The fairly adorable Isla Fisher may have already won some hearts in this past February's Definitely, Maybe, but now she's developed a taste for the Prada lifestyle in next February's Confessions of a Shopholic, the trailer for which we've embedded above (sorry that it's slightly squeezed).

I'm a little less sure what the name of producer Jerry Bruckheimer is doing on this next big chick-lit adaptation -- which looks like The Devil Wears Prada infused with Legally Blonde and some ungainly slapstick -- though the man did make some modest bucks off of Coyote Ugly back in the summer of '00. Though next winter seems slight in terms of fluffy rom-com-petition, this puppy will be facing off against the considerable star power of He's Just Not That Into You for Valentine's Day box office glory.

However, with any luck, this role could prove that Fisher is the next Amy Adams (or, at the very least, someone not to be merely mistaken for her).

The movie-turned-musical fad isn't just for rock-themed movies and cute romantic comedies anymore. Recently, I blogged about the Weinstein Co.'s plans to adapt Oscar fare like Shakespeare in Love and Chocolat for Broadway. Now, Variety reports of another Oscar nominee that's headed for the stage: Daens. Never heard of it? Maybe that's because it was up for the Best Foreign Film Academy Award 15 years ago and yet despite that honor, it doesn't seem to have ever played in U.S. theaters. The Belgian period drama won't be competing against other movie-turned-musical hits like Legally Blonde and Hairspracy, though -- at least not yet. Instead the production opens outside Antwerp this October.

Here's why it could successfully make it's way across the Atlantic: Variety compares the scenario of Daens, about a priest attempting to improve conditions in the textile industry in the 19th century, to Les Miserables, which has been an enormous hit on Broadway (as well as in London). Also, though the musical will be bilingual, with some characters speaking Flemish and others speaking French, there will be subtitles, which could also be used if a Broadway version wanted to retain the original languages. Of course, I don't know that the same tourists currently making Legally Blonde a success will want to flock to a musical they have to read. And it might make singing along a little awkward, too.

After viewing the trailer for Anna Faris' new comedy The House Bunny for a second time, my review can only be summed up by the immortal words of Han Solo: "I've got a bad feeling about this." You can now check out the trailer above for the Playmate comedy starring Faris as a down-on-her-luck Playboy bunny named Shelley who becomes the den mother to a 'socially clueless' sorority.

Faris is joined by Rumer Willis, Kat Dennings and Katherine McPhee (of American Idol fame) as the loser girls of Zeta House. As Shelley teaches them about the important things in life like lip gloss and dancing in high heels, she learns valuable lessons about being not hot ... or something. The only real question I had after watching the trailer was how did Colin Hanks get talked into doing this movie?

In 2003, I trudged to my local neighborhood theater and watched Evil Dead: The Musical. And then I watched it again. It was unique, crazy, fun, and pretty much perfect. Still, I never thought it would ever go beyond the walls of small Annex theaters in Toronto -- until it went to Montreal for Just for Laughs, and then New York City, and now, even a production in Seoul. I loved it for being unique, different, and from the hands of people only a few friends removed. But I never dreamed what would come in its wake.

These days, everything is becoming a musical. It's super-hot -- we've got horror musicals, musicals based on shows/films based on musicals, you name it. It's the unfortunate, money-grubbing result of popularity. Once a few are popular, many will follow, trying to capitalize on the same success until we are drowned in a sea of unoriginality, desperately trying not to suffocate under the weight of copycats. Quickly, what made the breakthrough so special is tarnished, and what was cool quickly becomes the most uncool.

I desperately wish it would happen to musical remakes already. Must everything be made into a musical? Just because a certain cult horror film was surprisingly made into an uber-excellent musical does not mean that every movie can, or should, have the same fate.

