kevin kline Tagged Articles at Cinematical

Steven Spielberg's Abraham Lincoln pic will definitely have a run for its money if it ever gets made. Robert Redford is cooking up one hell of a roster for his drama The Conspirator, which focuses on Mary Surratt's involvement with the assassination. Now Variety reports that the filmmaker has lined up the rest of his cast. First, as we already learned: Robin Wright Penn will play Mary Surratt, "the only female charged in the conspiracy to kill" Lincoln. She was said to have given John Wilkes Booth and David Herold weapons. James McAvoy, meanwhile, will play Frederick Aiken, the war hero and man tapped to defend her in court. And now:

Tom Wilkinson -- Reverdy Johnson, a Surratt sympathizer and mentor to Allen, who was the former attorney general and U.S. senator.

Evan Rachel Wood -- Anna Surratt, daughter of Mary. She later had to fight for her mother's remains.

Kevin Kline -- Edwin Stanton, Lincoln's War Secretary who took charge of the crime scene after the assassination. He was very involved in the entire proceeding, including concocting a rather unique and painful hood for the accomplices while on trial.

Alexis Bledel -- Sarah Weston, the young Aiken's wife.

Justin Long -- "a role" ... The trade outlined everyone's role but his. Will this be, I dare say, Lincoln? (hah.)

Frankly, Kline would be enough to sell me, but I'm impressed both by the fresh story picked (and all the aspects Redford has to choose from), and the heaps of talent laid on it -- a mixture of names we'd expect and some surprises as well. Could this be a big twist for Long, perchance?

Hearing that Kevin Kline is starring in a new film always sets off my alarm, eagerly hoping for something like The Anniversary Party or A Midsummer Night's Dream (and not Trade or The Pink Panther). And this just may be it... Variety reports that Klein, Paul Dano, John C. Reilly, and Katie Holmes have signed on for an adaptation of Jonathan Ames' The Extra Man. Shari Springer Berman wrote the script with Ames, and will direct along with American Splendor director Robert Pulcini.

The book follows a troubled young man (Dano) who gets a teaching job in New York City and ends up living with an "elderly eccentric" (Kline) who spends his time as "the extra man" for rich old women on the East Side. (Ouch. The thought of Kline as "elderly" truly saddens me...) While the old man teaches him some tidbits about city living, like how to sneak into Broadway plays, the younger roommate struggles with his uncertain sexual orientation with cross-dressing and forays into "New York's transvestite underworld."

There is no word on who Reilly or Holmes will play, but maybe one of the book's fans could shed some light on character possibilities? Not that it really matters -- just the thought of Kline, Dano, and Reilly together is enough to sell me, and I'm dying to see what Dano and Kline do with their roles. And who knows? Maybe this will mean a big comeback for Holmes as well (as a big-screen actress) -- she was wonderful in the last film she shared with Klein -- Ang Lee's The Ice Storm.

Mice have enjoyed a great ride in the movies. The animated variety first rose to prominence thanks to Walt Disney's Mickey Mouse in the late 20s, enjoyed a rebirth as heroes in the late 70s and 80s with The Rescuers, The Secret of NIMH, The Great Mouse Detective, and An American Tail, and overflowed into live-action territory a few years later with Stuart Little. More recently, Flushed Away was a superior entertainment about a spoiled upper-class mouse who must learn to survive in the wild and wooly sewers, while the superb Ratatouille gave a rat a rare favorable turn in the spotlight as a culinary artist.

Adapted by Gary Ross (Pleasantville, Dave) from the award-winning book by Kate DiCamillo, The Tale of Despereaux features both a rat and a mouse in leading roles, but the self-described fairy tale is much more than a slapdash character study of two rodents. The setup makes it sound like a cousin to both Flushed Away and Ratatouille: a disgraced rat must learn to survive in a dark dungeon, a mouse develops a friendship with a human, and gourmet soup features prominently. Yet as the tale unfolds, it deepens and broadens its themes to a welcome degree. Though it never climbs too far above average and too often embraces the familiar, Despereaux remains a gentle and nurturing children's story, imparting lessons without being too condescending to its audience.

While Despereaux is aimed squarely at the little ones, adults may enjoy the top-notch animation and appreciate the above average performances by a celebrity voice cast (Matthew Broderick, Dustin Hoffman, Emma Watson, Tracey Ullman, Robbie Coltrane, Kevin Kline, William H. Macy, Stanley Tucci) that is well matched to the characters they play, which is a rare pleasure indeed.

