Usually when an original creator walks away from a sequel, it is a good sign that maybe a sequel isn't the best idea to begin with. Well, that's exactly what happened with the follow-up to Neil Marshall's 2005 horror-hit, The Descent. But it is not all bad news because Shock Till You Drop got the chance for a set-visit, and by the sounds of things it's looking pretty good for our group of traumatized spelunkers. (You can read the about the full visit over at Shock.)

The sequel picks up where the first film left off (that is if you are following the events of the North American release of the original film). The story follows the return of a mute and unbalanced Sarah as she heads back down to the caves with a rescue party to locate the rest of her group. Of course, this being the ricketiest cave on earth, the group is soon trapped and left to deal with the nasties down below.

During the visit, Shock spoke with writer James Watkins (My Little Eye) as well as the production designer Simon Bowles. Watkins told Shock that they went to Marshall to "get his feedback and discuss which direction he wanted the story to go, what he thought was good, how we should develop the characters" -- not to mention there was the promise of plenty of more gore this time around, and in the end isn't that what we're paying for? Scott told us back in 2007 that Marshall hadn't completely washed his hands of the whole thing, and would still produce the flick. Well, I guess he's a little more hands-on than expected -- which is probably a very good thing, don't you think?

The Descent 2 will arrive in theaters in 2009.

The Weinstein Co. has added a British horror thriller to their upcoming slate of releases. According to indieWIRE, all North American rights to James Watkins' Eden Lake have been acquired by the Weinsteins at Cannes. Evidently, it's been months in the making: Fangoria noted in November 2007 that the Weinsteins were "reportedly finalizing" a deal.

Putting business aside, it sounds like writer/director Watkins, who also co-wrote My Little Eye, knows how to appeal to horror fans, telling Fangoria: "We show people's heads on fire, neck-stabbing with glass, stomach-slashing revealing intestines and kidneys and metal spikes through feet. Gritty realism in moments of ramped-up tension." (!!!!) The story follows a couple "on a romantic weekend getaway being terrorized by dysfunctional teenagers with no ethical boundaries."

Lest you think that this picture might appeal solely to horror fans, the actors who play the romantic couple have bona fide credentials. Michael Fassbender (300) has already received kudos this week for his performance as the hunger-striking IRA leader Bobby Sands in director Steve McQueen's Hunger, and is in advanced talks to play the coveted role of Heathcliff in a new version of Wuthering Heights, as Elisabeth Rappe told us earlier this week. Fassbender's better half in Eden Lake is played by Kelly Reilly (pictured), who has become even more gorgeous in the six years since she appeared in The Spanish Apartment. Explicit carnage, a hot heartthrob, and a lovely lady? Count me in.

Warning: This post contains some spoilers for the original Descent.

It's been a while since we've heard anything about the promised sequel to Neil Marshall's The Descent, and fans of the film who rolled their eyes at the initial announcement may have gotten their hopes up. But no: the sequel is still going forward with Descent editor Jon Harris making his directorial debut, and James Watkins (My Little Eye), who had nothing to do with the first film, writing the screenplay. The new info is that Shauna McDonald and Natalie Mendoza, who played protagonists Sarah and Juno, will reprise their roles in the sequel. The cast will also have some Y chromosomes this time around, in the form of Gavan O'Herlihy, Joshua Dallas and Douglas Hodge.

The plot will involve "the survivor" -- that would be Sarah -- "forced back into the system of caves she battled her way out of in the first film, in a bid to locate the rest of her group." Shockingly, this probably means that the sequel will take the American "Lionsgate ending" (in which Sarah gets out) as canon, rather than the original ending, where Sarah's escape is a dream sequence and the final shot shows her remaining in the cave. I suppose this could be explained to overseas viewers (who were, after all, responsible for more than half of the first film's $57 million box-office) by claiming that she got out later, in some other way. But it'll be tough.