I almost wrote up a fan rant this week about Paris Hilton. After a paragraph, I realized that I was stating the obvious and backed away from it all. See, she recently had an interview with MTV/VH1 where they actually noted that it was a "word-for-word" transcript in case you didn't believe it. The discussion started with Christine Lakin (her Nottie co-star) trying to explain what a primary was. Irk #1, not having the slightest clue about the political process -- and not even potentially remembering any bit of schooling I assumed she had. Why am I surprised? I don't know.

From there, it went through a bunch of b-s, and then we get to Irk #2. Farts came up, and when asked: "So, Paris, even when you're at home by yourself, you don't occasionally let one rip?" she responded with: "No! Girls don't do that. Ew." Oh yes, that's right. Our skin is always perfect, we never fart, we don't grow excess hair, and when we go to the bathroom, it's just to powder our noses, not to deal with anything unsightly. Good lord. Is it wrong of me to want to send over some flatulence fiends to torture her for days with dutch ovens?

Anyway... I need a little reassurance that the world isn't doomed when women like Paris are popular, so this double feature is about women who discover their brains and put them to good use. They're both blonde, and both have lots of success, so Paris, this is me hoping that there is still hope for you, and giving you a hint about where to start: a double feature of Clueless and Legally Blonde.

Earlier this year, in Knocked Up, Katherine Heigl played a television personality for E! But her character started out in a behind-the-camera role, despite the fact that she's a knock-out beauty. Now, according to Variety, the actress has been cast in a similar part. She'll play an off-screen producer of a morning show, who also happens to be "romantically challenged," in the romantic comedy The Ugly Truth, in which she must deal with a "chauvinistic" correspondent attempting to teach her how to find love. Here's where the plot description makes little sense: "His clever ploys, however, lead to an unexpected result." Unexpected? I think we all can easily predict and expect the result as being that Heigl's character falls for the correspondent. Anyone who has ever seen a screwball romantic comedy can see that one coming a mile away. When is Hollywood going to just own up to the fact that they use genre conventions and that we in the audience enjoy genre conventions (and have enjoyed them for a century now) and leave out the "unexpected" crap? Who do they think they're kidding?

The sad thing is that this not only sounds like another genre picture; it actually sounds more like the plot of Anchorman: The Legend of Ron Burgandy. But fans of that movie may not be interested in The Ugly Truth, which is being made by the collaborative team behind Legally Blonde. The script was written by Karen McCullah Lutz and Kristen Smith, who last gave us She's the Man (which I'm still not ashamed to admit I enjoyed), and it will be directed by Robert Luketic, whose last movie was Monster-in-Law (which I'm still not ashamed to admit I would never ever watch). Filming is set to begin mid-April. All we need now is a hot, irresistible, but believably chauvinistic actor to play the obvious love interest.

Oftentimes Hollywood's lack of originality leads to overexposed trends. Remember when every action movie seemed to be easily defined as 'Die Hard on a ...'? Remember when disaster movies were all the rage? And then twenty years later when they were all the rage again? Remember when there were like a hundred body-swapping comedies? Well, there appear to be fewer trends these days, or maybe it's just that Hollywood turns trends into full-blown practices, as in the case of sequels, comic book movies and fantasy films based on literary franchises. Nowadays even a promised trend, like the one involving religious Passion of the Christ copycats, isn't necessarily going to happen. But despite there being so few here-today-gone-tomorrow film fads, there's at least seven bad ideas currently in vogue in Tinsel Town, and all of them need to disappear soon, lest they too become permanent.

1. Torture Porn

I'm going to start with an easy, surely obvious one. Torture porn is the latest trend in horror, a genre that changes its predominant style every few years, and it may be the most despised -- at least by us non-horror junkies. I miss the days when a friend, an actual junkie, could drag me to a harmless scary movie that provided a few screams, a few laughs and afterward, at the most, a few silly nightmares. Now, with each new horror movie there's promise of a seriously depressing experience. After watching The Hills Have Eyes, I realized I hadn't been frightened at all. Instead I wanted to cry my heart out. I haven't been to a horror flick since, and my friend is going solo. Sure, I hear that Eli Roth's movies are a lot more enjoyable than watching a young woman raped while watching her father burned alive and her mother raped and then shot in the head, but I just haven't been in the mood to find out.

