jean dujardin Tagged Articles at Cinematical
Bring 'Lucky Luke' Stateside!
Filed under: Action », Foreign Language », Movie Marketing », Comic/Superhero/Geek », Western », Trailers and Clips »

As you've probably noticed by now, I'm a sucker for Westerns. It took me awhile to warm up to the genre. I live on the high plains and have one gig giving Old West tours in petticoats to my credit, so they were hardly escapism. Of course, now that I finally like them, there's just not that many being made. Lately, there's stirs of a re-imagining going on. Filmmakers and audiences are realizing Westerns can be fun again and in a repeat of the 1960s, the charge is coming from overseas. Film fans already know about Asia's madcap forays into the genre with The Good, the Bad, and the Weird, Sukiyaki Western Django, and the upcoming The Warrior's Way. But now France is getting in on the draw with Lucky Luke, and TwitchFilm has nabbed a trailer for it.
Lucky Luke is based on a French comic series, which (as per Wikipedia) was equal parts satire and good old fashioned Western. He's your typical lone gunslinger, wandering the borders in search of injustice, a heavy burden weighing on his shoulders, a deep characterization that's a bit at odds with its simplistic art. (He looks a bit like Woody from Toy Story.) How it spawned this crazy, stylish, bullet-ridden feature is a mystery, but it did, and I'm thankful. I'm desperate to see this, and to be better acquainted with Jean Dujardin. Ooh la la.
The trailer is embedded below the jump. Watch it, and join Twitchfilm, CHUD, and Cinematical in demanding a stateside release. You know you want to spend more time in this vision of the Old West.
[via CHUD]
Fan Rant: Steve Carell's Maxwell Smart and "The Principle of the Brick"
Filed under: Comedy », Fan Rant »
As a long time fan of the original TV show, and as a grown up version of the kid who used to memorize William Johnston's paperbacks ... as a former elementary school student who went in for as many tedious "Would you believe?" jokes as the legions of film critics writing about this week's box office success ... as all of these things, I'm not expecting anything more heart-breaking this summer than Get Smart. From the under-performing villain (the usually savory Terence Stamp) to the dull direction by Peter Segal, the film was a complete tick-off. Richard Schickel spelled out his own disappointment in the opening paragraph of his review in Time Magazine:
"A schlemiel may be, must be, grievously acted upon by the always malevolent world. But he can never be permitted to act effectively against that world. At the end of his adventures he must, somehow, triumph over the forces of darkness that surround him - but only accidentally so...In that spirit of genial fantasy, we permit out surrogate that utter self-confidence, that sublime sangfroid, with which with he cheerfully motors his way around and through disaster."
SIFF Review: OSS-117
Filed under: Action », Comedy », Drama », Foreign Language », Independent », Theatrical Reviews », Festival Reports », Seattle », Cinematical Indie »

One of the most entertaining films playing at this year's Seattle International Film Festival is the French comedy, OSS-117, a spy spoof set in the 1950s. Starring Jean Dujardin (who, during the filming of OSS-117, suddenly became a Very Big Star in France for his work on a previous film) and Bérénice Bejo, the movie takes us into the world of French super-spy Hubert Bonisseur de La Bath (aka Agent OSS-117). Hubert is of the bumbling variety of spy, who, in the tradition of Maxwell Smart, Inspector Gadget, and Austin Powers, somehow succeeds in spite of his ineptitude.
When Jack Jefferson, an undercover French agent, is killed, OSS-117 is sent on a mission to Egypt to ferret out what happened. He promptly fumbles his way through social interactions with various representatives of the Muslim culture, blithely insulting while intending to confer favor, and nearly starting a rebel uprising by taking out the holy man calling devout Muslims to prayer, because it's interrupting his sleep.
Along for the ride (and frequently insulted as well) with OSS-117 are the deceased agent's secretary Larmina (charmingly portrayed by Bejo), Princess Al Tarouk, the daughter of an ousted royal, who keeps finding herself in Hubert's bed even as she tries to attack him, and Slimane, the loyal manager of the poultry company that served as the front for Jefferson's undercover work. Who took Jefferson out? Was it the rival poultry company owner, whose business suffered from the competition? Perhaps the heads of lamb and beef conglomerates? Or maybe someone connected with a disappeared Russian ship loaded with illegal arms? There are many leads to follow, and follow them Hubert does, blissfully unaware of his own blistering incompetence.









