mary beth hurt Tagged Articles at Cinematical
Hanks' Kid is Untraceable
Filed under: Thrillers », Casting », Newsstand »
It's all about beefing up a film's cast today, as the new Diane Lane flick, Untraceable, has added a few more names to its pot. Colin Hanks, Billy Burke, Joseph Cross and Mary Beth Hurt have joined Lakeshore Entertainment's thriller, which follows an FBI agent (Lane) while she attempts to track down "a ruthless online predator." So, basically, it's like an extended Law & Order/FBI Files episode, only with a bunch more familiar faces.
Hanks is set to play Lane's FBI partner (can you believe Tom Hanks' kid is now playing an FBI agent in a film?), while Burke shall play Lane's lover, Hurt, her mother, and Cross will take on the role of villain. Gregory Hoblit (Frequency, Fallen) who, coincidentally, directed episodes of L.A. Law and Hill Street Blues back in the day, has come on board to helm the pic, which begins production next month in Portland, Oregon. Bonus points go to scribes Robert Fyvolent and Mark R. Brinker for penning an original script (as in Untraceable will not be based off some novel, short story, play, etc ...), though Cross isn't a very scary bad guy -- then again, online predators are known to blend in with the crowd. Hmm, I wonder if this one will end with a crew from Dateline NBC showing up to spoil the party?
Review: The Dead Girl
Filed under: Drama », Independent », Thrillers », New Releases », Theatrical Reviews », Cinematical Indie »

We hear it on the news twice a week, it seems: A young dead woman has been found on the road, in a ditch, back behind someone's barn, etc. We give the news a casual listen, perhaps offer a brief bit of sympathy to the girl's family, and then throw our focus back into our own lives. The world can be an ugly place; best not to dwell on the more horrific aspects of it ... until we have to.
Karen Moncrieff's follow-up to 2002's Blue Car is a decidedly unique take on the "serial killer movie." The Dead Girl is not a mystery, nor is it really a thriller. It's more of an anthology piece that introduces us to a collection of people on the periphery of a horrible murder. It's not a movie about the killer, per se, nor is it a character study of the victim ... except when it is. It's a tough movie to describe, a tougher movie to "enjoy," but an easy one to recommend -- provided you don't mind a little darkness, gloom and sobriety mixed in with your indie-style ensemble pieces.









