largo Tagged Articles at Cinematical

First, he gets a mainstream comic actor to act in a contemplative art house narrative with Punch-Drunk Love. Now, he's putting two of them on a stage. According to cigarettes and red vines, Paul Thomas Anderson has written and directed a play in Los Angeles with Saturday Night Live stars Maya Rudolph (Anderson's partner) and Fred Armisen. It premieres at the Largo on August 5, but specific details about plot remain unrevealed. Still, the prospects of seeing Anderson's eerily detached style in a live performance are intriguing, to say the least. As Slashfilm points out, the production has a few logical attachments to the filmmaker's past: Anderson directed a short film for SNL back in 2000, and Rudolph starred in Robert Altman's A Prairie Home Companion, which Anderson may or may not have ghost-directed in parts.

Now that Anderson has proven he can craft epic period pieces of the raunchy (Boogie Nights) and morose (There Will Be Blood) kind, he's reached a point where audiences will basically allow him to take them wherever he wants to go. The dynamics of the stage, however, differ greatly from those of the cinema. Since the name and subject matter are a mystery, there's a lot left to the imagination. Will Anderson allow Rudolph and Armisen to unleash their comic potential? Or is that a milkshake I hear brewing?

Operating out of a small space on Fairfax, the nightclub Largo quickly became more a legend than a venue. Intimate and loose, part of the appeal of Largo is that you literally never knew (I only use the past tense as the club has moved from its Fairfax location to a larger venue on La Cienega in the past month) what, or who might turn up. Largo's where Jack Black and Kyle Gass did some of their earliest work as Tenacious D; Jackson Browne's dropped in to sing a few songs. John C. Reilly has hosted casual, extemporaneous chat shows there; composer Jon Brion (best known for his work on Paul Thomas Anderson's Magnolia and Punch-Drunk Love) has held shows where he alternates constructing songs out of intricately arranged loops of instrumental figures he records live and composes and conducts on-stage with spirited cover versions of requests shouted out from the audience.

Co-directed by Largo manager and co-owner Mark Flanagan and Andrew van Baal, Largo recreates the Largo experience; loose, smart, random and unique. Mixing concert musical performances with snippets of comedy, the final film makes you feel like you've been to Largo, even as the more elegant notes in the black-and-white composition and the vignettes of the club's rhythm and tempo between the acts make it abundantly clear you're watching a film that was constructed and not just a tape that was turned on.