martin landau Tagged Articles at Cinematical

I can't imagine a more apt title for Lovely, Still than the one it has. This sweet, surprising story about romance between senior citizens is uncommonly lovely, and a serene stillness rests over most of it. Of course, the title works the other way, too: The process of falling in love is lovely, still, even after all these years.

It is Christmastime in an unnamed snowy town, and Robert Malone (Martin Landau) is a lonely old man. He lives by himself in a house that he has occupied for 48 years, a house with minimal furniture and no pictures on the walls. The only gift under his Christmas tree is one he wrapped himself, addressed to himself. He works part-time as a bagger at a grocery store, where the doofy, over-eager manager, Mike (Adam Scott), wants him to invest in the publication of a homemade book of Christmas recipes.

Across the street, a widow named Mary (Ellen Burstyn) and her daughter Alex (Elizabeth Banks) have just moved in. Mary, seemingly smitten upon first laying eyes on the old man, invites Robert to dinner. Delighted by his sudden great fortune, Robert seeks dating advice from everyone he encounters the following day. Has he never even been on a date? Or has it just been too long since the last time?

Soon the two are dating, with Mary taking charge and Robert awestruck by her attention. He cannot believe that love has finally found him, so late in life. For the first time, he will have someone to spend Christmas with.

He's already made a documentary about the quest to meet his father, and now Adrian Grenier is heading for doc land again for what sounds like a pretty funky endeavor.

The Hollywood Reporter posts that Grenier has nabbed a number of big names that include Alec Baldwin, Whoopi Goldberg, Eva Longoria, Paris Hilton, Rosie O'Donnell, Martin Landau, Noam Chomsky, and Lewis Black for his new documentary titled Teenage Paparazzi. While this sounds like it could be centered on the phenomenon of Lindsays and Britneys, the film will focus on Grenier's "relationship with a 14-year-old paparazzo who took his photo," while also discussing the culture of fame.

But here is where things take an interesting turn -- the film "will interweave the relationship portrait with philosophical interviews in the style of Ricard LInklater's Waking Life." If that means just a bunch of discussions, cool. If that means that those discussions will be rotoscoped, that would be awesome. RIght now, the film is getting shopped to distributors, but hopefully we'll find out more soon.

The first trailer for City of Ember has just arrived online (watch it above or over on the film's official site). Cinematical premiered the teaser poster for City of Ember not long ago, and it looks like the folks from 20th Century Fox and Walden Media are itching to get the buzz going on this one by debuting a trailer long before the film's October 10th release date. This will also be the same trailer that plays in front of Prince Caspian this weekend. Based on the best-selling novel, City of Ember was produced by Tom Hanks and stars Bill Murray, Saoirse Ronan, Tim Robbins, Martin Landau, Toby Jones and Harry Treadaway. Directed by Gil Kenan (Monster House), the synopsis for Ember looks like this:

"For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. But Ember's once powerful generator is failing . . . and the great lamps that illuminate the city are starting to flicker. Now, two teenagers in a race against time, must search Ember for clues that will unlock the ancient mystery of the city's existence, and help the citizens escape before the lights go out forever."

What say you? I think it definitely has potential, especially with that cast. (Seems like a cool book, too.)

Cinematical has just received this exclusive teaser poster for City of Ember (click to enlarge), due out this October 10th courtesy of 20th Century Fox and Walden Media. Based on the best-selling novel from Jeanne Duprau, City of Ember was written by Caroline Thompson (Edward Scissorhands) and directed by the very talented Gil Kenan (Monster House). Oh, but the talent doesn't stop there -- check out this cast: Bill Murray, Saoirse Ronan, Tim Robbins, Martin Landau, Toby Jones and Harry Treadaway. And did I mention it was produced by Tom Hanks?

And here's a synopsis for ya: "For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. But Ember's once powerful generator is failing . . . and the great lamps that illuminate the city are starting to flicker. Now, two teenagers in a race against time, must search Ember for clues that will unlock the ancient mystery of the city's existence, and help the citizens escape before the lights go out forever."

Early buzz tells us the film looks gorgeous, so that's definitely a good sign. We've also been told that the first trailer for City of Ember will debut in front of Prince Caspian this weekend. (Chalk up another reason to hang with those peeps over in Narnia.) Once again, City of Ember arrives in theaters on October 10th.

So who's excited for this one?

Imagine graduating from high school, making a few short films and music videos in Omaha, Nebraska, and then deciding to write a feature. So far, it seems completely plausible. Now, imagine that you write one with Oscar winner Martin Landau in mind for the lead. Still, it can happen, although it's a pretty optimistic endeavor. Top that off by imagining that he actually agrees to do it, and then you score one hell of a cast to go along with him. It sounds like a fanboy fantasy, but according to The Hollywood Reporter, it's come true for one luck Nebraskan filmmaker.

