So maybe I was a little late to the party, but over the weekend I finally caught a screening of Observe and Report and as I wandered from the theater in a misanthropic haze, I began to wonder: Just how funny is Seth Rogen? Being hailed "the new hero of comedy" is a lot of pressure for anyone -- and don't get me wrong, I'm not saying I don't like the guy; I know he's a great writer and a whiz at improv, but after getting a load of the darker side of Rogen's range as Ronnie Barnhardt I was kind of happy to see that maybe he wasn't the soft and fuzzy stoner (not to mention one-note wonder) that Hollywood would like us to believe.

Think back to 1999 when Rogen made his acting debut in Judd Apatow's Freaks and Geeks as the acid tongued 'freak', Ken Miller; it was a role that was perfect for Rogen's sarcastic laid back style, and he's been doing a variation of it ever since. Whether it was Cal from 40 Year Old Virgin, Ben in Knocked Up, or Zack Brown in Zack and Miri Make a Porno, each character wasn't necessarily someone you wanted to bring home to Mom, but they charmed audiences nonetheless. Sure they were all kind of jerks, but they were all loveable jerks, and more importantly they were relatively 'toothless' when it came to their bad behavior -- compared to Ronnie, Officer Michaels was practically a choirboy.

Every once and awhile we here at Cinematical like to hop on over and visit our disturbed friends at Worth1000 to see what new (and inspiring) photoshop contest they're currently promoting. Well, not long ago they ran one called Movie Anagrams, and the rules were pretty simple: Find a movie poster, create a new anagram based on the film's title and alter the original poster to fit that new title. Users were not allowed to add any letters to fit their new title, and so they had to create an anagram from only the existing letters.

The contest itself was inspired by the number of people who were messing around with the title of the latest James Bond flick, Quantum of Solace, and the end result produced some pretty hilarious movie posters -- like the one above, which is obviously a spoof on the poster for Knocked Up. We've added a few of our favorites to the gallery below, so check them out. You can see the rest over at Worth1000.

This is a very cool little tool, especially for those of you movie nerds stuck in cubicles all day long with nothing but the latest hipster wannabee music to listen to. A good friend of mine just sent over a link to this site called Listen To A Movie, which boasts right on its main page that it's "For The Cubicle Workers Of The World." Essentially, it's exactly as it sounds: There's literally hundreds of films that you can just listen to. Not only that, but some of them even give you the option to also listen to that film's commentary! Does it get any better?

Once you click on a movie title, it gives you the cast, the year it came out, its IMDB rating and its user rating. Additionally, the ratings, year and genre are also listed next to the title on the main page -- and you can search by any one of these categories as well. It doesn't look like they have any 2008 films yet, but a bunch of flicks from 2007 are on there, like Knocked Up, Transformers and Wild Hogs. Pretty neat tool if you ask me, so try it out and let us know what you think.

[Thanks Aaron and Dana!]

Above: Rainn Wilson lets his hair down for The Rocker.

Fans of Rainn Wilson's offbeat, hilarious and strangely endearing performance as Dwight Schrute on NBC's The Office might expect him to transition into film work with straightforward comedy, and The Rocker confirms that suspicion. However, they might not realize the serious professional motives behind his choice. In the movie, directed by Peter Cattaneo (The Full Grown Monty), Wilson plays a grown-up dolt named Fish with a scary fixation on classic rock. Abandoned by the band Vesuvius in his teens -- before they became a commercial phenomenon -- Fish spends the next twenty years working deadbeat jobs and wishing things happened differently. Naturally, he gets a second chance: When the opportunity rolls around to drum for his nephew's high school, Fish goes for it. Ageism and slapstick humor ensue.

While not exactly a classic, The Rocker proves Wilson has the charisma to carry a movie. The script could use some polishing, but Wilson manages to play a completely dysfunctional human being without ever becoming an annoyance. It's a testament to his skill as an actor with calculated timing. The humor emerges from the naturalism of his performances, which make you believe in the outlandish characters he portrays. In a conversation with Cinematical recently, Wilson elaborated on his particular strategies as his career advances, reminisced about his days as a New York theater actor, and shed some light on a few upcoming projects.

