john boorman Tagged Articles at Cinematical

Well, I'm obviously all over this. The more I've thought about John Boorman's plans for a non-musical, CGI-animated Wizard of Oz -- The Wonderful Wizard of Oz, to be more precise -- the more intriguing it has seemed. After all, it's a pretty damn good story, right? The 1939 musical is fine and all, but there's room in the world for a rendition of this story that does not involve anyone singing "Over the Rainbow" -- one that we can take a bit more seriously. Maybe one that's a little bit scary.

In that respect, this update from Ain't It Cool News is heartening. Apparently, according to their tipster, Boorman really does have a vision that's serious and that sticks to the novel -- down to the little-known fact that Tin Man is diminutive in stature. They also have some fantastic-looking concept art, with a scarecrow that looks like a scarecrow and a witch's castle that's just a wonderful, timeless image.

So now this is making a bit more sense to me: The Wizard of Oz as straightforward, classic fairy tale. I've put a couple of the images below the fold here, but you're going to have to visit Ain't It Cool News for the rest.

This was an is-it-April Fool's-Day moment for me this afternoon. First of all, I thought -- foolishly, I realize -- that we were safe from another straight-up adaptation of The Wizard of Oz. (I was open to the possibility of parodies, modernizations, rock musicals, etc.) This is a story that much of the industrialized world literally knows by heart. Can you really tell it these days to anyone but the littlest kids without some sort of wink or angle?

So needless to say I wasn't expecting the announcement that we'd be getting a full-on computer-animated Wizard of Oz in the summer of 2010. And I certainly wasn't expecting the man responsible to be John Boorman, who hasn't made a Hollywood film since the 80s. But, uh... It's coming, pitched not as a remake of the famous film, but as another adaptation of the original novel by L. Frank Baum. It won't be a musical, which might be tough to imagine for people raised on the 1939 movie, but which isn't too surprising: a musical remake would probably be painting itself into a corner.

Boorman, for the uninitiated, is the legendary director of Deliverance and Excalibur. More recently, The Tailor of Panama was excellent. He's never made an animated film, and I think he must have some sort of specific vision for this one. Otherwise it's a very strange late career move.

My personal DVD picks this week are the new editions of Lewis Teague's Alligator (scripted by indie filmmaker John Sayles), John Boorman's Deliverance (which is shockingly indie, even though it was released by a major Hollywood studio in 1972) and William Friedkin's Cruising (c'mon! Al Pacino in gay bars chasing a serial killer? That would definitely be an indie today.). But if you're looking for sometime a little more recent, here are three titles that received (mostly) positive reviews from our Cinematical critics.

Everyone's favorite Danish provocateur, Lars von Trier, made a "refreshing change" with The Boss of it All, according to our own Ryan Stewart. He said the director "turns his attention back to his own side of the Atlantic and finds his faith in humanity just as lacking, and his comic timing as sharp as its ever been." He felt the film "is absolutely a worthy entry in the von Trier canon and a reminder of the natural directing skill that he possesses."

Kim Voynar saw Francois Veber's comedy The Valet at AFI Dallas and enjoyed it. She noted that the plot was "a tad predictable" but "the film is genuinely funny, and at times the laughter from the packed house was so loud I was grateful for the subtitles so I could keep up." On the other hand, Nick Schager did not laugh so much: "This lack of any dynamic energy, any hysterical verve, is what ultimately dooms The Valet's attempts at innocuous whimsy." Sony's DVD includes an audio commentary by the director.

Zoo is a documentary that tackles "the difficult task of exploring the death of a man who had sex with a horse," as Kim Voynar wrote in her Sundance review. That may be enough for you to decide if you want to rent it, but Kim expounded at length if you'd like to know more. The DVD from ThinkFilm includes an audio commentary by writer/director Robinson Devor and writer Charles Mudede.

One consumer warning, I'm afraid. As I've written before, Thai horror film The Victim looks gorgeous, but its unimaginative use of horror movie conventions (loud! bang!!) and "twists" that are telegraphed far in advance quickly become tiresome.