Nik Fackler wrote up Lovely Still, a "holiday fable," about this old man who works as a bagger in a grocery store when he finally finds his first love. He scored himself a meeting with Landau, spent hours convincing him that he was worth it, and things went on from there. Landau got Ellen Burstyn involved, who will play his paramour, and then Elizabeth Banks (the future porno-making Miri) signed on to play her daughter, and Adam Scott (the jerky husband on Tell Me You Love Me) signed on to play the store owner. Fackler is even getting a score from Nathaniel Walcott and Michael Riley Mogis of Bright Eyes. Talk about a killer first-feature gig. Producer Lars Knudsen says: "It's a testament to his talent, that at such a young age he has wooed actors like Martin and Ellen; he's one of those naturals who never went to film school." Knudsen also wonders if Nik will follow in fellow Omaha native Alexander Payne's footsteps. They're currently filming over there in Nebraska.

I'm completely sold. How about you?

Jonathan Kesselman wrote and directed The Hebrew Hammer, a comedy about an Orthodox Jewish Blaxploitation hero (Adam Goldberg) who saves Hanukkah from the evil offspring of Santa Claus (Andy Dick). The film has become a cult favorite, and you should add it to your holiday viewing list this year. In addition to being a successful screenwriter, Jonathan teaches Writing Comedy for Film and Television at Yale University. He has some great tips for aspiring comedy writers.

Cinematical: When did you know you wanted to be a writer?

Jonathan Kesselman: I always loved writing. When I was in the 5th grade, I was pulled out of my class and put onto the 12th grade yearbook staff writing copy. For a while, I thought I wanted to be a journalist. In college, I majored in Psychology -- neuroscience was my field. I realized that I didn't like slicing rat brains. I remember really searching for what it was that I wanted to do with my life. And I had always been obsessed with movies. I remember having this existential crisis pre-graduation, and then seeing a documentary on Your Show of Shows, and it hit me that I was put on this earth to make fun of people.

Cinematical: So you threw the rat in the air triumphantly...

JK: I ate the rat -- tasty! Yeah, I graduated, and decided I wanted to go to film school. I eventually went to graduate school at USC for film production.

I first saw Ed Wood at a midnight screening on opening weekend. Even 13 years ago, I was not much of a midnight-movie person, but I thought the late-night audience would be a lot more fun and responsive to a Tim Burton film than, say, the matinee crowd. It turned out not to matter much. Ed Wood isn't a movie that needs a packed house; although the black-and-white images look fabulous on a big theater screen, the movie is equally enjoyable at home, curled up on the sofa with the one you love and some popcorn or beer, and trying to mimic the Bela Lugosi love-spell hand movements along with the title character, as in the photo above.

Ed Wood is a sweet, touching movie about a guy who likes to make low-budget movies and wear women's clothing -- often at the same time. The movie was released in 1994, back in the day when Johnny Depp had a much smaller cult following of women who swooned over him ... and Ed Wood probably didn't do much to increase that cult unless you liked the look of a guy in angora and lipstick. Tim Burton directed -- his second time working on a feature with Depp. Currently, it is my favorite of all the Burton-Depp films. The script was written by Scott Alexander and Larry Karaszewski, who also worked together on the biopics The People vs. Larry Flint and Man on the Moon.

Last month, Bill Murray signed on for his first live-action feature in a few years, Fox Walden's adaptation of Jeanne Duprau's City of Ember. The film is being directed by Gil Kenan, the man who brought us the Oscar-nominated Monster House, from an adaptation by Caroline Thompson, who has penned many-a Tim Burton film from Edward Scissorhands to Corpse Bride. With production currently underway in Belfast, we've finally got word on the rest of the cast, which is pretty impressive -- Tim Robbins, Martin Landau, Marianne Jean-Baptiste and Harry Treadaway.

To recap -- the story is about a city called Ember, which is always in the dark of night, and gets all of its light from electric lamps. Two children, Lina Mayfleet and Doon Harrow, see that the lights are beginning to flicker and are determined to find out why -- thereby unraveling the strange story of the city, and becoming their home's hope for survival before the lights go out for good. Lina is being played by Atonement star Saoirse Ronan, and Doon is Harry Treadaway, whose most recent film is the Ian Curtis biopic -- Control. Bill Murray is, as expected, The Mayor of Ember, who the children go up against, and as for the rest of the new cast -- Robbins is Doon's father and an inventor who holds a secret about the city, Landau is Doon's boss in the Pipeworks and Jean-Baptise is a greenhouse worker. Between the talent behind the production and the story itself, I'm itching to see what they make of the dark, electric-lit world.