Apparently the torture porn trend is already on its way out. Hostel II performed poorly at the box office and Captivity may have peaked too soon, reaching maximum tastelessness before even opening in theaters. So what will be next? I'm rather looking forward to when slasher movies are in fashion again, when I can delight in seeing sinful human beings killed off quickly and deservedly by an implausible maniac. Which brings me to the next trend ...

Calm down there guys, her career hasn't tanked enough for Anna Faris to begin entertaining the same ideas you were entertaining after reading the title of this post. Nope, instead, Faris will star in an untitled college campus comedy for Columbia Pictures and Happy Madison. And, in the pic, she'll play an ex-Playboy bunny who packs her bags and moves into the lamest sorority house on campus in an attempt to make this group of girl nerds more popular. I imagine it will be something like Ferris Bueller meets Revenge of the Nerds ... except with females. Perhaps we can call it Van Wilder 3: The One Where Anna Faris Shows Up to Deliver One or Two Laughs?

Penned by Legally Blonde (and She's the Man, and Ella Enchanted, and ... do you a spot a theme yet?) scribes Karen McCullah Lutz and Kristen Smith, pic looks to be another female-centric fish-out-of-water comedy and should fit right in alongside Lutz and Smith's other films. Granted, it doesn't appear to be the most mouth-watering concept, but I can see it having potential. Lutz and Smith know how to write entertaining comedy for a mass audience, and I'd be lying if I said I wasn't the least bit interested in a Revenge of the Nerds-type reversal. Only problem is can they find a group of Hollywood actresses who can play "lame?" We already know there's plenty of dorky guys out there, but there aren't many recent films that feature an abundance of nerd-ish girls. Who would you cast? (Here's where someone will inevitably say, "Well, they already cast their first lame actress -- Anna Faris!")

Ok, you know how 95% of the humor in Legally Blonde (which, by the way, I quite enjoyed -- this is not a criticism) stems from the fact that Elle is in an unfamiliar environment? And how it's reliably hilarious to see anyone as a fish out of water, because we get to laugh at them without feeling too bad about it? Well, that film's writers -- Karen McCullah Lutz and Kirsten Smith -- clearly know a good thing when they see it, because they're writing a similar (albeit it law school-free) screenplay for Anna Faris, Happy Madison Productions and Paramount Pictures.

According to Variety, the untitled film -- based on an idea from Faris, apparently -- will focus on "a newly unemployed centerfold with no other skills to parlay into a new career ... [who] takes the only job she can find -- house mother at UCLA's lamest sorority." Great, a movie about a centerfold teaching "ugly" girls to take off their glasses, wear push-up bras and get popular! Just what we need.

We report periodically on movies currently being developed for the stage though the brilliance/insanity of various studios (Xanadu is my personal favorite so far -- and it's supposed to be good! Well, campy-good -- but it's not as if Xanadu could be anything else.), and it's time to tell you that things at MGM really seem to be getting out of control.

According to The Hollywood Reporter, the studio is licensing stuff like crazy: During the 2006-2007 season alone, five MGM properties will be hitting stages around the world. Among the titles? Midnight Cowboy. And get this: While not actually a musical, the thing is being described as "A play with music," which is perilously close if you ask me. I mean, good God, MGM -- have you no decency?

Other MGM films heading stage-ward in the next year or so are: The Adventures of Priscilla, Queen of the Desert, which is a musical -- and probably magnificent -- and will premiere in Sydney in October; Legally Blonde, due to bend and snap its way into San Francisco next spring; Where's Poppa?, premiering in LA in March 2007. Oh, and for those of you who can't wait to see Ratso set to music, Midnight Cowboy made its debut at the Edinburgh Festival earlier this month, and will soon open in London's West End.