kit kittredge an ame... Tagged Articles at Cinematical
Indie Weekend Box Office: 'The Wackness' Whacks the Competition
Filed under: Comedy », Documentary », Drama », Foreign Language », Independent », Box Office », Family Films », Cinematical Indie »
What's the formula for success? Teens, drugs, Ben Kingsley kisses and 90s nostalgia, evidently. Jonathan Levine's The Wackness scored the best per-screen average of the weekend -- $24,166 -- at six theaters in New York and Los Angeles, according to estimates compiled by Box Office Mojo.
On the other hand, French thriller Tell No One packed them in without any of those elements, earning $20,120 per-screen at eight theaters, according to Leonard Klady's estimates at Movie City News. As somebody once said: C'est la vie.
At the one theater in Los Angeles where it opened, the box office went Kabluey for the film with the same name ($7,900 in receipts) while Alex Gibney's entertaining, if schematic, doc, Gonzo: The Life and Work of Dr. Hunter S. Thompson, made $7,307 per screen at 26 theaters celebrating independence across the nation.
Not as many were interested in Holding Trevor ($3,400 per-screen at 2 theaters) and audiences declined interest in Diminished Capacity ($2,830 per-screen at 4 theaters). You can read more about all these releases in Indie Spotlight, the new column by Eric D. Snider.
Notable holdovers include Trumbo ($4,233 per-screen average, 6 theaters, 2nd week of release); Mongol ($3,490 per-screen, 253 theaters, 5th week); Brick Lane ($3,451 per-screen, 31 theaters, 3rd week); Roman de Gare ($2,400 per-screen, 37 theaters, 11th week), and The Visitor ($2,017 per-screen, 176 theaters, 13th week).
Kit Kittredge: An American Girl broke into the overall top 10, expanding to more than 1,800 theaters and drawing $1,953 per screen -- but that's a very disappointing figure after the gangbusters box office of its very limited first two weeks of release. The film has grossed more than $6.1 million so far.
Indie Weekend Box Office: American Girl 'Kit' vs. French 'Mistress'
Filed under: Documentary », Drama », Foreign Language », IFC », ThinkFilm », Box Office », Family Films », Cinematical Indie », Samuel Goldwyn Films », Picturehouse »
Despite dropping more than 50% in its second week of release, Kit Kittredge: An American Girl (Picturehouse) outdrew all other specialty releases over the weekend, earning $21,200 per screen at five theaters, according to estimates compiled by Box Office Mojo. Directed by Canadian indie veteran Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Kit Kittredge has clearly benefited from a devoted fan base that convinced thousands of their parental units to fork over $20 per ticket -- which, to be fair, includes a limited-edition t-shirt -- to see the movie in advance of its wide release tomorrow. That's a very good performance when you consider its main competition was not, actually, a French-language flick that skewed very adult, but actually a heavily-advertised animated film.
Catherine Breillat's The Last Mistress (IFC Films), starring Asia Argento, took in $17,600 per screen at two locations, which probably owes as much, if not more, to the name recognition of Argento as that of the often-confounding Breillat.
Weekend Box-Office: 'Get Smart' Wins; 'Love Guru' Can't Hack It
Filed under: New Releases », Box Office »
Both of last week's new releases dropped like a rock to make room for Warner Bros.' Get Smart, which landed smack in the middle of expectations with a nice $39.2 million bow. As many people guessed, toxic word-of-mouth on The Happening led to a steep drop -- 67% -- and a fifth place, $10 million finish for the Shyamalan thriller. The $50.3 million cume is far from an embarrassment, but the descent is hopefully a signal to the filmmaker that he needs to, if not go back to the drawing board, at least steal a glance at it. Slightly more surprising is the 61% drop for The Incredible Hulk, which finished third with $21.6 million. That's a measurable improvement on the 69.7% hit that Ang Lee's Hulk took in 2003, but the new film is still running behind the old one, and its lack of legs in a summer where big movies (Iron Man, Indiana Jones) have held up admirably might be an indication that the "less arty" reboot didn't solve the problem with the franchise, whatever that may be.
Indie Weekend Box Office: American Girl 'Kit' Leads Them All
Filed under: Action », Comedy », Drama », Foreign Language », IFC », Sony Classics », Box Office », Family Films », Cinematical Indie », War », Picturehouse »
I noticed an unusual number of young girls clutching dolls at a multiplex on Saturday afternoon. This made me very nervous. I know it's summer and school's out, but the early Saturday crowd tends to be non-teenage people like me who try and catch up with the latest Hollywood releases without the distractions of the Friday/Saturday night teen crowd. What were all the young girls coming to see? Kung Fu Panda? Get Smart? Sex and the City? Nope, the hordes of girls were lining up politely to see the latest trendy indie release: Kit Kittredge: An American Girl. One of the last three releases from distributor Picturehouse, which is due to shut down completely very soon, Kit Kittredge may be based on a doll, yet has further indie cred thanks to Little Miss Sunshine star Abigail Breslin. And maybe all those little girls will grow up to write their own Juno some day? In any case, the film opened in five theaters in five cities, two weeks in advance of a wide release, and grossed a super impressive $44,600 per screen, according to estimates compiled by Box Office Mojo.
Picturehouse also scored with another one of their last-gasp releases, the Mongolian war-mongering Mongol, which expanded to 94 screens and turned in a muscular performance of $7,914 per screen.
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