According to a report conducted by Nielsen PreView published today in The Hollywood Reporter, R-rated comedies don't do so hot at the box office. The timing of these findings seems odd, considering that Step Brothers made a solid $30 million last weekend, while analysts are predicting that another summer comedy slapped with the restricted label, Tropic Thunder, will collect at least that much. Right in the middle of those two releases comes Pineapple Express, which, like Step Brothers and Tropic Thunder, has a built-in core audience interested in raunchy masculine humor. The findings of this report suggest that larger audiences don't want to attend R-rated movies, but it's sort of a pointless observation because R-rated comedies are only made for people who want to see them. Everyone else can check out You Don't Mess with the Zohan.

Of course, there is the occasional R-rated comedy with cross-over appeal, such as Knocked Up, but studios are probably hesitant to make many of those when a safely PG-13 Juno will suffice. Anyway, it's usually not difficult for Hollywood movies to trim a few vulgarities or the fleeting shot of exposed skin in order to knock down the rating a notch and maximize turnout. Horror films are a different story: They usually make bank with the R-rating intact.

Speaking to the 18 and over audience here: Do ratings play any role in the movies you choose to see?

Well, we knew it wouldn't be too long before writer/director's Jason Friedberg and Aaron Seltzer tortured us with yet another one of their awful "spoof" movies. And I put the word 'spoof' in quotations because I don't believe they're making spoof films; they're making sh*tty films. It's a whole new genre. Moviehole tells us the two dudes behind such instant microwave classics as Meet the Spartans and Epic Movie will next give us Goodie Two Shoes. Apparently, the "film" will follow "a group of friends who go on a life-changing adventure."

MH tells us the main movie being "spoofed" here is Superbad, which means the "group of friends" in the description will probably resemble Jonah Hill, McLovin,' etc ... I wouldn't even be surprised if they threw in a few cracks at some other Apatow films like Knocked Up and Forgetting Sarah Marshall. What was that? The latter film hasn't even come out yet? Oh, I know -- but that won't stop these boys from spoofing it. In fact, MH says they'll also be going after Will Smith's Hancock, Sex and the City and The Love Guru. WTF? So now we're writing jokes about films that haven't even hit theaters, and won't for a couple months? I can't. I won't. Where's the gun?

Jeff Wells is beating his drum again about Jason Reitman casting Ellen Page in the role of Juno, asserting that most high school guys -- even the dorkerific Michael Cera -- wouldn't find her attractive, much less want to have sex with her. Wells first brought this up back in December, calling Page "great but miscast," and got ripped a new one by many of his readers for it, but maybe he just likes the abuse ... or stirring up a little controversy.

Having just interviewed a pack of highschoolers for their Oscar predictions (more on that later) and hearing what they have to say about Juno, the film, and Ellen Page as Juno, the character, I think Wells must be smoking something, or else he's just been living out there in La-La Land for way too long.
If it's believable that women would find Seth Rogen's character in Knocked Up sexually attractive, it's certainly plausible that high school guys would be hot for a smart girl like Juno, even if she's not a blond cheerleader with big boobs. What do you folks think? Do guys go for the smart, sassy, somewhat dorky chicks, even if they're petite and perky rather than Hollywood-hot (whatever that is)? Discuss away ...

What makes a film romantic? Is it the setting, the dialogue, the actors, the sex? And when your snuggling up next to your significant other this Valentine's Day, which films will you prefer to slide into the DVD player? Moviefone has assembled the definitive list -- the top 25 romance films of all time -- and now it's up to you to decide what they got right, what they got wrong and what they didn't get at all. Of course, Casablanca tops off the list at number one (is there a list in which Casablanca is not featured in the numero uno spot?), but following closely behind are Titanic (#2), Wuthering Heights (#3), An Affair to Remember (#4) and Gone with the Wind (#5). Obviously, when we're talking romance flicks, they don't make them like they used to.

