malcolm d. lee Tagged Articles at Cinematical

No matter what else happens in Soul Men, it's hard not to be moved by the posthumous performances of Bernie Mac and Isaac Hayes, especially when they appear onscreen together, and more so when, in one scene, they leave a room together. At other times, however, Mac is at the top of his comedic game. He has the power to make us forget that anything is wrong in the world, including the fact that it has lost two of its best and brightest.

In Soul Men, Mac plays Floyd Henderson, one third of a legendary 1960s soul music trio. In the 1970s, the group's lead singer Marcus Hooks (played in flashbacks and photos by John Legend) embarked upon a solo career, leaving Floyd and his bandmate Louis Hinds (Samuel L. Jackson) in the lurch. They tried to continue alone, but quickly broke up due to "creative differences," i.e. they fought over a woman. Now Marcus has passed away and Floyd and Louis have been invited to perform in a tribute show at the Apollo. And since Louis doesn't fly, they must drive cross-country, which gives them plenty of time to fight and bicker. (Isaac Hayes appears relatively briefly, as himself, at the tribute.)

What a pity it is that we lost both comedian Bernie Mac and musician Isaac Hayes in such short order, and what a stroke of good fortune that they both happened to have completed their roles in the upcoming comedy, Soul Men, in which Mac's character tries to get Samuel L. Jackson to join him for a televised reunion concert.

Yahoo! Movies has released the trailer for the film, and it reflects both the best tendencies of director Malcolm D. Lee and his worst as a writer (though he isn't credited as one here). There's the good-natured nostalgia of something like 2005's Roll Bounce, balanced out with the mean-spirited and utterly un-hilarious antics of this year's Welcome Home, Roscoe Jenkins (I'm sure that if there could've been room for Jennifer Coolidge in that gem, she would've removed her dentures for fellatio there instead).

In all fairness, the writing duo that is credited were last responsible for Man of the House, so maybe we shouldn't be so surprised. I'd like to think that Mac and Jackson could make the most of the material regardless, but we can't say for sure until November 7, when Soul Men tentatively opens opposite Role Models and Madagascar: Escape 2 Africa -- for which Mac lent his voice.

Somewhere inside Welcome Home Roscoe Jenkins -- buried in frenzied improvisations and manic mugging, adrift in a sea of easy sentiment and familiar family-drama moments -- there's a kernel of a good idea, as successful L.A. self-help guru Dr. R.J. Stevens (Martin Lawrence) comes back home to the South for a family celebration. R.J.'s got it all -- the syndicated, Montel-styled talk show, the beautiful fiancée, the Hollywood good life -- but that doesn't seem to impress the family he hasn't seen in 9 years, who know him as Roscoe Jenkins. Much like Dan in Real Life, Welcome Home Roscoe Jenkins puts a self-help expert who is in desperate need of help for himself into the middle of a sprawling, squalling family, and that environment makes the distance between the persona and the person readily, painfully apparent. And, much like Dan in Real Life, Welcome Home Roscoe Jenkins skims the surface of that idea, scooping up a few laughs and a bit of drama, but it never digs too far below that, or really engages with the central plot.

Those of you anxious to see Samuel L. Jackson and Bernie Mac singing and dancing (without the aid of performance doubles) will be happy to know that Soul Men has not been affected by the strike. According to Variety, the musical road trip comedy is set to begin production January 21 with Undercover Brother director Malcolm D. Lee at the helm. Not to be confused with that beloved 1986 classic Soul Man starring C. Thomas Howell and Rae Dawn Chong, Soul MEN sounds more like a loose mix of The Blues Brothers and It Happened One Night (which one is Claudette Colbert, I wonder?). Written by Robert Ramsey and Matthew Stone (Man of the House), the movie will follow two estranged backup singers who are reunited after 20 years to pay homage to their recently deceased band leader.

It's pretty cool right now to get traditionally non-singing actors to perform their own vocals in musicals. Of course, it's a bit more exciting to think about Johnny Depp in Sweeney Todd than Jackson and Mac in Soul Men. Chances are, the most interesting thing about this movie will be the few moments we get to actually see the duo performing, while the rest of the road trip banter will be uninspired and tedious. Maybe it's just easy to be skeptical because of Jackson's last antagonistic team up, with Eugene Levy, or Mac's team up with any one (rather than any eleven, or twelve, or thirteen). Considering not even the Coen Brothers with George Clooney were able to salvage a movie scripted by Ramsey and stone, there simply can't be much hope for Lee, Jackson and Mac.

Even though Lucky Louie was permanently shelved by HBO, comedian Louis C.K. has managed to use his starring role in the underrated series to help land him a nice, cushy big-screen gig. Variety reports he'll star alongside Martin Lawrence in The Better Man, a new comedy from writer-director Malcolm D. Lee. Scott Stuber and Mary Parent are producing; C.K. also co-wrote (along with Chris Rock) I Think I Love My Wife, which hits theaters this weekend (read my review here).

Lawrence will play a popular syndicated talk show host who begins pondering the meaning of life and moves back home to the South after attending his parents 50th anniversary party. Louis C.K. will act as Lawrence's fast-talking producer -- the kind of guy who, I imagine, is desperate to knock some sense into his star and get the guy back on the air. Looking over Lee's credits, one might find it odd that the man directed a 1996 flick called The Best Man, and has now set up a film called The Better Man -- even though the two have nothing to do with one another. Should we expect Lee's next film to be called I Swear, He's Better Than the Best Man? Yeah, that wouldn't confuse too many people.