I was, admittedly, a bit of a latecomer to the Sex and the City craze. For years, I staunchly refused to watch the show, convinced from what I knew of it that it wasn't for me. It struck me as self-absorbed and superficial, episode after episode of successful, independent women who should have been perfectly content with their lives, endlessly bemoaning what they didn't have -- Prince Charming and "happily-ever-after" -- over endless rounds of Cosmos. Who wants to listen to four women talking about nothing but fashion and men? Not me, said I. I didn't even drink Cosmos for the longest time, just because I associated them with the show.

And then, one day a few years ago I was going nuts being confined to bed rest with my last child. I'd watched everything on Court TV and more sappy Lifetime movies than any one person should ever have to stomach, I was desperate for something else to watch to pass the time. And there, right by the DVD player, was my oldest daughter's most prized possession: Season One of Sex and the City. What the hell, it couldn't be any worse than re-watching Tori Spelling in Mother, May I Sleep With Danger, right? I slipped the first disc into the DVD player ... and didn't stop watching until I'd watched every episode of the first season. And then I was hooked on the adventures of Carrie, Samantha, Miranda and Charlotte.

With the end of this month comes final confirmation: Can Sex and the City make it as a feature film? To continue to whet our Sex appetites, a whole slew of clips popped up over on the net. Above you can check out the, erm, fleshed out waxing clip from the trailer, and after the jump there's a wedding announcement, that Cinderella clip, some "coloring," home shopping, and Carrie getting a little bit too "pat on the head," "I've been there" preachy with Jennifer Hudson.

As someone who enjoyed the show (whilst ignoring the idiotic fashions and some of the crappy men), this is looking to be the sort of film that will appeal to fans ... although it will be a little different than its skin-risque HBO roots. A few years passed and now it seems that we won't be getting the usual fleshy shocker from Samantha -- rumor has it that the only woman who celebrates full-flesh is Cynthia Nixon. It's too bad that age seems to be making the women cling to the clothing, but then again, that's SatC for you -- partially stereotype-breaking and partially stereotype-clutching.

There is nothing new about the debate over rampant commercialism and Sex and the City. So, I'm not even going to go into whether empowerment can be achieved through shopping. But, Fergie's new theme song for the big-screen SATC has hit the web, and she has no qualms about making an ode to designer labels. Titled Labels or Love, the track sounds like a My Humps redux, and frankly, it's pretty awful. For starters, throughout most of the song I had a hard time understanding what she was even saying. But when you can make out the lyrics, they include such philosophical statements as: "Love is a like a runway," "Stop chasing those boys and shop some more," and "No emotional baggage, just replace it with Dior."

Fans of the show have been awaiting the feature film version with bated breath since the news first hit, and the fever pitch has only risen now that Kim Cattrall and Sarah Jessica Parker have been letting the spoilers fly. Unfortunately, SATC was never really my thing, so I only have a passing curiosity to see how they translate Carrie and the gang on the screen. One thing is for sure, if this theme song is an indication of the music for the movie, I definitely won't be buying the soundtrack.

Take a listen and tell me what you think: Did Fergie improve upon the original? Or is this track best reserved for the closing credits?

Well, Tyler Perry has been outed as a possible roid-rager, and I'm sure it has made plenty of fans look at him just a little differently. Now, the man famous for dressing up in a housecoat has decided to take a stab at something just a little more dramatic, 'cause goodness knows, he could probably use the change. Variety reports that Jennifer Hudson is currently in talks to star in his family drama, Tyler Perry's The Family That Preys -- now I know I am not the first person to comment on this, but really, does he have to put his name in the title of every single film that he makes? Perry will direct and star along with Sanaa Lathan, Kathy Bates, Alfre Woodard and Rockmond Dunbar (Prison Break). Perry also wrote the script, which is about two families who become intertwined due to relationships in love and business.

The film will mark the first time that Perry has included white actors in the major storyline of the film -- but I can't say that it is really going to matter. Let's just say that I'm enough of a cynic to pretty much assume that any Tyler Perry film isn't exactly going to rock my world. But it's not like I've never been proven wrong about this kinds of things, so you never know. Hudson is still hard at work filming the big-screen version of Sex in The City (as Carrie's assistant, or better known as the "sassy black female friend #1703") as well as The Secret Life of Bees (based on the critically acclaimed coming-of-age novel by Sue Monk Kidd). The Family that Preys is set to start shooting March 2 at Tyler Perry Studios in Atlanta. After an Oscar and a slew of high-profile roles, is it wrong to suggest that maybe Hudson should steer clear of this particular film?