When it comes to films made within the past few years, we don't find one until Brokeback Mountain shows up at number 12, followed by Eternal Sunshine of the Spotless Mind at number 15, and last year's Atonement at 18. Personally, I have a few issues with placement -- not so much with the films themselves -- like why Sleepless in Seattle is at 25 when it should've been higher. Films that didn't make the cut? Surprisingly, not many romantic comedies made the list. Even though they rely more on humor, some of us enjoy a little laughter with our cheesy romance. That being said, why not throw When Harry Met Sally a bone? Or even last year's Knocked Up? Either way, let us know what you think about the list below -- which films belong in different spots, which don't belong on the list at all and which are your favorites?

Well, I bet I can name one awards ceremony that won't be picketed this year, home-skillet. Yup, the WGA (Writer's Guild of America) have announced their nominees in three different screenplay categories today, and while there weren't any big surprises, one film did stand out among the rest. Nominated for best original screenplay was something called Knocked Up, written by Judd Apatow. Not sure where that one came from; I haven't seen it nominated for anything else this year, so perhaps there's a mistake somewhere. Maybe I'll write a letter:

Dear WGA: I think you're mistaken in nominating this film called Knocked Up for best original screenplay. No one else is nominating it for anything because I believe it's too funny. And, c'mon, if something is that funny, it certainly doesn't deserve a special award, right. Please remove it from your list like everyone else has been doing. Good Day.

Anyway, joining Knocked Up in the best original screenplay category is ... JUNO ... and then a bunch of other films. Do their names really matter; can't we just skip all this junk and name Diablo Cody Screenwriting Goddess of the Decade? In the best adapted category, we have names like Ethan and Joel Coen (No Country for Old Men), Paul Thomas Anderson (There Will be Blood), Ronald Harwood (The Diving Bell and the Butterfly), Sean Penn (Into the Wild) and James Vanderbilt (Zodiac). Wait. Zodiac? Holy sh*t! Someone actually remembered that film. Nice. The WGA will hold simultaneous awards ceremonies in LA and NYC on February 9.

See all the nominees after the jump, courtesy of The Hollywood Reporter.

UPDATE: Variety now tells us that the WGA-W has canceled its own awards ceremony in Los Angeles, while the WGA-E is still deciding whether they will also cancel the awards ceremony in New York.

The best movie year since 1999, 2007 offered a staggering bounty of cinematic delights. I keep track of all the movies I see in a given year and give each a letter grade, "A" through "F". Usually my Top Ten list consists of all of the "A's" and a few "B's." This year, "A" pictures made up my top twenty. With so many great films, I won't wallow through a "Worst of the Year" list, I'll simply present you with a few that didn't fully satisfy:

The Biggest Disappointment: The Darjeeling Limited -- A Louis Vuitton commercial stretched to feature length. The Darjeeling Limited is a perfect title for the film because it makes plain what a limited filmmaker the once great Wes Anderson has become. Hey Wes, people running in slow-motion while a Kinks song plays is always going to look pretty neat. But if there's absolutely nothing else going on in the scene, then that's all it is -- people running in slow-motion while a Kinks song plays. We all think it's really cool that you like The Kinks. Hell, I love those guys! The Rolling Stones are awesome, too! But I wouldn't ask them to do my job for me.

and...

The Biggest Question Mark: There Will Be Blood

Undoubtedly one of the year's most impressive technical achievements, There Will Be Blood is frequently stunning. It's so stunning, in fact, that it's easy to overlook how infuriatingly empty it all is. The film focuses on two main characters, and neither one changes a lick in thirty years and 158 minutes. How did Paul Thomas Anderson, creator of such deeply emotional rides as Boogie Nights, Magnolia, and Punch Drunk Love come up with a movie completely devoid of human emotion? (I'm not counting greed.) Beautiful, brilliant, and boring in equal doses, I've seen Blood twice, and I still don't know if it's a masterpiece or a mess. I just know I felt...nothing watching it. It's as hollow, as frustrating, as difficult to know as its "hero," Daniel Plainview.

On to my list. First, ten that didn't quite make the cut. Here's #20 through #11: (#20) Breach, (#19) Once, (#18) The Diving Bell and the Butterfly, (#17) Sicko, (#16) Sweeney Todd, (#15) The Lives of Others, (#14) Eastern Promises, (#13) Zodiac, (#12) Atonement, (#11) Before the Devil Knows You're Dead

And my Top Ten is after the jump...