Five years ago, Roman Polanski won an Oscar for directing The Pianist. But he couldn't attend the Academy Awards ceremony, because had he entered the United States, he would have been arrested as soon as his plane touched down. Or so the excuse went. While the scenario might have indeed played out that way, the story of his hypothetical incarceration was at that time more a part of the legend of Polanski than it was a matter of truth. More hearsay and speculation than complete fact.

Now the difference between that legend and the lesser-known truth is exposed in the documentary Roman Polanski: Wanted and Desired. And basically it's the gap between a generalized truth and the whole truth. So, yes, as we all heard and/or discussed at our Oscar parties five years ago, Polanski was in fact a fugitive, having fled the United States in 1978 after pleading guilty to having sex with a 13-year-old girl. But there is so much more to the story than just that.

Growing up in suburban Los Angeles, I knew Roman Polanski as a celebrity long before I knew his work as a film director. The murder of his wife by the Manson Family in 1969 and his controversial rape case in 1977 were well covered in the media, and I formed strong negative opinions about him, especially after he fled the US in 1978.

Still, I'd heard such interesting things about Marina Zenovich's doc Roman Polanski: Wanted and Desired -- including Erik Davis' excellent, measured review from Sundance -- that I made sure to tune in when it premiered on HBO on Monday night after an extremely-limited theatrical qualifying run in New York and Los Angeles.

Before the broadcast, Slate reported that HBO changed the ending after Los Angeles Superior Courts officials complained. The Los Angeles Times published a similar story on Tuesday. Erik described what he saw at Sundance: "Perhaps the most fascinating fact (and this was something I did not know) came in the reveal that, when a new judge was assigned to the case in 1997, he agreed to throw out the charges if Polanski were to return to the States -- on one condition: that the hearing be televised. Because of that, Polanski decided against coming back."

It's been clear for several weeks now that the independent distribution company THINKfilm has been suffering from some money troubles. Around the time the Cannes Film Festival kicked off this month, blogger AJ Schnack assembled reports from various sources that the company owed a lot of money to many different places. Now, Nikkie Finke reports that Allied Advertising Ltd. filed a lawsuit in Los Angeles Superior Court today against THINKfilm owner David Bergstein, claiming that THINKfilm failed to pay for Allied's advertising services in a timely manner, while the distributor pretended that wasn't the case. A serious problem indeed.

It's a little unfair, however, for Allied to complain about THINKfilm's decision to continue doing what they do best -- buying films. The lawsuit says that the company embarked on a "lavish film licensing buying spree at various film festivals around the world," rather than exclusively focusing on paying off debt. It's worth noting that THINKfilm remained fairly withdrawn at Cannes this year, and while they did pick up theatrical rights for Marina Zenovich's Roman Polanski: Wanted and Desired at Sundance, the film already had a television deal in place with HBO. Meanwhile, the company has dropped Battle in Seattle, which it originally purchased at the Toronto Film Festival. The "buying spree" sounds like needless exaggeration on Allied's part. Whatever the case, given THINKfilm's track record (they did guide Ryan Gosling to his Half Nelson Oscar nod), one hopes they'll survive this nasty legal snafu.

For those who aren't familiar with the infamous charges brought up against director Roman Polanski thirty years ago, Roman Polanski: Wanted and Desired brings us a heavily detailed and fascinating look inside the events surrounding the trial, while presenting a portrait of an injured artist who's wanted by law enforcement here in the States, yet desired around the globe for being the man behind such classic films as Rosemary's Baby, Chinatown and The Tenant.

Director Marina Zenovich coughs up tons of tasty archival footage -- coupled with interviews from both sides of the case -- while piecing together the events leading up to February 1, 1978; the day Polanski boarded a plane heading for France and never returned. Unfortunately, the two most prominent characters in the film, Polanski and Judge Laurence J. Rittenband, are not interviewed -- though we hear plenty from Polanski through thirty-year-old interviews. It is not the most powerful or emotional film, but it's certainly engaging enough to warrant the recent rights purchase by The Weinstein Co. and HBO.

He grew up in terrible conditions; he directed great movies; his wife was murdered; he fled the country; he made some more good movies. Roman Polanski's life story sounds like it would make a great film, and Marina Zenovich focused on one aspect to make her documentary, Roman Polanski: Wanted and Desired. The film had its World Premiere at Sundance on Friday night, and instantly sparked a bidding war. The Weinstein Co. won, according to Variety.

Anne Thompson's article says that The Weinstein Co. nabbed all international rights and is still on the hunt for domestic rights. You'd think they would have the inside track, but evidently Focus Features is still dueling with the Weinsteins for the US distribution deal.

Zenovich's doc "reveals that justice may not have been served when Polanski was convicted of unlawful intercourse with a minor." Zenovich actually re-opened the case by talking to all the principals, including Polanski's attorney and the trial judge. The director has been in exile from the United States for 30 years. Based on the notoriety of the case, Variety speculates that the doc "will certainly generate media coverage." That may help the doc to break through in the currently-gloomy theatrical market for documentaries. Look for a review of the doc shortly, right here at Cinematical.

UPDATE: Anne Thompson at Variety reports that HBO Documentary Films has secured North American rights in a separate deal that was closed on Saturday night. However, the movie may not get a theatrical release after all; more details in her story.