Disney has Pixar. Fox has Blue Sky. Paramount has, for now, Dreamworks. As seemingly the last studio to get into animated features, Universal has offered up the trailer for their maiden effort, The Tale of Despereaux, over at Yahoo! Movies.

Based upon the 2003 Newbury Award-winning novel by Kate DiCamillo, the film follows the adventurous antics of Despereaux (voiced by Matthew Broderick), a mouse with large ears and - I'm just guessing here - an even bigger heart, as he bucks the status quo of cowardice that seems to have imprisoned his kind to a fearsome existence.

Besides being an animated tale of a brave rodent with a tongue-tricky title and thus fated to merit comparison to those which have recently set lofty standards for similar fare, this project genuinely looks and sounds pleasant enough for all its yay-for-being-yourself familiarity. Besides, there's only more hope to be had when we're looking at a voice cast that includes the likes of Broderick, Kevin Kline, Dustin Hoffman, Sigourney Weaver, Stanley Tucci, William H. Macy, and Tony Hale, not to mention a Harry Potter veteran or two.

With its eye on the year-end holiday season, The Tale of Despereaux is scheduled to hit theaters on December 19th.

When it comes to sifting through all actors responsible for portraying the most powerful man on the planet, there's no shortage of options. John Travolta did a great Bill Clinton impersonation in Primary Colors and Timothy Bottoms delivered a near-perfect imitation of George W. Bush in both D.C. 9/11: Time of Crisis and That's My Bush! Neither one comes across as particularly flattering, so presidential nominee Barack Obama has chosen a safer bet: At a recent party in Los Angeles, Obama revealed that he prefers Jeff Bridges' conflicted commander-in-chief in The Contender. Granted, he may have said this simply to keep his audience happy -- in this case, Contender director Rod Lurie, one of the attendees who was willing to plop down $28,000 for the event. "'I just plugged your movie," Obama told Lurie, according to a report the director sent to Hollywood Elsewhere's Jeffrey Wells.

Still, when you're under the kind of intense scrutiny that Obama currently endures, Bridges actually seems like a pretty safe choice. Choose Anthony Hopkins in Nixon and it sounds like you're endorsing the bad guy. Choose Kevin Kline in Dave and you come across as disingenuous. Choose Peter Sellers in Dr. Strangelove and somebody will call you incompetent. Bridges, on the other hand, plays a fierce leader bound to his moral convictions. Of course, Obama also expressed sympathy over Lurie's short-lived television show Commander-in-Chief, which featured Geena Davis as the first woman president. Perhaps it's no coincidence that he and Hillary have publicly made amends.

Indiana Jones -- he's got to be Harrison Ford, doesn't he? Okay, we had young Indiana Jones characters -- River Phoenix in the opening sequence of Indiana Jones and the Last Crusade, and Sean Patrick Flanery in The Young Indiana Jones Chronicles -- but I never really thought of Indy as a character who could be cast in any other way. You know, you figure the part in Raiders of the Lost Ark was practically written for Ford, who'd been in a couple of George Lucas films before that anyway (Star Wars and American Graffiti).

However, that assumption couldn't be more wrong. I've been digging around on that great source of reliable information, the Internet, and reading all kinds of stories about the casting of Indiana Jones. The general gist is that Steven Spielberg was interested in Ford, but Lucas didn't want to be one of those directors who cast the same guy in all his movies. So they tested a bunch of other actors, and were seriously interested in one who had to back out ... and then ended up with Harrison Ford after all. We are all profoundly grateful. But let's take a look at some of those actors allegedly under consideration, and a few more that I threw into the mix just for fun. (I picked only actors who were alive and the right age at the time, which is why you don't see Steve McQueen on the list.)

Time really does fly. It has been thirteen years since Kevin Kline wooed Meg Ryan in French Kiss, where he got to play a theiving French man who could teach someone to pull out the complex flavors in wine in seconds. It's not Shakespeare, or storms of ice, but it has its moments. And now, he gets to play a French man for real -- in French! The Hollywood Reporter posts that Kline has signed on for his first French speaking role in Caroline Bottaro's drama Queen to Play (Joueuse).

