kevin corrigan Tagged Articles at Cinematical
Scenes We Love: Nick and Norah's Infinite Playlist
Filed under: Comedy », Romance », Scene Stealers », Scenes We Love »
In an attempt to spotlight a scene related to post-Thanksgiving leftovers, I'd like to share a favorite little moment from Nick and Norah's Infinite Playlist. No, the teen rom-com doesn't directly connect to the holiday in any way, but there is this scene starring a turkey sandwich. And my brain and stomach being the odd collaborators that they are have deemed it appropriate, even if the sandwich is made of cold cuts and not turkey carved from a juicy, roasted whole bird.
Here's one reason it makes sense to my personal post-Thanksgiving activities: while many of you will be braving the crowds at the multiplex following your feast, I'll be at the bar -- hopefully one where I can dance some of the stuffing away -- and at last call, I'll tipsily head home and then stack some leftovers between two slices of bread and enjoy the first of many post-holiday turkey sandwiches.
Sundance Interview: 'Big Fan' Writer-Director Robert Siegel
Filed under: Drama », Sundance », Festival Reports », Podcasts », Interviews »
.jpg)
Robert Siegel made his directorial debut with Big Fan (reviewed by Erik Davis) at this year's Sundance Film Festival; comedian Patton Oswalt (interviewed here) stars as a lonely sports talk radio caller and New York Giants fanatic whose only love goes horribly wrong. Siegel spoke with Cinematical in Park City about his acclaimed script for The Wrestler, directing a comedian, why he's not worried about the wrath of the NFL, why Big Fan wouldn't have worked with George Clooney in the lead, and what he was hoping to explore with the film: "Sports radio can be very wonderful and joyous and spirited, but other times it can just be this forum for bitter ... it's a lot like the internet, you know? There are good blogs and bad blogs ... so in that way, (the world of sports radio) is kind of like the proto-blog, where you can just vent and take out all your frustrations ... but there's definitely this kind of angry White male hostile undercurrent to a lot of sports radio; it wouldn't be interesting to me if that was the only thing it had going for it, but that thing definitely gives it an extra layer. ... "
You can listen to the interview here at Cinematical by clicking below:
You can also download the interview in full right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.
Sundance Interview: Patton Oswalt of 'Big Fan'
Filed under: Comedy », Drama », Independent », Sundance », Festival Reports », Podcasts », Interviews »
As Paul Auferio, the title character in Robert Siegel's Big Fan (which Erik Davis reviews here), Patton Oswalt didn't have a chance to fall back on the skill set he's honed through the years as one of the best stand-up comics working today: "As a comedian, your instinct is you tag everything with a joke or a look or a take; this guy, this character ... this is not one of those movies where the writer and director is looking at the characters ironically or in a post-modern sense where it's implied You all know that we're better than that, we're way smarter than this, that we're all looking down on this character, aren't we? This is a character that has no irony about himself ... and just unabashedly loves what he loves, to the detriment of having a real life. ..."
Oswalt spoke with Cinematical about the challenges facing a movie and comics obsessive in the part of playing a sports obsessive, how he sees Paul as an 'imploding" character, some of his favorite independent films and how he sees Big Fan as a tribute to some of the classic 'lonely man' dramas of the 1970's, plus much more.
You can listen to the interview here at Cinematical by clicking below:
You can also download the interview in full right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.
Review: The Last Winter
Filed under: Horror », Independent », Sci-Fi & Fantasy », Thrillers », IFC », Theatrical Reviews », Cinematical Indie »
In a spaceship, in an underwater vessel or in an Arctic or Antarctic station, some of the best science fiction takes place in an isolated setting. More precisely, such locations are the convention of the narrower genre of sci-fi horror, in which remote environments combined with tight, claustrophobic spaces are perfect for the unleashing of our worst fears. This is, of course, obvious to any viewer, who recognizes these are places difficult or impossible to escape or be rescued from. But more importantly these settings allow for psychological conflicts that parallel, heighten or even overshadow the genre's typical conflicts with aliens, sentient computers or supernatural beings.
Take Larry Fessenden's latest film, The Last Winter, which is set in an Arctic station and follows all the rules of the sci-fi horror genre, while almost completely leaving out the physical conflict. Yes, it features a supernatural threat, but it doesn't need one, because the film works so brilliantly as simply a psychological mood piece. In most of these kinds of films, the creature or villain is the pay-off for the audience that seeks some sort of spectacle, or at least some material baddie to make for a cinematically appropriate, externally battled climax. In The Last Winter however, the spectacle actually falls flat because it consists of disappointingly horrible special effects.
Sundance Review: Delirious
Filed under: Comedy », Drama », Independent », Sundance », Theatrical Reviews », Cinematical Indie »
Satire is not a blunt instrument. In the hands of an overzealous filmmaker, jokes and pointed barbs can readily fly over your head, leaving you to think "Hey, wait, was that supposed to be funny? Cuz it kinda was." (Or, even worse, the satire is presented in such a ham-fisted fashion that the insight ends up buried beneath moronic punchlines) Such is quite definitely not the case in Delirious, a poker-faced but insightful and amusing comedic drama that takes square aim at pop stars, paparazzi and stargazers without ever settling for the obvious joke or the predictable punchline. This comes as no big surprise to me, considering that the writer/director of Delirious is Tom DiCillo, frequent Jim Jarmusch cinematographer and rather astute filmmaker in his own right. (DiCillo gave us Johnny Suede, The Real Blonde and -- one of my favorite movies about filmmakers -- the excellent Living in Oblivion)
Delirious is the tale of a kind-hearted but depressingly unfocused homeless kid called Toby (played brilliantly by Michael Pitt) who starts an unlikely friendship with a fast-talking paparazzi photographer named Les (Steve Buscemi, as good as he's ever been) and somehow manages to find himself in close proximity to K'harma Leeds, a teen idol pop sensation who is as beautiful as she is obtuse. (As the pop star, Alison Lohman is nothing short of stellar; she avoids the really obvious digs on Lindsay, Brittney and Paris ... but she sure does nail 'em to the wall anyway)
Jeremy Renner Wants To Be An Avenger
Directors We Love: Jim Jarmusch
Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'
Shelf Life: Fight Club_thumbnail.jpg)
Watch: Famous 'Matrix' Scene Re-Created with LEGOs
_thumbnail.jpg)
