The good folks over at Fox Searchlight have just sent us the new poster for Street Kings (click on the image for a larger version), starring Keanu Reeves as a cop who, following the death of his wife, finds himself framed for a murder he didn't commit. In order to clear his name, he'll have to up against a cop culture he's been a part of his entire career. And he'll do it without help from steroids. Take that Clemens! The first trailer debuted a couple days ago, and the film also stars Forest Whitaker, Hugh Laurie, Common, Chris Evans, The Game and Jay Mohr. It's gritty, it's directed by David Ayer and it arrives in theaters on April 11. For more on Street Kings, head on over to the film's official site (which is in teaser mode right now, and will be updated with all sorts of goodies as the release date draws near).

At the end of an article announcing Master Mind, The Hollywood Reporter slipped in some news that screenwriters Alan Schoolcraft and Brent Simons are busy working on a sequel to Small Soldiers for DreamWorks. This is a bit of a surprise since the original film wasn't quite the 'big movie' the studio's had hoped it would be. There isn't much revealed with this news, but let us hope that Joe Dante is brought to direct. He showed us with Gremlins 2: The New Batch that he can make a sequel even better than the original by giving it just the right amount of self-parody and satire. He also seems like he could use the work.

As a huge fan of Dante's work, I think it is a tragedy how little movies he's been able to put out, especially recently. Still, I was a huge doubter of Small Soldiers, maybe because of how dumb it looked filtered through the Burger King ads, and didn't even finally see the movie until about two years ago. Of course, I loved it, and I regretted not seeing it in the theater. But now my low expectations extend to the sequel, because if Dante isn't allowed to do it, the result will probably be as dumb as I had thought the original was going to be. I am already a bit worried about the unproven screenwriting duo, though I have to remember that Gremlins 2 had a different writer than Gremlins and it worked out brilliantly.

Others that I'd want to return for the sequel are Jay Mohr and David Cross and all the actors who provided their voices for The Commando Elite (hurry, some of the Dirty Dozen guys are getting up there) and The Gorgonites. The rest of the cast, especially Kirsten Dunst, are not required. Dante is supposedly currently working on The Man With Kaleidoscope Eyes, a film about his old boss, Roger Corman, and the making of the 1967 film The Trip. But since he isn't going to be involved with Gremlins 3 (such a shame, if it happens that way), he can follow up Kaleidoscope with Small Soldiers 2.

Ten years after winning the Sundance Grand Jury Prize for his film The Brothers McMullen, writer/director/actor Edward Burns continues to regurgitate the same worn-out themes of love, marriage, friendship and family. With his latest film The Groomsmen, once again, Burns chooses a quaint New York City suburban neighborhood as his setting, while also managing to surround his wooden acting with a decent supporting cast. However, with a script that has more pot holes than the Long Island Expressway, The Groomsmen lacks a tremendous amount of focus, thus leaving its audience desperately in search of an exit.

With only one week left until his wedding, Paulie (Burns) is in a funk. Though they've been together for awhile, according to his friends, the only reason Paulie is marrying Sue (Brittany Murphy) is because he accidentally got her pregnant. Regardless, something is bothering Paulie and, unless he can sort out his issues in one week's time, there's a chance he may make the biggest mistake of his life.

While Sue is off placing the finishing touches on her wedding, as well as preparing their house for the arrival of a new child, Paulie spends this time hanging out with his groomsmen at the local bar, the golf course and the softball field. His lack of enthusiasm towards the future frustrates Sue and the two end up arguing (about the same exact thing) over and over throughout the film. It's this sort of redundancy that ultimately prevents The Groomsmen from rising above the surface. Instead, Burns chooses to drown his characters in repetitive dialogue until, eventually, the lights come on and you realize an hour and a half of your life has just been wasted.

A good parody is hard to spin beyond the here and now. Take "Weird Al" Yankovic, for example. The pop-music jokester has put out 11 regular albums since 1983, when the accordian-playing nice guy's spoof of The Knack's "My Sharona" (titled "My Bologna" and recorded in the men's room of his college radio station) started his career as a musician, comedic icon and food fetishist when it blew up on The Dr. Demento Show. However, every hilarious and unforgettable cut like "Eat It", "Like A Surgeon" and "Smells Like Nirvana" that hit was matched by fade-away tracks like the New Kids jape "The White Stuff" (an ode to Oreos), the Rocky III goof "Theme From Rocky XIII (The Rye Or The Kaiser)" or the misjudgment "Taco Grande" (a riff on Latin rough-boy Gerardo's only hit, "Rico Suave"). The secret to a successful parody is complex, involving a careful balance of picking a song that is big enough, worthy of a good-natured dressing down and most important, funny. The same is true with movies, and the latest in the popular Scary Movie series is a great example of what can go right and wrong with such an attempt.