This is the chess film I blogged about back in November, which focuses on "a hotel chambermaid who develops an obsession for chess." Bruno Ganz was attached, but now it looks like he is out. Instead, Klein will be rejoined by his Anniversary Party co-star Jennifer Beals, plus Sandrine Bonnaire and Francis Renaud. Bonnaire will play the chambermaid who is "captivated by a romantic couple (Beals and Renaud) playing chess while staying at the Mediterranean island hotel where she works. The doctor (Kline) whose house she cleans reluctantly becomes her mentor in the game, leading her to a chess tournament and initiating major transformations in her life."

Avast readarrs! Today be Septembarr 19th -- Talk Like a Pirate Day, where land lubbers lounge with arrsome pirate lingo without pillaging saucy wenches, donning patches, or walking the plank. Ye might ARR the day away, or watch yeself some Petarr Sarrsgarrd. But maybe ye like to pull out the bung, drink up ye Grog, and fire up the VCARR. If ye do, here be a treasure chest of movie booty and pirate kings. Godspeed!

Sorry, this is as far as my pirate-speak goes!

The Pirate King -- The Pirates of Penzance (1983)

In 1980 New York City theater producer Joseph Papp fired up The Pirates of Penzance for his Public Theater, with a young Kevin Kline cast as the Pirate King. It was so successful that the cast brought it to Broadway, and then onto the big screen with almost everyone reprising their roles (Angela Landsbury was the lone change). Kline swaggered, swung his sword, and wrapped his tongue around 'often' and 'orphans,' because -- he is the Pirate King, Taran-tara, Taran-tara, and it is, it is a glorious thing to be a Pirate King!

I grew up watching Shakespeare. I've seen every one of his plays performed at least once, and some of them many times. That being said, I've never been a big fan of Kenneth Branagh. I admire his dedication to the bard, and can't deny his talent, but he's never really grabbed me. However, that bugger had to go find my weakness and cast my beloved Kevin Kline as Jaques in his latest adaptation -- As You Like It. The film doesn't have a stateside release date yet, although it was released in Italy last year, but we've now got a trailer.

Branagh has changed things up again for his version of the comedic romance. Instead of all the forest fleeing coming at the hands of familial persecution and hot-headedness, it seems that they all head to the Forest of Arden because of... a ninja attack? Why? Because they're in Kyoto! It looks a bit less jarring then it sounds, and beyond this new twist, the trailer shows all the pressing bits. Kline's Jaques is joined by Bryce Dallas Howard as the cross-dressing Rosalind, Romola Garai as Celia, Alfred Molina as Touchstone, Adrian Lester as Oliver and David Oyelowo as Orlando. There's silliness, dancing, buildings on fire and Touchstone even seems to be doing a touch of Tai Chi. Branagh missed the mark with Love's Labor's Lost, so hopefully we can find out soon if he's got his game back. If the trailer is any indication, I'd say he has.

[via Film Ick]

Over at our wonderful sister site, TV Squad, there is a feature that should be of interest to our movie-crazy readership as well: The Ten Worst Movies Based on TV Shows. I know what you're thinking, how could you possible limit it to ten, right? Paul Goebel has done a pretty spectacular job. I had tried to block a few of these titles from my memory, but seeing them again gave me some war-like flashbacks of struggling through these trainwrecks. Lost In Space more than lived up to its name and wasted a stellar cast, Car 54, Where Are You? is a question no one would ever ask again, and The Mod Squad with Claire Danes should have been called My So-Called Movie.

Wild Wild West is a great call, I can't believe at no point during filming did someone say, "Really? We're doing this?" It also features one of Will Smith's absolute lamest "Let me tell you the plot of my movie!" raps, including the immortal line: I'm the slickest there is. I'm the quickest there is. Did I say I'm the slickest there is? You didn't have to, Will. You didn't have to. Movies based on television programs are almost always disasters. There are exceptions of course. Off the top of my head, The Fugitive is one of the best thrillers ever made, Maverick rocked, and both Addams Family movies are terrific black comedies. But boy, do they get it wrong most of the time. I shudder to think what they'll try to do to something like my precious Seinfeld down the line! I couldn't agree more with Paul's choice of The Avengers as number one, I would actually rank it near the top of my "Worst Movies Ever Made" list. To quote Get Shorty, I've seen better film on teeth.

Rounding out the TV Squad list are George of the Jungle, McHale's Navy, The Flinstones, Scooby-Doo, and Leave It To Beaver. What would you add to the list? For me, The Adventures of Rocky and Bullwinkle would have ranked #2, it was so painful to watch Robert DeNiro take a big poo all over his legacy.