Super-not-so-shocking news today: Dakota Fanning is about to sign on to play another kid with a dark life. Variety reports that she is in negotiations, along with Alicia Keys, for the upcoming drama The Secret Life of Bees -- which has already nabbed the likes of Jennifer Hudson, Queen Latifah, and Sophie Okonedo. Gina Prince-Bythewood, who wrote and directed Love & Basketball, adapted Sue Monk Kidd's bestselling novel, and will direct it when shooting begins in January in North Carolina. (I guess the South Carolinian book locale was too pricey to shoot in.)

Set in the 1964 south, the year the Civil Rights Act came to be, the film will focus on Lily (Fanning), a 14-year-old girl who lives with her abusive father and memories of her dead mother. It seems that her mom died when a 4-year-old Lily accidentally shot her during a fight with her husband. Meanwhile, her nanny Rosaleen (Hudson) gets into some trouble with some white men while going to register to vote and has to flee the Georgia town. Lily joins her and the pair run off to South Carolina, which somehow holds secrets about her mom's past. They are then taken in by the "eccentric" Calendar sisters (Latifah, Okonedo, and Keys), who make Black Madonna Honey. So, that's where the bees come in. If this slice of drama sounds interesting, the project has a quick turnaround -- Fox Searchlight plans to release it in 2008.

If you are extremely bored today, and are an extreme Sex and the City fan, then this video from MTV Movies Blog may be of interest to you. It's the first footage from the set of the highly anticipated Sex and the City: The Movie, and ... it's rather lackluster. Actually, it may even disappoint die-hard SATC fans since it doesn't feature Carrie, Samantha, Miranda or Charlotte (aka Sarah Jessica, Kim, Cynthia or Kristin). Nor does it feature any of the male actors who will be returning from the hit TV show. But it does showcase one of the movie's big stars: Oscar-winner Jennifer Hudson. And she's really showing us the Academy was right, because the way she walks into that doorway is brilliant! Yeah, that's all we get to see. Nothing special.

Here's a reason you may want to watch: you want to check out the outfit that Hudson is wearing. Feel free to comment below, because I'm no fashion expert and I can't describe it (I like those boots, though). Another reason: you love New York locations and want to see where this shot is being filmed. First person to chime in with the correct spot wins ... the honor of knowing the city pretty well. I'll give you a hint: pay attention to the upper left corner of the screen for a distinct landmark. Also, I have to point out that the building Hudson is entering has been used in countless movies in the past -- though usually from the inside, and upstairs.

If you want more goods on the filming of SATC:TM, we shared a few location photos recently (care of AICN), and there's a few group shots that are currently up on the IMDb for your enjoyment. Also, if you don't mind spoilers, Monika revealed some plot points (again care of AICN) a week ago. Otherwise, feel free to wait until next May, when Sex and the City: The Movie hits theaters.

Forget a singing career, American Idol appears to be a better jumping ground for acting. So far, one Idol contestant has gone on to win an Oscar, and now Season 5 runner-up Katherine McPhee is building up a movie career. Currently, she's working on the comedy I Know What Boys Like (aka the Anna Faris Playboy Bunny movie), in which she plays a pregnant hippie in need of a makeover, and she just told MTV that she already has her next project lined up. Titled Success, the indie drama begins shooting in November, and the singer-actress compared its dark style to that of the Coen Brothers and Jim Jarmusch. She also said it features great writing and well-developed, quirky characters. Unfortunately, she couldn't give away any of the film's plot or much else, really, but she did reveal a bit about her character, which she says is a nice, sweet girl who seems to end up having to compete for the attention of a guy, though she admits it is much more complicated than that. Could Success be the same thing as "the dark romantic comedy" The Last Caller, which was announced back in June as McPhee's big-screen debut? Maybe.

McPhee isn't about to concentrate solely on her acting career, though, and already has plans for her second album, with which she wants to become the female John Mayer. Of course, Mayer doesn't do movies in addition to making music, even though he should (he was a great Henry Higgins in 6th grade -- I should know, I played his butler -- hmm, I wouldn't mind playing McPhee's butler, but in real life ... ). Meanwhile, Season 5 winner Taylor Hicks probably won't last as long in the limelight, considering he had the lowest-selling Idol debut, and doesn't seem to be trying for a film career. I have to salute McPhee, who was also rumored to be considered for the role of Wonder Woman, for being able to transcend her Idol loss -- if for nothing else, hers and Jennifer Hudson's success with movies should certainly make everyone dismiss From Justin to Kelly as a reason not to go from Idol to Hollywood.

Seeing as our resident Sex and the City expert (ahem, Monika) is off covering the Toronto International Film Festival, it's now my job to bring you the news that Oscar-winner (and former American Idol contestant) Jennifer Hudson has signed on to co-star in Sex and the City: The Movie. Can I get a "Hell Yeah!" on that one? According to Variety, Hudson will take on the role of Carrie Bradshaw's (Sarah Jessica Parker) assistant. And, to add to that, TV Squad managed to get hold of some spoilers, one of which describes Hudson's role as a "fashionable and sharp African-American woman in her early 20s, who moved from St. Louis to NYC in order to find love. The movie will also feature her ex-boyfriend Will." TV Squad also mentions that Hudson's name in the film will be Louise.