Despite the often inflated sticker prices, I'm a huge fan of the "DVD box set." My very special "no touching" DVD shelf contains the Alien Quadrilogy, the Star Wars Trilogy, the Godfather Trilogy, Indiana Jones, Matrix, etc., etc. There's just something about getting the whole darn series in one slick box that makes for a happy movie geek. And with November's mega-cool Superman set on the horizon, it looks like a may need to invest in a new shelf.

But here comes word on an upcoming box set that, frankly, I can live without. Streeting October 10th is WB's Exorcist Movie Collection, and here's what's included:

• The original cut of William Friedkin's The Exorcist, a true classic in every sense of the word
• The extended "Version You've Never Seen" (which is a lie because I have seen it)
• John Boorman's frankly horrible Exorcist 2: The Heretic
• William Peter Blatty's The Exorcist 3, which has its fair share of supporters (one of whom is not me)
• Renny Harlin's Exorcist: The Beginning, which kinda stinks
• Paul Schrader's Dominion: A Prequel to the Exorcist, which (no kidding) might be the worst movie title I've ever seen

DavisDVD informs us of the impending release, but there's very little info on the actual platters -- most likely because this is not a newly-produced box set, but instead a slipcase filled with the exact same product you'll find at your local DVD shoppe. But hey, it looks like this set will cost only about 30-some bucks, so if you've got a taste for the Satanic sequels, I suppose it's a pretty good deal.

• Sir Richard Attenborough, John Boorman and Nic Roeg are all scrambling to get new films into production in Ireland before the end of the month. On March 31, the tax-friendly UK-Ireland and Canada-Ireland coproduction agreements under which their films are being made is scheduled to expire, and a renewal of the deals isn't assured. Hey, even fake royalty like to save a buck when they can.

• Pedro Almodovar's highly anticipated Volver was screened for critics in Madrid this weekend, and has also been submitted for competition at Cannes. While the responses in at the screening were immediate - if someone called my film "a gift", I'd be pretty stoked - the director won't hear from Cannes until next month. The film, which tells the story of two sisters whose mother returns as a ghost to solve the problems among the three of them, is described as being lighter in tone that Almodovar's recent work, as well as a return to his earlier focus on female characters. And, boys, in case you're unsure about seeing a foreign chick flick, Penelope Cruz is "spellbinding as Volver's undeniable protagonist, oozing a mid-century glamour and sex appeal modeled on the young Sophia Loren." Yowzers.

• The lineup for the Sofia meetings portion of the ongoing Sofia International Film Festival has been set, and includes 10 projects (half of them by women) from countries as diverse as Germany, France, and Kazakhstan. The meetings will take place this weekend, and are two days during which the 10 "filmmakers...have an opportunity to pitch to more than 50 international producers and film funds." All of the directors involved this year are seeking funding for their second features.
  

John Boorman (whose page at the IMDB includes the helpful information that he's sometimes credited at "himself"), who single-handedly destroyed the idea of a quiet wilderness getaway for whole generation of American men when he unleashed Deliverance upon the world in 1972, hasn't spent much cinematical time in the US since then. Instead, most of his work has been based in Ireland and the UK, locations to which he'll be returning when A Tiger's Tale begins shooting in Dublin next month.

The movie, which Boorman also wrote, sounds freaking awesome. It's about an Irishman who, after a "chance encounter," is "pursued by a murderous replica of himself." WHOA. It's like Borges wrote a movie, or something - what an incredibly cool concept (this is where you tell it's been done brilliantly six times already, and provide titles in the comments so I can go see for myself). Also encouraging is the news that the outrageously talented Brendan Gleeson is set to star. Though kids these days tend to know Gleeson only from Harry Potter and the Goblet of Fire, he's a longtime Boorman collaborator whose performance in the title role of The General is great enough to make you never want to see another movie again. There is, however, some bad news: Kim Cattrall is in it. In, like, a major role. Actually, I'm dealing with this information by pretending that I never had it. A Tiger's Tale is going to rock, dammit.

[via Dark Horizons]