heigl suggested to Vanity Fairthat Judd Apatow's movies were sexist, the assertion came across like an after-the-fact shrug of acceptance. Ever the galvanizing provocateur, New York Times critic Manohla Dargis confronts the issue head-on with a thorough analysis of the gender bias in this year's summer blockbusters.
With "Iron Man, Batman, Big Angry Green Man" and other massive expressions of virility invading the box office, female roles appear to be relegated to the back of the multiplex. Dargis touches on the rumors that Warner Bros head Jeff Robinov believes no woman has been able to sell a movie since Julia Roberts (a point that Natalie Portman might contest, but not Paris Hilton) before sizing up numerous upcoming studio releases, with particular attention paid to Anna Faris, "who could be the next Judy Holliday but without the right material will, alas, probably end up the next Brittany Murphy." It's the kind of pronouncement that hits you in gut.