The film will pick up four years after the final episode on HBO, and once again revolve around the sexy lives of Carrie (Parker), Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon). Chris Noth will reprise his role as Mr. Big, while Mario Cantone will also be back as Anthony Marantino. One of the things I'm most interested in is how well this film does in theaters -- considering it's based on a cable TV series. I imagine the fanbase has grown larger over the years due to DVDs and syndication plays, but I bet a lot of folks will be watching Sex and the City: The Movie to see whether a move from pay cable to movie theater was a smart choice, or one that should have been reserved for an HBO two-hour special. How well do you think the movie will do?

I first saw Anika Noni Rose on Broadway in her Tony Award-winning role in Caroline, or Change. She was great, but nearly got blown off the stage (just about anyone would have) by the incredible Tonya Pinkins. Then she had a similar situation in Dreamgirls, barely getting a mention in most reviews. She had the least flashy role by far, but I thought she held her own against the bombastic Jennifer Hudson and the ridiculously good-looking Beyonce. And now she's joining another powerful singer -- Jill Scott -- for Anthony Minghella's The No. 1 Ladies Detective Agency. Scott hasn't done much film acting, but has a part in the controversial Dakota Fanning film Hounddog, and a supporting role in Tyler Perry's upcoming Why Did I Get Married? No. 1 Ladies Detective Agency will be an adaptation of Alexander McCall Smith's novel of the same name. Any fans out there?

Rose will play Grace Makutsi, "the secretary/assistant detective to Precious Ramotswe (Scott), who owns a Botswana-based detective agency run by women." Relative newcomer Lucian Msamati will play Ramotswe's fiancé in the film. Minghella wrote the script with Richard Curtis (Love, Actually), and with Minghella at the helm, I think it is safe to assume that Detective Agency will be...long. Like, punishingly long. This also seems like quite a departure for Minghella, who usually takes on films about exceedingly pale people doing exceedingly cold things as slowly as possible. There's a whole series of Agency books, and it is "likely that a TV series based on Agency will follow the movie, but no deals are in place." Oh, and if you want to see Rose in something that will haunt her resume for decades -- check out From Justin to Kelly. Why that movie hasn't become this generation's Plan 9 From Outer Space is a mystery to me.

I don't know what is worse, that Steve James (Hoop Dreams) hasn't already been a member of the Academy all this time, or that Simon West (Con Air) is now allowed to take part in the Oscar voting process. Both directors are part of the list of 115 individuals who have just been invited to the Academy of Motion Picture Arts and Sciences. Unlike last year's list, which seemed to be gearing for younger influences (like Dakota Fanning), this year's is pretty normal, and consists of a lot of people nominated for awards back in February. These include actor Ryan Gosling (Half Nelson), supporting actress Adriana Barraza (Babel), supporting actress Jennifer Hudson (winner, Dreamgirls), suporting actor Jackie Earle Haley (Little Children), supporting actor Eddie Murphy (Dreamgirls), director Paul Greengrass (United 93), foreign film writer-director Florian Henckel von Donnersmarck (winner, The Lives of Others), screenwriter William Monahan (winner, The Departed), screenwriter Michael Arndt (Little Miss Sunshine), foreign film producer Agustín Almodóvar (Volver), composer Javier Navarrete (Pan's Labyrinth), composer Gustavo Santaolalla (winner, Babel and Brokeback Mountain), composer Alexandre Desplat (The Queen), animator Torill Kove (winner, The Danish Poet), production designer Eugenio Cabellero (winner, Pan's Labyrinth) and documentary filmmaker James Longley (Iraq in Fragments).

A lot of non-nominees were invited, too. Some of those included are Jennifer Aniston, Steve Carell, Daniel Craig, Aaron Eckhart, Chiwetel Ejiofor, Danny Huston, Christopher Plummer (you'd think he was already in there, too), producers Jonathan Glickman (The Pacifier) and Jane Rosenthal (The Good Shepherd), directors Peter Berg (Friday Night Lights) and D.J. Caruso (Disturbia), composer Carter Burwell (Kinsey), animation cinematographer Sharon Calahan (Finding Nemo), documentary filmmaker Brett Morgen (nominated in 2000 for On the Ropes) and, as mentioned, Steve James (nominated in 1995 for editing Hoop Dreams) and Simon West (shockingly no Oscar noms nor any Razzie noms). This is only the fourth year the Academy has made the list public, and you can see all of those invited here. All of the new members will be officially welcomed at a ceremony this September.