jeph loeb Tagged Articles at Cinematical

It seems the entire comic book and film world "misread" Warner Bros' announcement that they were angling to make Superman's reboot a gloomier one. No one seems to have read the original article slowly enough -- not even MTV, Kevin Smith, Christopher Golden, Jeph Loeb, Steven T. Seagle, or Mark Waid.

The wonderful geeks over on MTV's Splash Page chased down all the above, and asked them what they thought about the studio's latest plans for the Man of Steel. The funniest and most extreme reaction isn't Smith's, it's Golden's! "How stupid is that? That announcement made my head spin . . . Making a dark and gritty Superman movie because Dark Knight made a ton of money is incredibly stupid." Oddly, Smith is actually more tempered in his comments, and that he was all for a reboot. "You always have to always keep Superman very distinct from Batman ... Superman is about the hope in people, the good in people, whereas Batman is about the more driven, hungry for justice angry side of us. [So] I don't know if doing a dark Superman is the approach."

The lone dissenting voice is Seagle, not surprising from the man who penned It's a Bird ... and feels that Superman has always been a dark character. "Heroic struggles are basically all dark in tone. The idea of 'villains' implies something bad happening to good people most of the time, and that's dark. Heroes look brighter emerging from dire consequence successfully." Ultimately, I think Waid's the man who speaks for the majority of us in arguing that you can make Superman's world darker, but not the character, who's "a creature of hope." If Warner Bros goes in that direction, I can get behind it. A bright and shining Superman against a depraved and unjust world might be just what the reboot ordered.

There are many ways to anticipate The Dark Knight. You can assemble a fake plot out of the numerous clips circulating the web, you can stitch together adorable bat-toys, or just rewatch Christopher Nolan's first entry in the Batman franchise. However, there's a lot more to this sprawling, nearly three hour rush of furious confrontations and haunting corruption. The greatest Batman stories emphasize the character's shadowy nature, and Nolan pulls from many of them to create the intensely moody aura of the latest film. You don't need to know anything about the character to enjoy the movie, but it certainly expands the experience to do some research -- and allows for a greater appreciation of the filmmaker's efforts to honor the nature of the character.

Here's a look at some antecedents to the current interpretation from the last two decades.